American icons: The genesis of a national visual language

American Icons: The Genesis of a National Visual Language

Volumn , Issue , 2007, Pages 1-288

  Feldges, Benedikt ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84917118308     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203937846     Document Type: Book

References (162)

1. Abercrombie, Nicholas (1996) Television and Society. Cambridge: Polity Press
2. Althusser, Louis (1984) Essays on Ideology. London: Verso
3. Anderson, Benedict (1983) Imagined Communities: Reflection on the Origin and Spread of Nationalism. London: Verso
4. Arendt, Hannah (1970) On Violence. New York: Harvest Book
5. Aristotle (1987) Physik; Vorlesung über die Natur. Ed. Hans Günter Zekl, vols. 1-8, Hamburg: Felix Meiner
6. Bakhtin, Mikhail M. (1984) Rabelais and His World. Trans. Helene Iswolsky, Bloomington: Indiana University Press
7. Bakhtin, Mikhail M. (1994) The Dialogic Imagination: Four Essays. Ed. M. Holquist, trans. C. Emerson and M. Holquist. Austin: University of Texas Press
8. Barkin, Steve (2003) American Television News: The Media Marketplace and the Public Interest. Armonk, New York: M. E. Sharpe
9. Barnouw, Erik (1974) Documentary: A History of the Non-Fiction Film. New York: Oxford University Press
10. Barry, Seward A. M. (1997) Visual Intelligence: Perception, Image, and Manipulation in Visual Communication. Albany: State University of New York Press
11. Barthes, Roland (1974) S/Z. R. Miller. New York: Hill and Wang
12. Barthes, Roland (1977) Image-Music-Text. Trans. Stephen Heath. New York: Hill and Wang
13. Barthes, Roland (1988) "The Advertising Message," in The Semiotic Challenge. Trans. Richard Howard. New York: Hill and Wang
14. Barthes, Roland (1994) Mythologies. Selected and trans. by Annette Lavers. New York: Hill and Wang
15. Baudrillard, Jean (1987) The Evil Demon of Images. Sydney: Power Institute of Fine Arts
16. Baudrillard, Jean (1990) Revenge of the Crystal: Selected Writings on the Modern Object and its Destiny, 1968-1983. Ed. and trans. Paul Foss and Julian Pefanis. London: Pluto Press
17. Baudrillard, Jean (2000) Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press
18. Baughman, James L. (1997) The Republic of Mass Culture: Journalism, Filmmaking, and Broadcasting in America Since 1941. Baltimore: John Hopkins University Press
19. Bazin, Germaine (1967) The Museum Age. New York: Universal Press
20. Benjamin, Walter (1969) Illuminations. Ed. Hannah Arendt, trans. H. Zohn. New York: Schocken Books
21. Bennett, Tony (1995) The Birth of the Museum: History, Theory, Politics. London: Routledge
22. Bense, Max (1971) Zeichen und Design: Semiotische Ästhetik. Baden-Baden: Agis
23. Bentele, Günther (1984) Zeichen und Entwicklung. Vorüberlegungen zu einer genetischen Semiotik. Tübingen: Gunter Narr
24. Berger, John (1972) Ways of Seeing. London: BBC and Penguin Books
25. Bertin, Jacques (1983) Semiology of Graphics: Diagrams, Networks, Maps. Trans. William J. Berg. Madison: University of Wisconsin Press
26. Bolvig, Alex ed. (2003) History and Images: Towards a New Iconology. Ed. together with Philip Lindley. Turnhout, Belgium: Brepols Publishers
27. Biere, Bernd Ulrich ed. (1996) Mündlichkeit und Schriftlichkeit im Fernsehen. Ed. together with Rudolf Hoberg. Tübingen: Gunter Narr
28. Boddy, William (1990) Fifties Television: The Industry and Its Critics. Urbana: University of Illinois Press
29. Bourdieu, Pierre (1977) Reproduction in Education, Society, and Culture. Together with Jean-Claude Passeron, trans. Richard Nice. London: Sage Publications
30. Bourdieu, Pierre (1984) Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. Cambridge: Harvard University Press
31. Braun, Gerhard (1987) Grundlagen der visuellen Kommunikation. München: Bruckmann
32. de Certeau, Michel (1984) The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: University of California Press
33. Collini, Stefan ed. (1992) Interpretation and Overinterpretation. Cambridge: Cambridge University Press
34. Curtin, Michael (1995) Redeeming the Wasteland: Television Documentary and Cold War Politics. New Brunswick: Rutgers University Press
35. Dayan, Daniel (1987) "Performing Media Events," in James Curran, Anthony Smith, and Pauline Wingate, eds., Impacts and Influences: Essays on Media Power in the Twentieth Century. London: Methuen
36. Dayan, Daniel (1992) Media Events: The Live Broadcasting of History. Cambridge: Harvard University Press
37. Debord, Guy (1977) Society of the Spectacle. Detroit: Black and Red Books
38. Derrida, Jacques (1978) Of Grammatology. Trans. Gayatri Chakravorty Spivak. Baltimore: John Hopkins University Press
39. Doane, Mary Ann (1990) "Information, Crisis, Catastrophe," in Patricia Mellencamp, ed., Logics of Television: Essays in Cultural Criticism. Bloomington: Indiana University Press
40. Doherty, Thomas (2003) Cold War, Cool Medium: Television, McCarthyism, and American Culture. New York: Columbia University Press
41. Dondis, Donis A. (1993) A Primer of Visual Literacy. Cambridge: MIT Press
42. Eco, Umberto (1979) A Theory of Semiotics. Bloomington: Indiana University Press
43. Eco, Umberto (1981) The Role of the Reader: Explorations in the Semiotics of Texts. London: Hutchinson
44. Eco, Umberto (1986) Travels in Hyperreality: Essays. Trans. William Weaver, "A Helen and Kurt Wolff book." San Diego: Harvest
45. Eco, Umberto (1987) La struttura assente. Milano: Tascabili Bompiani
46. Eco, Umberto (1990) The Limits of Interpretation. Bloomington: Indiana University Press
47. Edgerton, Gary R. ed. (2001) Television Histories: Shaping Collective Memory in the Media Age. Lexington: University Press of Kentucky
48. Elkins, James (1996) The Object Stares Back: On the Nature of Seeing. New York: Simon and Schuster
49. Ellis, John (1993) Visible Fictions. New York: Routledge
50. Epstein, Edward Jay (2000) News from Nowhere: Television and the News. New York: Random House
51. Ewen, Stuart (1988) All Consuming Images: The Politics of Style in Contemporary Culture. New York: Basic Books
52. Feldges, Mathias (1970) "Ein Beispiel für das Weiterbestehen Mittelalterlicher Denkstrukturen in der Barockzeit," in Wirkendes Wort. Vol. 20
53. Fish, Stanley (1980) Is There a Text in This Class? The Authority of Interpretive Communities. Cambridge: Harvard University Press
54. Fiske, John (1989) Reading the Popular. Boston: Unwin Hyman
55. Fiske, John (1989) Understanding Popular Culture. Boston: Unwin Hyman
56. Fleck, Ludwik (1979) Genesis and Development of a Scientific Fact. Trans. Fred Bradley and Thaddeus J. Trenn. Chicago: University of Chicago Press
57. Fong, Weng (1992) Beyond Representation: Chinese Painting and Calligraphy, 8th-14th Century. New York: Metropolitan Museum of Art
58. Foucault, Michel (1971) "Orders of Discourse." Trans. Rupert Swyer, in Social Science Information 10, April
59. Foucault, Michel (1972) The Archaeology of Knowledge and the Discourse on Language. Trans. A. Sheridan Smith. New York: Dorset Press
60. Foucault, Michel (1977) Discipline and Punish: The Birth of the Prison. Trans. A. Sheridan. New York: Pantheon
61. Foucault, Michel (1986) "Of Other Spaces," in Diacritics, Spring
62. Foucault, Michel (1990) The History of Sexuality. Trans. Robert Hurley, New York: Vintage Books
63. Gaur, Albertine (1994) A History of Calligraphy. London: British Library
64. Geertz, Clifford (1973) The Interpretation of Culture: Selected Essays. New York: Basic Books
65. Gipsrud, Jostein (2002) Understanding Media Culture. London: Arnold
66. Gitlin, Todd (1987) The Sixties: Years of Hope, Days of Rage. New York: Bantam Books
67. Gombrich, Ernst H. (1960) Art and Illusion: A Study in the Psychology of Pictorial Representation. New York: Bollingen Series
68. Gómes-Gonzáles, María Á. (2001) The Theme-Topic Interface: Evidence from English. Philadelphia: John Benjamins Publishing Company
69. Goodman, Nelson (1976) Languages of Art: An Approach to the Theory of Symbols. Indianapolis: Hackett Publishing Company
70. Gramsci, Antonio (1971) Selections from the Prison Notebooks. London: Lawrence and Wishart
71. Habermas, Jürgen (1981) The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger and Frederick Lawrence. Cambridge: MIT Press
72. Habermas, Jürgen (1984) The Theory of Communicative Action. Trans. Thomas McCarthy. Boston: Beacon Press
73. Hallin, Daniel C. (1986) The Uncensored War: The Media and Vietnam. New York: Oxford University Press
74. Hanke, Robert (2001) "Quantum Leap: The Postmodern Challenge of Television as History," in Gary R. Edgerton and Peter C. Rollins, eds., Television Histories: Shaping Collective Memory in the Media Age. Lexington: University Press of Kentucky
75. Haug, Wolfgang Fritz (1980) Warenästhetik und kapitalistische Massenkultur-"Werbung" und "Konsum." Berlin: Argument Verlag
76. Hayde, Michael J. (2001) My Name's Friday: The Unauthorized but True Story of Dragnet and the Films of Jack Webb. Nashville: Cumberland House
77. Hegel, Georg W. F. (1940) System der Philosophie. Die Wissenschaft der Logik. Ed. H. Glockner. Sämtliche Werke in 20 Bänden. Vol. 8. Stuttgart: Frommann
78. Hellmann, John (1997) The Kennedy Obsession: The American Myth of JFK. New York: Columbia University Press
79. Higgins, Kathleen Marie (2002) "Television, Realism, and the Distortion of Time," in Ruth Lorand, ed., Television: Aesthetic Reflections. New York: Peter Lang
80. Horowitz, Susan (1997) Queens of Comedy: Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers, and the New Generation of Funny Women. Amsterdam: Gordon and Breach Publishers
81. Howells, Richard (2003) Visual Culture. Cambridge: Polity Press
82. Jakobson, Roman (1962-85) Selected Writings. The Hague: Mouton
83. Jakobson, Roman (1990) "Two Aspects of Language and Two Types of Aphasic Disturbances," in Linda R. Waught and Monique Monville-Burston, eds., On Language. Cambridge: Harvard University Press
84. Jaubert, Alain (1989) Making People Disappear: An Amazing Chronicle of Photographic Deception. McLean: Pergamon-Brassey's International Defense Publishers
85. Jay, Martin (1993) Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press
86. Jehle, Peter (1987) "Zur Herausbildung des Staatstheaters in Frankreich," in Der innere Staat des Bürgertums; Studien zur Entstehung bürgerlicher Hegemonie-Apparate im 17. und 18. Jahrhundert. Eds. Herbert Bosch, Peter Jehle, etc. West-Berlin: Argument-Verlag
87. Jenkins, Henry (1992) Textual Poachers: Television Fans and Participatory Culture. New York: Routledge
88. Katz, Elihu (1987) "Performing Media Events," in James Curran, Anthony Smith, and Pauline Wingate, eds., Impacts and Influences: Essays on Media Power in the Twentieth Century. London: Methuen
89. Katz, Elihu (1992) Media Events: The Live Broadcasting of History. Cambridge: Harvard University Press
90. Kellner, Douglas (2003) Media Spectacle. New York: Routledge
91. Kepes, Gyorgy (1944) Language of Vision. Chicago: P. Theobald
92. Kress, Gunther R. (1996) Reading Images: The Grammar of Visual Design. Together with Theo van Leeuwen. London: Routledge
93. Kücklich, Julian (2001) "Auf der Suche nach dem verlorenen Text: Literaturwissenschaften und Computerspiele," in PhiN Philologie im Netz (www.phin.de). No. 15
94. Kuhn, Thomas S. (1962) The Structure of Scientific Revolutions. Chicago: University of Chicago Press
95. Landay, Lori (1998) Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture. Philadelphia: University of Pennsylvania Press
96. Latour, Bruno (1993) We Have Never Been Modern: Essays in Symmetrical Anthropology. Trans. Catherine Porter. New York: Harvest Wheatsheaf
97. Latour, Bruno (1993) La Clef de Berlin, et autres Leçons d'un Amateur de Sciences. Paris: La Découverte
98. Latour, Bruno (1997) "On Actor-Network Theory: A Few Clarifications," Center for Social Theory and Technology, Keele University
99. Leeuwen, Theo van (1996) Reading Images: The Grammar of Visual Design. Together with Gunther R. Kress. London: Routledge
100. Lemert, Charles (2003) Muhammad Ali: Trickster in the Culture of Irony. Cambridge: Polity Press
101. Leonard, Neil (1962) Jazz and the White Americans: The Acceptance of a New Art Form. Chicago: University of Chicago Press
102. Lévi-Strauss, Claude (1976) Structural Anthropology. London: Jonathan Cape
103. Levine, Lawrence W. (1988) Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge: Harvard University Press
104. MacDonald, Fred J. (1990) One Nation Under Television: The Rise and Decline of Network TV. Chicago: Nelson Hall Publishers
105. Makaryk, Irena R. ed. (1993) Encyclopedia of Contemporary Literary Theory. Toronto: University of Toronto Press
106. Marc, David (1996) Democratic Vistas: Television in American Culture. Philadelphia: University of Pennsylvania Press
107. Marqusee, Mike (1999) Redemption Song: Muhammad Ali and the Spirit of the Sixties. London: Verso
108. May, Lary (1980) Screening Out the Past: The Birth of Mass Culture and the Motion Picture Industry. New York: Oxford University Press
109. McLuhan, Marshall (1964) Understanding Media: The Extensions of Man. New York: Signet
110. McNeil, Alex (1996) Total Television: The Comprehensive Guide to Programming From 1948 to the Present. New York: Penguin Books
111. Messaris, Paul (1994) Visual Literacy. Boulder: Westview Press
112. Metz, Christian (1974) Film Language: A Semiotics of the Cinema. Trans. Michael Taylor. New York: Oxford University Press
113. Metz, Christian (2000) Der Imaginäre Signifikant: Psychoanalyse und Kino. Münster: Nodus Publikationen
114. Morley, David (1980) The "Nationwide" Audience. London: British Film Institute
115. Morley, David (1986) Family Television: Cultural Power and Domestic Leisure. London: Comedia
116. Morris, Charles (1947) Signs, Language, and Behavior. New York: Prentice-Hall
117. Murrow, Edward R. (1967) In the Search of Light: The Broadcasts of Edward R. Murrow, 1938-1961. Ed. Edward Bliss, Jr. New York: Knopf
118. Nöth, Winfried (1990) Handbook of Semiotics. Bloomington: Indiana University Press
119. Nöth, Winfried (1997) "Can Pictures Lie?" in Winfried Nöth, ed., Semiotics of the Media: State of the Art, Projects, and Perspectives. Berlin: Mouton de Gruyter
120. Ong, Walter J. (1971) Rhetoric, Romance, and Technology: Studies in the Interaction of Expression and Culture. Ithaca: Cornell University Press
121. Passeron, Jean-Claude (1977) Reproduction in Education, Society, and Culture. Together with Pierre Bourdieu, trans. Richard Nice. London: Sage Publications
122. Peirce, Charles S. (1931-58) Collected Papers. Cambridge: Harvard University Press
123. Persico, Joseph E. (1988) Edward R. Murrow: An American Original. New York: McGraw-Hill
124. Pomian, Krzysztof (1990) Collectors and Curiosities: Paris and Vienna 1500-1800. Trans. Elizabeth Wiles-Portier. Cambridge: Polity Press
125. Postman, Neil (1985) Amusing Ourselves to Death: Public Discourse in the Age of Show Business. New York: Penguin Books
126. Prase, Tilo (1997) Das gebrauchte Bild: Bausteine einer Semiotik des Fernsehbildes. Berlin: Vistas
127. Racek, Alfred (1983) Philosophie der Grenze. Ein Entwurf. Vienna: Herder
128. Rostek, Thomas (1994) See It Now Confronts McCarthyism: Television Documentary and the Politics of Representation. Tuscaloosa: University of Alabama Press
129. Quasthoff, Uta M. (1996) "Mündliche Kommunikation als Körperliche Kommunikation: Beobachtungen zur Direkten Interaktion und zum Fernsehen," in Mündlichlkeit und Schriftlichkeit im Fernsehen. Eds. Bernd Ulrich Biere and Rudolf Hoberg, Tübingen: Gunter Narr
130. Remnick, David (1998) King of the World: Muhammad Ali and the Rise of an American Hero. New York: Vintage Books
131. Rollins, Richard C. (2001) "Victoria at Sea: Cold War Epic," in Television Histories: Shaping Collective Memory in the Media Age. Eds. Gary R. Edgerton and Peter C. Rollins, Lexington: University Press of Kentucky
132. Rosen, Philip (2001) Change Mummified: Cinema, Historicity, Theory. Minneapolis: University of Minnesota Press
133. Rutherford, Paul (1994) The New Icons? The Art of Television Advertising. Toronto: University of Toronto Press
134. Said, Edward W. (1994) Orientalism. New York: Vintage Books Saint-Martin, Fernande
135. Said, Edward W. (1990) Semiotics of Visual Language. Bloomington: Indiana University Press
136. de Saussure, Ferdinand (1983) Course in General Linguistics. Ed. Roy Harris, trans. Wade Baskin. London: Duckworth
137. Schmitt, Jean-Claude (2003) "Images and the Historian," in History and Images: Towards a New Iconology. Eds. Alex Bolvig and Philip Lindley. Turnhout, Belgium: Brepols Publishers
138. Schudson, Michael (1995) The Power of News. Cambridge: Harvard University Press
139. Scott, Joan W. (1986) "Gender: A Useful Category of Historical Analysis," in American Historical Review. Vol. 91, no. 5, December
140. Searle, John R. (1969) Speech Acts: An Essay in the Philosophy of Language. Cambridge: Cambridge University Press
141. Sebeok, Thomas A. (1976) Contributions to a Doctrine of Signs. Bloomington: Indiana University Press
142. Seiter, Ellen (1992) "Semiotics, Structuralism, and Television," in Robert C. Allen, ed., Channels of Discourse, Reassembled: Television and Contemporary Criticism. Chapel Hill: University of North Carolina Press
143. Sennett, Richard (1974) The Fall of the Public Man. New York: W.W. Norton and Company
144. Simmel, Georg (1968) The Conflict in Modern Culture and Other Essays. Trans. Peter K. Etzkorn. New York: Teachers College Press Columbia
145. Sonesson, Göran (1989) Pictorial Concepts. Lund: Lund University Press
146. Stark, Steven D. (1998) Glued to the Set: The 60 Television Shows and Events That Made Us Who We Are Today. New York: Delta
147. Stern, Jane (1992) Jane and Michael Stern's Encyclopedia of Pop Culture: An A to Z Guide of Who's Who and What's What, from Aerobics and Bubble Gum to Valley of the Dolls and Moon Unit Zappa. Together with Michael Stern. New York: HarperPerennial
148. Sturken, Marita (1997) Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering. Berkeley: University of California Press
149. Todorov, Tzvetan (1981) Introduction to Poetics. Trans. Richard Howard. Minneapolis: University of Minneapolis Press
150. Tomaselli, Keyan (1996) Appropriating Images: The Semiotics of Visual Representation. Hojbjerg: Intervention Press
151. Tönnies, Ferdinand (1957) Community and Society. Ed. and trans. Charles P. Loomis. East Lansing: Michigan State University Press
152. Tucholsky, Kurt (1985) Gesammelte Werke. Ed. Mary Gerold Tucholsky and Fritz J. Raddatz. Reinbek bei Hamburg: Rowohlt
153. Türcke, Christoph (2002) Erregte Gesellschaft: Philosophie der Sensation. München: C. H. Beck
154. Van Deburg, W. L. (1992) New Day in Babylon: The Black Power Movement and American Culture, 1965-1975. Chicago: University of Chicago Press
155. Walkowitz, Daniel J. (1998) "Rescreening the Past: Subversion Narratives and the Politics of History," in Tony Barta, ed., Screening the Past: Film and the Representation of History. Westport: Praeger
156. Walsham, Geoffrey (1997) "Actor-Network Theory and IS Research: Current Status and Future Prospects," in Information Systems and Qualitative Research. Eds. A.S. Lee, J. Liebenau, and J.I. deGross. London: Weinheim
157. Wellman, Barry (1983) "Network Analysis: Some Basic Principles," in Sociological Theory. Ed. R. Collins. San Francisco: Jossey-Bass, Inc.
158. Wells, Tom (1994) The War Within: America's Battle Over Vietnam. Foreword by Todd Gitlin. Berkeley: University of California Press
159. Wiggins, David K. (1997) Glory Bound: Black Athletes in a White America. New York: Syracuse University Press
160. Wölfflin, Heinrich (1915) Kunstgeschichtliche Grundbegriffe: Das Probelm der Stilentwicklung in der neueren Kunst. München: Bruckmann
161. Worth, Sol (1981) "Pictures can't say ain't," in Studying Visual Communication. Ed. Larry Gross, Philadelphia: University of Pennsylvania Press
162. Zelizer, Barbara (1990) "Where is the Author in American TV News? On the Construction and Presentation of Proximity, Authorship, and Journalistic Authority," in Semiotica 80-1/2