Repeat viewings: Television analysis in the DVD age

Film and Television After DVD

Volumn , Issue , 2008, Pages 63-80

  Walters, James ^a  

^a UNIVERSITY OF BIRMINGHAM   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84917215709     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203894293     Document Type: Chapter

References (16)

1. Akass, K. et al. (2006) "Editorial," Critical Studies in Television: scholarly studies in small screen fictions, 1(1): 1-2.
2. Brookey, R. A. and Westerfelhaus, R. (2002) "Hiding Homoeroticism in Plain View: The Fight Club DVD as Digital Closet," Critical Studies in Media Communication, 19(1): 21-43.
3. Brunsdon, C. (1997) Screen Tastes: soap opera to satellite dishes, London: Routledge.
4. Bulkley, K. (2007, May 3) "No Punches Pulled in High Definition War," The Guardian, Online. Available HTTP: http://www.guardian.co.uk/technology/2007/may/03/newmedia.media (accessed 2 August 2007).
5. Cardwell, S. (2006) "'Television Aesthetics' and Close Analysis: Style Mood and Engagement in Perfect Strangers" in J. Gibbs and D. Pye (eds) Style and Meaning: studies in the detailed analysis of film, Manchester: Manchester University Press: 179-194.
6. Cardwell, S. and Peacock, S. (2006) 'Introduction,' Journal of British Cinema and Television, 3(1): 1-4.
7. Cover, R. (2005) "DVD Time: Temporality, Audience Engagement and the New TV Culture of Digital Video," Media International Australia Incorporating Culture and Policy, 117: 137-147.
8. Creeber, G. (2006) "The Joy of Text? Television and Textual Analysis," Critical Studies in Television: Scholarly Studies in Small Screen Fictions, 1(1): 81-8.
9. Geraghty, C. (2003) "Aesthetics and Quality in Popular Drama," International Journal of Cultural Studies, 6(1): 25-45.
10. Hills, M. (2007) "From the Box in the Corner to the Box Set on the Shelf: "TVIII" and the Cultural/Textual Valorisations of DVD," New Review of Film and Television Studies, 5(1): 41-60.
11. Jacobs, J. (2001) "Issues of Judgement and Value in Television Studies," International Journal of Cultural Studies, 4(4): 427-47.
12. Mulvey, L. (2006) "Repetition and return: textual analysis and Douglas Sirk in the twenty-first century," in J. Gibbs and D. Pye (eds) Style and Meaning: studies in the detailed analysis of film, Manchester: Manchester University Press: 228-243.
13. Peacock, S. (2007) Reading 24: TV against the clock, London: I.B. Tauris.
14. Thomas, D. (2006) 'Reading Buffy,' in J. Gibbs and D. Pye (eds) Close Up, London: Wallflower.
15. Walters, J. (2006) "Saving Face: Inflections of Character Role-play in Shameless," Journal of British Cinema and Television, 3(1): 95-106
16. Wilson, G.M. (1997) "On Film Narrative and Narrative Meaning," in R. Allen and M. Smith (eds) Film Theory and Philosophy, Oxford: Oxford University Press: 221-238.