The course of the empire: Sublime landscapes in the American cinema

Landscape and Film

Volumn , Issue , 2006, Pages 91-124

  Natali, Maurizia ^a  

^a RHODE ISLAND SCHOOL OF DESIGN   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84909593181     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203959404     Document Type: Chapter

References (21)

1. Barbara Novak, Nature and Culture: American Landscape and Painting 1825-1875 (New York: Oxford University Press, 1980), 19.
2. Zygmunt Bauman, Wasted Lives: Modernity and its Outcasts (Oxford: Polity; Malden, MA. Distributed in the U.S. by Blackwell, 2004), 38.
3. Robert Morris and Noam Chomsky, "From a Chomskian Couch: The Imperialistic Unconscious," Critical Inquiry 29, no. 4 (Summer 2003): 692
4. Janet Walker, "Captive Images in the Traumatic Western," in Westerns: Films through History, ed. Janet Walker (New York: Routledge, 2001), 225
5. Scott Bukatman, "The Artificial Infinite: On Special Effects and the Sublime," in Visual Display, Culture Beyond Appearances, eds. Lynne Cooke and Peter Wollen (Seattle: Bay Press, 1995), 279
6. John O'Sullivan, "Annexation," in United States Magazine and Democratic Review 17, no. 1 (July-August, 1845): 5-10.
7. Gorges Didi-Huberman, L'image survivante: histoire de l'art et temps des fantômes selon Aby Warburg (Paris: Editions de Minuit, 2002), 176
8. Albert Boime, The Magisterial Gaze: Manifest Destiny and the American Landscape Painting c. 1830-1865 (Washington, DC: Smithsonian Institution Press, 1991).
9. Sigmund Freud, "A Child Is Being Beaten," in Penguin Freud Library, vol.10 On Psychopathology, ed. Angela Richards (London: Penguin, 1993 [1919]), 159-194.
10. Robert, Hughes, American Visions, the Epic History of Art in America (New York: Alfred A. Knopf, 1997) 161.
11. Novak, Barbara, Nature and Culture, American Landscape and Painting,1825-1875, revised edition New York: (Oxford University Press, 1995) 19.
12. Peter Wollen, Paris Hollywood: Writings on Film (London; New York: Verso, 2002), 2.
13. Mary Ann Doane, The Emergence of Cinematic Time: Modernity, Contingency, the Archive (Cambridge, MA; London: Harvard University Press, 2002), 262, note 1.
14. Hal Foster, The Return of the Real: The Avant-garde at the End of the Century (Cambridge, MA: MIT Press, 1996), 29
15. Jacques Derrida, "Y a-t-il des états voyous? La raison du plus fort," Le Monde Diplomatique (January 2003): 10.
16. Slavoj Zizek, Welcome to the Desert of the Real!: Five Essays on September 11 and Related Dates (London; New York: Verso, 2002).
17. Marc Augé, Non-Places: Introduction to an Anthropology of Supermodernity, trans. John Howe (London: Verso, 1995).
18. Thierry Kuntzel, "Le travail du film," Communications 19 (1972): 25-39
19. Vachel Lindsay, The Art of the Moving Picture (New York: Macmillan, 1915).
20. Søren Kierkegaard's Either/Or, trans. W. Lowrie (Princeton: Princeton University Press, 1971).
21. Marita Sturken, Thelma and Louise (London: BFI, 2000).