More "moments of television" Online cult television authorship

Flow TV: Television in the Age of Media Convergence

Volumn , Issue , 2010, Pages 95-113

  Kompare, Derek ^a  

^a SOUTHERN METHODIST UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84917140336     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203879634     Document Type: Chapter

References (16)

1. Ronald D. Moore, "Black Market," podcast commentary, www.scifi.com/battlestar (transcription, http://en.battlestarwiki.org/wiki/Podcast:Black_Market) (accessed February 24, 2008).
2. Pierre Bourdieu, "The Field of Cultural Production," in The Field of Cultural Production, ed. and trans. Randall Johnson (New York: Columbia University Press, 1993), 30-31;
3. Michel Foucault, "What Is An Author?", in Language, Counter-Memory, Practice: Selected Essays and Interviews, ed. and trans. Donald F. Bouchard (Ithaca: Cornell University Press, 1977), 113-138.
4. Jonathan Sterne, "The Burden of Culture," in The Aesthetics of Cultural Studies, ed. Michael Bérubé (Malden: Blackwell, 2004), 82.
5. John Fiske, "Moments of Television: Neither the Text nor the Audience," in Remote Control: Television, Audiences, & Cultural Power, eds. Ellen Seiter et al. (New York: Routledge, 1989), 56-57.
6. John T. Caldwell, Televisuality: Style, Crisis and Authority in American Television (New Brunswick: Rutgers University Press, 1995), 4-19.
7. For an extensive exploration of these contexts, see John T. Caldwell, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Durham: Duke University Press, 2008).
8. Matt Hills, Fan Cultures (New York: Routledge, 2002), 117-130.
9. Henry Jenkins, Convergence Culture: Where Old and New Media Collide (New York: New York University Press, 2006), 25-92
10. John T. Caldwell, "Cultural Studies of Media Production: Critical Industrial Practices," in Questions of Method in Cultural Studies, eds. Mimi White and James Schwoch (Malden: Blackwell, 2006), 115.
11. See Jason Mittell, "Lost in a Great Story: Evolution in Narrative Television (and Television Studies)," in Reading Lost, ed. Roberta Pearson (London: I.B. Tauris, forthcoming).
12. Robert Alan Brookey and Robert Westerfelhaus, "Hiding Homoeroticism in Plain View: The Fight Club DVD as Digital Closet," Critical Studies in Media Communication 19:1 (2002), 21-43.
13. Derek Kompare, "Publishing Flow: DVD Box Sets and the Reconception of Television," Television and New Media 7:4 (2006), 335-360.
14. Suzanne Scott, "Authorized Resistance: Is Fan Production Frakked?," in Cylons In America: Critical Studies in Battlestar Galactica," eds. Tiffany Potter and C.W. Marshall (New York: Continuum, 2008), 218.
15. Ronald D. Moore, "Scattered," podcast commentary, July 15, 2005, www.scifi.com/battlestar/downloads/podcast/ (transcription, http://en.battlestarwiki.org/wiki/Podcast:Scattered).
16. Ronald D. Moore, "Black Market," podcast commentary, January 26, 2006, www.scifi.com/battlestar/downloads/podcast/ (transcription, http://en.battlestarwiki.org/wiki/Podcast:Black_Market).