Architecture, animal, human: The asymmetrical condition

Architecture, Animal, Human: The Asymmetrical Condition

Volumn , Issue , 2005, Pages 1-368

  Ingraham, Catherine ^a  

^a PRATT INSTITUTE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84909579558     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203799604     Document Type: Book

References (64)

1. Erwin Schrodinger, What is Life? (Cambridge: Cambridge University Press, 1967), p. 3.
2. Francois Jacob, The Logic of Life (New York: Random House, 1982).
3. Hannah Arendt, The Human Condition (Chicago, IL: The University of Chicago Press, 1958) p. xiv.
4. Rachel Whiteread, Shedding Life (Liverpool: Tate Gallery Publication, 1996).
5. Henri Lefebvre, The Production of Space, trans. Donald Nicholson-Smith (Oxford: Basil Blackwell Press, 1974), p. 362.
6. Le Corbusier, The City of Tomorrow, trans. Frederick Etchells (Cambridge, MA: MIT Press, 1982).
7. Sanford Kwinter, The Combustible Landscape, Graduate Research Lecture Series, School of Architecture, Pratt Institute, 7 April 2005.
8. Charles Darwin, The Origin of Species By Means of .Natural Selection or The Preservation of Favored Races in the Struggle for Life, ed. J. W. Burrow (London: Penguin Books, 1985), p. 120.
9. Allan Stoekl, "Round Dusk: Kojeve at 'The End,'" in Postmodern Culture, 1944, vol. 5, no. 1. http://jefferson.village.virginia.edu/pmc/text-only/issue.994/stoekl.994. Page references are taken from the website reproduction of the paper.
10. Henry Miller, graduate architecture student at Pratt Institute, New York, made this insightful comment during my Humanism Mechanism seminar, Spring 2004.
11. Catherine Ingraham, Architecture and the Burdens of Linearity (New Haven: Yale University Press, 1998).
12. Manfredo Tafuri, Interpreting the Renaissance: Princes, Cities, Architects (New Haven: Yale University Press, in press 2006).
13. Colin Rowe, The Mathematics of the Ideal Villa and Other Essays (Cambridge: MIT Press, 1982).
14. Anthony Vidler, The Writing of the Walls (New York, Princeton Architectural Press, 1987).
15. Siegfried Giedion, Space, Time and Architecture (Cambridge: Harvard University Press, 1977), p. xxxiv.
16. Giorgio Agamben, The Open: Man and Animal, trans. Kevin Attell (Palo Alto: Stanford University Press, 2004), p. 13.
17. Rudolf Wittkower, Architectural Principles in the Age of Humanism (New York: Norton, 19 71), p. 29.
18. The College of Sociology, 1937 1939, ed. Denis Hollier, trans. Betsy Wings (Minneapolis: University of Minnesota Press, 1988), p. xvii.
19. Franco Borsi, Bernini, trans. Robert Erich Wolf (New York:Rizzoli International Publications, 1984), p. 21.
20. Manfredo Tafuri, "A search for paradigms: project, truth, artifice," Assemblage, 2002, 28, p. 48.
21. Greg Lynn, Graduate Research Lecture Series, School of Architecture, Pratt Institute, Spring 2004.
22. Barbara Maria Stafford, Body Criticism: Imagining the Unseen in Enlightenment Art and Medicine (Cambridge: MIT Press, 1997), pp. 29 31
23. Wolfgang Lotz, "The Rendering of the Interior in Architectural Drawings of the Renaissance," Studies in Italian Renaissance Architecture (Cambridge: MIT Press, 1981), pp. 1-65.
24. Francois Jacob, The Possible and the Actual (Seattle: University of Washington Press, 1982), p. 27.
25. Jacob, The Possible and the Actual, p. 29.
26. Foucault, The Order of Things (New York: Random House, 1970), p. 229.
27. Stephen Jay Gould, Ever Since Darwin: Reflections in Natural History (New York: American Museum of Natural History, 1977), p. 171.
28. Beatriz Colomina, Privacy and Publicity: Modern Architecture as Mass Media (Cambridge: MIT Press, 1994).
29. Martin Jay, Downcast Eyes: The Denigration of Vision in Twentieth-century French Thought (Berkeley University of California Press, 1993), p. 412.
30. Jacob, The Possible and the Actual, p. 32.
31. Spiro Kostof, A History of Architecture: Settings and Rituals (New York: Oxford University Press, 1995), pp. 554 5.
32. Luigi Ficacci, Piranesi: The Complete Etchings (Cologne: Taschen, 2000), p. 47.
33. Philippe Duboy Lequeu: An Architectural Enigma (Cambridge: MIT Press, 1987), p. 21.
34. Andre Leroi-Gourhan, Gesture and Speech, trans. Anna Bostock Berger (Cambridge: MIT Press, 1993), p. 7.
35. William Shakespeare, "King Lear," in William Shakespeare: The Complete Works, ed. Alfred Harbage (New York: Viking Press, 1979), pp. 1065 106.
36. Krauss, The Optical Unconscious (Cambridge: MIT Press, 1993), p. 190.
37. Roger Gaillois, "Mimicry and legendary psychasthenia," trans. John Shepley. October. Winter 1984, no. 31, pp. 17 32.
38. Martin Jay, The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research, 1923 1950 (Berkeley: University of California Press, 1973), pp. 232 4.
39. See Jay, Downcast Eyes, op. cit., p. 83-86.
40. Joan Copjec, "Evil in the time of the finite world," introduction to Radical Evil, ed. Joan Copjec, S series (London and New York: Verso 1996), pp. vi xxviii.
41. Gilles Deleuze and Felix Guattari, A Thousand Plateaus, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987), p. 242.
42. Kenneth Clark, Animals and Men: Their relationship as reflected in Western art from prehistory to the present day (New York: William Morrow and Company, Inc., 1977), p. 26.
43. Diane Wells (illustrator Lauren Jarrett) 100 Birds and How They Got Their .Names (Chapel Hill: Algonquin Books, 2001).
44. Steve Bah and Ornament in the Frankfurt Project: An Interview,' in Assemblage 1998, vol. 5, pp. 51 7.
45. Steve Baker, The Postmodern Animal (London: Reaktion Books Ltd., 2000), pp. 11 12.
46. Levi-Strauss, op. cit., pp. 79 82. Quoted from Evans-Pritchard's Nuer Religion, (Oxford: Oxford University Press, 1956).
47. Leland de la Durantaye, Village Voice, November 2004, no. 16.
48. J. Henri Fabre, The Insect World of J. Henri Fabre, trans. Alexander Teixeira de Mattos (Boston: Beacon Press, 1991), p.158.
49. Sanford Kwinter, Architectures of Time: Toward a Theory of the Event in Modernist Culture (Cambridge: MIT Press, 2002), p. 82.
50. G. E. Lloyd's Polarity and Analogy (Cambridge, and Indianapolis: Hackett Publishing Company, 1966), pp. 6 10.
51. The American Heritage Dictionary, Second College Edition (Boston, MA: Houghton Mifflin Co., Boston, 1985), p. 658.
52. Geertz, The Interpretation of Cultures (New York: Basic Books, Inc., 1973), p. 95.
53. Catherine Ingraham, "Architecture and evidence," in Drifting: Architecture andMigrancy, ed. Stephen Cairns (London: Routledge, 2004), pp. 61 81.
54. Epigraph is from Georges Bataille, "Architecture," in Documents, trans. Dominic Faccini, 25, October 60, (spring 1992), p. 25.
55. Siegfreid Giedion, Mechanization Takes Command (New York: W.W. Norton and Company, 1969), p. 209.
56. Gilles Deleuze and Felix Guattari, A Thousand Plateaus, p. 249.
57. George Hersey The Lost Meaning of Classical Architecture (Cambridge, MA: MIT Press, 1988). Also see my discussion of Hersey in Ingraham, Burdens, pp. 14 16.
58. Rene Girard, Violence and the Sacred, trans. Patrick Gregory (Baltimore, MD: Johns Hopkins University Press, 1972).
59. Georges Bataille, The Accursed Share, vols 1 and 2, trans. Robert Hurley (New York: Urzone Books, 1991), p. 23.
60. Georges Bataille, The Accursed Share, trans. Robert Hurley, (New York: Zone Books, 1991) p. 146.
61. Keith H. Basso, The CibecqueApache, University of Arizona (New York: Holt, Rinehart and Winston, 1970), pp. 64 5.
62. Evelyn Fox Keller, Prefiguring Life (New York: Columbia University Press, 1995).
63. Manuel de Landa, War in the Age of Intelligent Machines (Cambridge: MIT Press, Zone Books, 1991).
64. G. W F. Hegel, The Phenomenology of the Mind, trans. J. B. Bataille, (New York:Harper and Row, Publishers, 1967), p. xxiii.