Selecting and acquiring art materials in the academic library: Meeting the needs of the studio artist

Selecting Materials for Library Collections

Volumn , Issue , 2012, Pages 27-39

  Lorenzen, Elizabeth A ^a  

^a INDIANA STATE UNIVERSITY   (United States)

Author keywords

Academic libraries; Acquisitions; Acquisitions budgets; Art books; Art libraries; Artists; Fine art; Fine artists; Libraries; Publishing; Surveys; Vendor relations

Indexed keywords

EID: 84917054815     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1300/J101v16n31_03     Document Type: Chapter

References (11)

1. Albanese, A. R. (2001). Moving from books to bytes. Library Journal, 126(14), 52-54. Retrieved on October 28, 2002, from Proquest Direct database.
2. Becker, C. (1996).A new generation of artists and art schools. The Chronicle of Higher Education, 43(11), B8. Retrieved on September 22, 2000 from Proquest Direct Database.
3. Bogart, D., (Ed.). (2002). The Bowker annual: Library and book trade almanac. Medford, NJ: Information Today.
4. Cobbledick, S. (1996). The information seeking behavior of artists: Exploratory interviews. Library Quarterly, 66(4), 343-372.
5. Dillon, D. (1997). The changing role of humanities collection development. The Acquisitions Librarian, 17/18, 5-15.
6. Frank, P. (1999). Student artists in the library: An investigation of how they use general academic libraries for their creative needs. Journal of Academic Librarianship, 25(6), 445-455.
7. Houghton, B. (1984). Acquisition of exhibition catalogs. Art Libraries Journal, 9, 67-78.
8. Pacey, P. (1982). How art students use libraries–if they do. Art Libraries Journal, 7(1), 33-38.
9. Phillips, T. (1986). Artists on libraries 1. Art Libraries Journal, 11(3), 9-10.
10. Stam, D. (1995). Artists and art libraries. Art Libraries Journal, 20(2), 21-24.
11. Tong, D. (1993). New art technologies: Tools for a global culture. Art Documentation, 12(3), 115-117.