A heroic male and a beautiful woman. Teemu mäki, orlan and the ambivalence of the grotesque body

NORA - Nordic Journal of Feminist and Gender Research

Volumn 10, Issue 3, 2002, Pages 154-167

  Vänska, Annamari ^a  

^a UNIVERSITY OF HELSINKI   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84917276770     PISSN: 08038740     EISSN: 1502394X     Source Type: Journal    
DOI: 10.1080/080387402321012180     Document Type: Article

References (41)

1. Ayers, Robert. 2000. Serene and happy and distant: an interview with Orlan. In Featherstone, Mike (ed.): Body modifications. London: Sage Publications, New Delhi: Thousand Oaks.
2. Bakhtin, Mikhail. 1965-1984. Rabelais and his world. Translated by Helene Iswolsky. Bloomington: Indiana University Press.
3. Barasch, Frances K. 1971. The grotesque. A study in meanings. The Hague, Paris: Mouton.
4. Betterton, Rosemary. 1996. An intimate distance. Women, artists and the body. London & New York: Routledge.
5. Bordo, Susan. 1993. Unbearable weight. Feminism, western culture, and the body. Berkeley and Los Angeles, CA: University of California Press.
6. Bordo, Susan. 1989. The body and the reproduction of femininity: a feminist appropriation of Foucault. In Jaggar, Alison and Bordo, Susan (eds.): Gender/body knowledge. Boston: Rutgers University Press, 13-33.
7. Bryson, Norman. 1994. Géricault and masculinity. In Bryson, Norman, Holly, Michael Ann and Moxey, Keith (eds.): Visual culture. Images and interpretations . Hannover & London: University Press of New England, 228-259.
8. Butler, Judith. 1999. Gender trouble. Feminism and the subversion of identity New York & London:. Routledge.
9. Carrigan, Tim, Connell, R. W. and Lee, John. 1985. Toward a new sociology of masculinity. Theory and Society, 14, 551-604.
10. Carroll, Noe¨l. 1987. The nature of horror. Journal of Aesthetics and Art Criticism, 46, 51-59.
11. Davis, Kathy. 1995. Reshaping the female body. The dilemma of cosmetic surgery. New York and London: Routledge.
12. Foucault, Michel. 1997. The archaeology of knowledge. Translated by A. M. Sheridan Smith. London and New York: Routledge.
13. Foucault, Michel. 1980a. Discipline and punish: The birth of the prison. Translated by Alan Sheridan. New York: Pantheon.
14. Foucault, Michel. 1980b. The history of sexuality. Volume I: an introduction. Translated by Robert Hurley. New York: Vintage Books.
15. Forte, Jeannie. 1988. Women’s performance art: feminism and postmodernism. Theatre Journal, 40, 217-235.
16. Freud, Sigmund. 1917-1981. The “uncanny”. In the standard edition of the complete psychological works of Sigmund Freud, volume 17 (1917-1919). An infantile neurosis and other works. London: The Hogarth Press and The Institute of Psycho-Analysis, 218-253. The article was first published under the name “Das Unheimliche” in 1917 in Imago, 5(5-6), 297-324.
17. Harpham, Geoffrey Galt. 1982. On the Grotesque: strategies of contradiction in art and literature. Princeton NJ: Princeton UP.
18. Hearn, Jeff. 1998. The violences of men. How men talk about and how agencies respond to men’s violence to women. London: Sage Publications, New Delhi: Thousand Oaks.
19. Horkheimer, Max and Adorno, Theodor W. 1969. Interesse am körper. In Horkheimer, Max and Adorno, Theodor W.: Dialektik der aufklärung. Philosophische fragmente. S. Fischer Verlag GmbH, Frankfurt am Main, 246-250.
20. Jokinen, Arto. 2000. Panssaroitu maskuliinisuus. Mies, väkivalta ja kulttuuri (Armoured masculinity. Man, violence and culture). Tampere: Tampere University Press.
21. Kayser, Wolfgang. 1963. The grotesque in art and literature. Bloomington: Indiana University Press.
22. Klocker, Hubert (ed.). 1989. Viennese aktionism. Vienna 1960-1971. Volume 2. The shattered mirror. Klagenfurt: Ritter Verlag.
23. De Lauretis, Teresa. 1987. Technologies of gender. Essays on theory, film and fiction. Bloomington and Indianapolis: Indiana University Press.
24. Lippard, Lucy R. 1976-1995. The pains and pleasures of rebirth: European and American women’s body art. In Lippard, Lucy R. The pink glass swan. Selected essays on feminist art. New York: The New Press, 99-113.
25. McDonald, Helen. 2001. Erotic ambiguities. The female nude in art. London and New York: Routledge.
26. Mulvey, Laura. 1975. Visual pleasure and narrative cinema. Screen, 16(3), 6-18.
27. Nead, Lynda. 1992. The female nude. Art, obscenity and sexuality. London and New York: Routledge.
28. Orlan. 1996. Conference. In McCorquodale, Duncan (ed.): Orlan This is my body … This is my software … London: Black Dog Publishing
29. Orlan. 1995. I do not want to look like … Orlan on becoming-Orlan. In Women’s Art Magazine, No. 64, May-June 1995, 5-10.
30. Pollock, Griselda. 1999. Differencing the Canon: feminist desire and the writing of art’s histories. London: Routledge.
31. Reik, Theodor. 1962. Masochism in sex and society. Translated by Margaret H. Beigel and Gertrud M. Kurth. New York: Grove Press.
32. Rose, Barbara. 1993. Is it art? Orlan and the transgressive act. Art in America, No. 81, February 1993, 83-125.
33. Russo, Mary. 1995. The female grotesque - risk, excess and modernity. New York, London: Routledge.
34. Saunders, Gill. 1989. The nude. A new perspective. Cambridge, Philadelphia, San Francisco, London, Mexico City, São Paulo, Singapore, Sydney: Harper & Row.
35. Sawday, Jonathan. 1995. The Body emblazoned: dissection and the human body in Renaissance culture. New York: Routledge.
36. Silverman, Kaja. 1992. Male subjectivity at the margins. New York and London: Routledge.
37. Solomon-Godeau, Abigail. 1997. Male trouble: A crisis in representation. London: Thames and Hudson, Ltd.
38. Stallybrass, Peter. 1990. Marx and heterogenity: thinking the lumpenproletariat. Representations, 31, 69-95.
39. Stallybrass, Peter, and White, Allon. 1986. The politics and poetics of transgression. London: Methuen & Co. Ltd.
40. Steinberg, Leo. 1996. The sexuality of Christ in Renaissance art and in modern oblivion. Chicago and London: The University of Chicago Press.
41. Thomson, Rosemarie Garland. 1997. Extraordinary bodies: figuring physical disability in American culture and literature. New York: Columbia University Press.