-
2
-
-
0011660177
-
Travelling Sounds: Whose Centre, Whose Periphery?
-
Chambers, Iain 1992. “Travelling Sounds: Whose Centre, Whose Periphery?” Popular Music Perspectives 3:141-6.
-
(1992)
Popular Music Perspectives
, vol.3
, pp. 141-146
-
-
Chambers, I.1
-
3
-
-
84968180938
-
On Ethnographic Authority
-
Clifford, James. 1983. “On Ethnographic Authority” Representations 2:118-46.
-
(1983)
Representations
, vol.2
, pp. 118-146
-
-
Clifford, J.1
-
4
-
-
85065634321
-
Traveling Cultures
-
Lawrence Grossberg et al., New York: Routledge
-
Clifford, James. 1992 “Traveling Cultures” in Cultural Studies, edited by Lawrence Grossberg et al., 96-116. New York: Routledge.
-
(1992)
Cultural Studies
, pp. 96-116
-
-
Clifford, J.1
-
8
-
-
84916997107
-
Kassav
-
D., Elizabeth. 1987. “Kassav” Actuel (91):93-6, 176.
-
(1987)
Actuel
, vol.91
, Issue.176
, pp. 93-96
-
-
Elizabeth, D.1
-
9
-
-
0030306711
-
The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s
-
Erlmann, Veit. 1996. “The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s.” Public Culture 8(3):467-87.
-
(1996)
Public Culture
, vol.8
, Issue.3
, pp. 467-487
-
-
Erlmann, V.1
-
10
-
-
0002423723
-
Notes on World Beat
-
Feld, Steven. 1988a. “Notes on World Beat” Public Culture Bulletin 1(1):31-7.
-
(1988)
Public Culture Bulletin
, vol.1
, Issue.1
, pp. 31-37
-
-
Feld, S.1
-
11
-
-
0040396292
-
Aesthetics as Iconicity of Style (Uptown Title), or (Downtown Title) ‘Lift-Up-Over Sounding’: Getting into the Kaluli Groove
-
Feld, Steven. 1988b. “Aesthetics as Iconicity of Style (Uptown Title), or (Downtown Title) ‘Lift-Up-Over Sounding’: Getting into the Kaluli Groove” Yearbook for Traditional Music 20:74-113.
-
(1988)
Yearbook for Traditional Music
, vol.20
, pp. 74-113
-
-
Feld, S.1
-
12
-
-
0002388657
-
The Industrialization of Music
-
James Lull, Newbury, CA: Sage Publications
-
Frith, Simon. 1987. “The Industrialization of Music” in Popular Music and Communication, edited by James Lull, 52-77. Newbury, CA: Sage Publications.
-
(1987)
Popular Music and Communication
, pp. 52-77
-
-
Frith, S.1
-
13
-
-
61949326481
-
How Autonomous is Relative: Popular Music, the Social Formation and Cultural Struggle
-
Garofalo, Reebee. 1987. “How Autonomous is Relative: Popular Music, the Social Formation and Cultural Struggle.” Popular Music 6(1):77-92.
-
(1987)
Popular Music
, vol.6
, Issue.1
, pp. 77-92
-
-
Garofalo, R.1
-
16
-
-
0011541617
-
World Beat and the Cultural Imperialism Debate
-
Goodwin, Andrew, and Joe Gore. 1990. “World Beat and the Cultural Imperialism Debate” Socialist Review 20(3):63-80.
-
(1990)
Socialist Review
, vol.20
, Issue.3
, pp. 63-80
-
-
Goodwin, A.1
Gore, J.2
-
17
-
-
33846301638
-
Authority’ revisited: The ‘Other’ in anthropology/and popular music
-
Grenier, Line, and Jocelyne Guilbault. 1990. “‘Authority’ Revisited: the ‘Other’ in Anthropology/and Popular Music.” Ethnomusicology 34(3):381-98.
-
(1990)
Ethnomusicology
, vol.34
, Issue.3
, pp. 381-398
-
-
Grenier, L.1
Guilbault, J.2
-
19
-
-
0002905905
-
Culture, Media and the ‘Ideological Effect
-
J. Curran, M. Gurevitch, and J. Woolacot, London: Sage Publications
-
Hall, Stuart. 1979. “Culture, Media and the ‘Ideological Effect.’” in Mass Communication and Society, edited by J. Curran, M. Gurevitch, and J. Woolacot, 315-48. London: Sage Publications.
-
(1979)
Mass Communication and Society
, pp. 315-348
-
-
Hall, S.1
-
20
-
-
84970126760
-
Cosmopolitans and locals in world culture
-
Mike Featherstone, Newbury Park, CA: Sage Publications
-
Hannerz, Ulf. 1990. “Cosmopolitans and Locals in World Culture.” in Global Culture: Nationalism, Globalization and Modernity, edited by Mike Featherstone, 237-52. Newbury Park, CA: Sage Publications.
-
(1990)
Global Culture: Nationalism, Globalization and Modernity
, pp. 237-252
-
-
Hannerz, U.1
-
21
-
-
84923610637
-
Introduction: Inventing Traditions
-
E. Hobsbawm and Terence Ranger, Cambridge: Cambridge University Press
-
Hobsbawm, Eric. 1983. “Introduction: Inventing Traditions.” in The Invention of Tradition, edited by E. Hobsbawm and Terence Ranger, 1-14. Cambridge: Cambridge University Press.
-
(1983)
The Invention of Tradition
, pp. 1-14
-
-
Hobsbawm, E.1
-
22
-
-
84917298421
-
World Music: Songs from the Global City
-
sert notes accompanying, compact disc VDWM1
-
Hopkins, Simon. 1991.“World Music: Songs from the Global City.” Insert notes accompanying The Virgin Directory of World Music compact disc VDWM1.
-
(1991)
The Virgin Directory of World Music
-
-
Hopkins, S.1
-
23
-
-
9644264635
-
People's Music Comparatively: Style and Stereotype, Class and Hegemony
-
Keil, Charles. 1985. People's Music Comparatively: Style and Stereotype, Class and Hegemony.” Dialectical Anthropology 10:119-30.
-
(1985)
Dialectical Anthropology
, vol.10
, pp. 119-130
-
-
Keil, C.1
-
24
-
-
4244161529
-
Le Carnaval de l'‘autre’: A propos d' ‘authenticité’ en matière de musique guadeloupéenne, théories et réalités
-
May
-
Lafontaine, Marie-Céline. 1983. “Le Carnaval de l'‘autre’: A propos d' ‘authenticité’ en matière de musique guadeloupéenne, théories et réalités” Les temps modernes, May, 2126-73.
-
(1983)
Les temps modernes
, pp. 2126-2173
-
-
Lafontaine, M.-C.1
-
27
-
-
84976013280
-
Popular Music as Alternative Communication: Uruguay. 1973-82
-
Martins, Carlos Alberto. 1988. “Popular Music as Alternative Communication: Uruguay. 1973-82” Popular Music 7(1):77-94.
-
(1988)
Popular Music
, vol.7
, Issue.1
, pp. 77-94
-
-
Martins, C.A.1
-
28
-
-
0013141012
-
Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning
-
Meintjes, Louise. 1990. “Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning” Ethnomusicology 34(1):37-74.
-
(1990)
Ethnomusicology
, vol.34
, Issue.1
, pp. 37-74
-
-
Meintjes, L.1
-
29
-
-
0013044881
-
A View from the South: Spanish Caribbean Perspectives on World Beat
-
Pacini Hernandez, Deborah. 1993. “A View from the South: Spanish Caribbean Perspectives on World Beat” The World of Music 35(2):48-69.
-
(1993)
The World of Music
, vol.35
, Issue.2
, pp. 48-69
-
-
Deborah, P.H.1
-
30
-
-
85180838003
-
Representations Are Social Facts, Modernity and Post Modernity in Anthropology
-
J. Clifford and G. E. Marcus, Berkeley and Los Angeles: University of California Press
-
Rabinow, Paul. 1986. “Representations Are Social Facts. Modernity and Post Modernity in Anthropology”. in Writing Culture: The Poetics and Politics of Ethnography,.edited by J. Clifford and G. E. Marcus, 234-61. Berkeley and Los Angeles: University of California Press.
-
(1986)
Writing Culture: The Poetics and Politics of Ethnography
, pp. 234-261
-
-
Rabinow, P.1
-
32
-
-
84971745912
-
Introduction
-
Rijven, Stan. 1989. “Introduction.” Popular Music 8(3):215-19.
-
(1989)
Popular Music
, vol.8
, Issue.3
, pp. 215-219
-
-
Rijven, S.1
-
33
-
-
84963429195
-
Reimagined Communities? European Image Spaces, Beyond Fordism
-
Robins, Kevin. 1989. “Reimagined Communities? European Image Spaces, Beyond Fordism.” Cultural Studies 3(2):145-65.
-
(1989)
Cultural Studies
, vol.3
, Issue.2
, pp. 145-165
-
-
Robins, K.1
-
34
-
-
84925921880
-
The Use and Abuse of Anthropology: Reflections on Feminism and Cross-Cultural Understanding
-
Rosaldo, Michelle Z. 1980. “The Use and Abuse of Anthropology: Reflections on Feminism and Cross-Cultural Understanding.” Signs 5(3):389-417.
-
(1980)
Signs
, vol.5
, Issue.3
, pp. 389-417
-
-
Rosaldo, M.Z.1
-
35
-
-
84917298420
-
Magic Music of the French Antilles
-
Scaramuzzo, Gene. 1986. “Zouk: Magic Music of the French Antilles.” Reggae and African Beat 5(4):27-31.
-
(1986)
Reggae and African Beat
, vol.5
, Issue.4
, pp. 27-31
-
-
Scaramuzzo, G.1
-
36
-
-
84956364371
-
Systems of Articulation, Logics of Change: Communities and Scenes in Popular Music
-
Straw, Will. 1991. “Systems of Articulation, Logics of Change: Communities and Scenes in Popular Music.” Cultural Studies 5(3):368-88.
-
(1991)
Cultural Studies
, vol.5
, Issue.3
, pp. 368-388
-
-
Straw, W.1
-
37
-
-
60950590143
-
A Short History of Andean Music in Lima: Demographics, Social Power, and Style
-
Turino, Thomas. 1988. “A Short History of Andean Music in Lima: Demographics, Social Power, and Style” Latin American Music Review 9(2):127-50.
-
(1988)
Latin American Music Review
, vol.9
, Issue.2
, pp. 127-150
-
-
Turino, T.1
-
38
-
-
61149624350
-
Structure, Context, and Strategy in Musical Ethnography
-
Turino, Thomas. 1990. “Structure, Context, and Strategy in Musical Ethnography” Ethnomusicology 34(3):399-412.
-
(1990)
Ethnomusicology
, vol.34
, Issue.3
, pp. 399-412
-
-
Turino, T.1
-
39
-
-
45549087545
-
Argentina's Rock Nacional: The Struggle for Meaning
-
Vila, Pablo. 1989. “Argentina's Rock Nacional: The Struggle for Meaning.” Latin American Music Review 10(1):1-28.
-
(1989)
Latin American Music Review
, vol.10
, Issue.1
, pp. 1-28
-
-
Vila, P.1
-
42
-
-
0001097639
-
Our Tradition is a Very Modern Tradition
-
Waterman, Christopher Alan. 1990b. “Our Tradition is a Very Modern Tradition.” Ethnomusicology 34(3):367-80
-
(1990)
Ethnomusicology
, vol.34
, Issue.3
, pp. 367-380
-
-
Waterman, C.A.1
|