Beyond nostalgia: The role of affect in generating historical understanding at heritage sites

Museum Revolutions: How Museums Change and are Changed

Volumn , Issue , 2007, Pages 263-275

  Gregory, Kate ^a   Witcomb, Andrea ^b  

^a Research Institute for Citizenship and Globalisation Deakin University ^*  (Australia)

^b DEAKIN UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84911139045     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203932643     Document Type: Chapter

References (17)

1. Benjamin, W. (1970) 'Theses on the Philosophy of History' in H. Arendt (ed.) Illuminations, trans. Harry Zohn, London: Jonathan Cape, 255-66.
2. Benjamin, W. (1999) The Arcades Project, trans. H. Eiland and K. McLaughlin, Cambridge, MA: The Belknap Press of Harvard University Press.
3. Bennett, J. (2001) 'Stigmata and sense memory: St Francis and the affective image', Art History, 24(1): 1-16.
4. Best, S. (2001-2) 'What is affect? Considering the affective dimension of contemporary installation Art', Australian and New Zealand Journal of Art, 2-3(2-1): 207-25.
5. Chakrabarty, D. (2002) 'Museums in late democracies', Humanities Research, IX(1): 5-12.
6. Ednie-Brown, P. (1999) 'Falling into the surface: Towards a materiality of affect', Architectural Design, 69(9/10): 8-11.
7. Kirshenblatt-Gimblett, B. (1998) Destination Culture: Tourism, Museums and Heritage, Berkeley, CA: University of California Press.
8. Kwint, M. (1999) 'Introduction: The physical past' in M. Kwint, C. Breward and J. Aynsley (eds) Material Memories, Oxford: Berg, 1-16.
9. Lloyd-Mostyn, B. (1978) 'Woodbridge: a poem', Trust News, December, 8.
10. MacLeod, S. (2005) 'Introduction', in S. MacLeod (ed.) Reshaping Museum Space: Architecture, Design, Exhibitions, London: Routledge, 1-5.
11. Massumi, B. (2002) Parables for the Virtual: Movement, Affect, Sensation, London: Duke University Press.
12. Meskin, A. and Weinberg, J. M. (2003) 'Emotions, fiction and cognitive architecture', British Journal of Aesthetics, 43(1): 18-34.
13. Prown, J. (1980) 'Style as evidence', Winterthur Portfolio, 15(3): 197-210.
14. Risnicoff de Gorgas, M. (2001) 'Reality as illusion, the historic houses that become museums', Museum International, no. 210, 53(2): 10-15.
15. Stewart, S. (1999) 'Prologue: From the museum of touch', in M. Kwint, C. Breward and J. Aynsley (eds) Material Memories, Oxford: Berg, 17-36.
16. Tomkins, S. S. and Izard, C. E. (1964) Affect, Cognition and Personality: Empirical Studies, New York: Springer Publishing Co. Trust News (1978) no. 93, 19 April: 8.
17. Young, L. (2003) Middle Class Culture in the Nineteenth Century: America, Australia and Britain, New York: Palgrave Macmillan.