Making Shakespeare: From stage to page

Making Shakespeare: From Stage to Page

Volumn , Issue , 2004, Pages 1-188

  Stern, Tiffany ^a  

^a OXFORD BROOKES UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84908964305     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203625484     Document Type: Book

References (250)

1. Actors Remonstrance, or Complaint, The, 1643.
2. 'Ahasuerus', The Wandering Jew, 1640.
3. Armin Robert The Italian Taylor and his Boy, 1609.
4. Armin Robert A Nest of Ninnies, 1608.
5. Banquet of Jeasts, A, 1630.
6. Beaumont Francis and John Fletcher The Dramatic Works in the Beaumont and Fletcher Canon, ed. Fredson Bowers et al., 10 vols, Cambridge: Cambridge University Press, 1966.
7. Bodley Thomas Letters of Sir Thomas Bodley to Thomas James, First Keeper of the Bodleian Library, ed. G. W. Wheeler Oxford: Clarendon Press, 1926.
8. Boswell James Life of Johnson, ed. R. W. Chapman Oxford: Oxford University Press, 1979.
9. Brathwait Richard Whimzies, 1631.
10. Chamberlain Robert A New Book of mistakes. Or, Bulls with tales, and buls without tales, 1640.
11. Corbet Richard Certain Elegant Poems, 1647.
12. Davies John The Complete Works, collected by Alexander B. Grosart 2 vols, repr. New York: AMS Press, 1967.
13. Davies John Wits Bedlam, 1617.
14. Davies Thomas Dramatic Miscellanies, 3 vols, Dublin, 1784.
15. Davies Thomas Memoirs of the Life of David Garrick, 2 vols, 2nd edn, 1780.
16. Dekker Thomas The Non Dramatic Works of Thomas Dekker, 5 vols, ed. Alexander B. Grosart 1884, New York: Russell and Russell, 1963.
17. Downes John Roscius Anglicanus, ed. J. Milhous and R. D. Hume London: Society for Theatre Research, 1987.
18. Everard Edward Cape Memoirs of an Unfortunate Son of Thespis, Edinburgh, 1818.
19. Flecknoe Richard Love's Kingdom ... with a short Treatise of the English Stage, 1664.
20. Flecknoe Richard Miscellania, 1653.
21. Fuller Thomas Worthies of England, 1662.
22. 'A Funerall Elegye on ye Death of the famous Actor Richard Burbedg who dyed on Saturday in Lent the 13 of March 1618', in Edwin Nungezer A Dictionary of Actors, New Haven: Yale University Press, 1929.
23. Gayton Edmund Pleasant Notes upon Don Quixote, 1654.
24. Glapthorne Henry Ladies Priviledge, 1640.
25. Glapthorne Henry Poems, 1639.
26. Hall Joseph Poems of Joseph Hall, ed. A. Davenport Liverpool: Liverpool University Press, 1949.
27. Harington John A New Discourse of a Stale Subject, called the Metamorphosis of Ajax, 1596.
28. Harington John Ulysses upon Ajax, 1596.
29. Hausted Peter The Rivall Friends, 1632.
30. Henslowe Philip Henslowe's Diary, ed. R. A. Foakes 2nd edn, Cambridge: Cambridge University Press, 2002.
31. Heywood Thomas Apology for Actors, 1612.
32. Heywood Thomas Dramatic Works collected by Richard Herne Shepherd 6 vols, London, 1874.
33. Heywood Thomas The English Traveller, 1633.
34. Heywood Thomas Pleasant dialogues and dramma's, 1637.
35. Heywood Thomas The Royall King, and the Loyall Subject, 1637.
36. Hill Aaron The Prompter, ed. William A. Appleton and Kalman A. Burnim New York: B. Blom, 1966.
37. Jonson Ben The Works, ed. C. H. Herford and P. and E. Simpson 11 vols, Oxford: Clarendon Press, 1947.
38. Killigrew Thomas The Princess, 1664.
39. Kyd Thomas The Spanish Tragedy, ed. Philip Edwards Manchester: Manchester University Press, 1977.
40. Lambarde William Perambulation of Kent, 1596.
41. Lenton Francis The Young Gallants Whirligigg, 1629.
42. Manningham John Diary of John Manningham, of the Middle Temple, ed. J. Bruce 1868.
43. Marston John The Plays, ed. H. Harvey Wood 3 vols, London: Oliver and Boyd, 1934.
44. Marston John Scourge of Villanie, 1598.
45. Mayne Jasper Jonsonus Viribus, 1638.
46. Mennes John Wits Recreations, 1641.
47. Mercurius Bellicus no. 5, 1648.
48. Middleton Thomas The Blacke Booke, 1604.
49. Northbrooke John A Treatise wherein Dicing, Dauncing, Vaine plaies ... are Reproved, 1579.
50. Parkes William The Curtaine-Drawer of the World, 1612.
51. Pepys Samuel The Diary, ed. Robert Latham and William Matthews 11 vols, London: G. Bell and Sons Ltd, 1970-1983.
52. Phillips Edward The Mysteries of Love and Eloquence, 1658.
53. Prynne William Histriomastix, 1633.
54. Northbrooke John A Treastise wherein Dicing, Dauncing, Vaine plaies ... are Reproved ..., 1579.
55. Randolph Thomas Poems, 1640.
56. Razzell Peter ed., The Journals of Two Travellers in Elizabethan and Early Stuart England: Thomas Platter and Horatio Busino, London: Caliban Books, 1995.
57. Rich Barnaby Faultes Faults, and nothing else but Faultes, 1606.
58. Rowlands Samuel The Letting of Humours Blood in the Head-Vaine, 1600.
59. Rowley William All's Lost by Lust, 1633.
60. Rowley William A Search for Money, 1609.
61. The Second Report of Doctor John Faustus ... Written by an English Gentleman student in Wittenberg ..., 1594.
62. Shakespeare William Antony and Cleopatra, ed. Michael Neill Oxford: Clarendon Press, 1994.
63. Shakespeare William Complete Works, ed. Stanley Wells and Gary Taylor Oxford: Oxford University Press, 1986.
64. Shakespeare William Coriolanus, ed. R. B. Parker Oxford: Clarendon Press, 1994.
65. Shakespeare William Hamlet, ed. G. R. Hibbard Oxford: Clarendon Press, 1987.
66. Shakespeare William Hamlet, ed. Harold Jenkins London and New York: Methuen, 1982.
67. Shakespeare William Henry V, ed. Andrew Gurr Cambridge: Cambridge University Press, 1992.
68. Shakespeare William Henry V, ed. Gary Taylor Oxford: Oxford University Press, 1982.
69. Shakespeare William Henry VIII, ed. Gordon McMullan London: Thomson, 2000.
70. Shakespeare William King Lear, ed. George Ian Duthie and John Dover Wilson Cambridge: Cambridge University Press, 1961.
71. Shakespeare William Mr. William Shakespeares Comedies, Histories, & Tragedies (The First Folio), facsimile prepared by Charlton Hinman New York: Norton, 1968.
72. Shakespeare William The Riverside Shakespeare, ed. G. Blakemore Evans et al., 2nd edn, Boston and New York: Houghton Mifflin, 1997.
73. Shakespeare William Titus Andronicus, ed. Jonathan Bate London and New York: Routledge, 1995.
74. Shirley James The Duke's Mistress, 1638.
75. Shirley James Poems, 1646.
76. Stephens John Satyrical Essayes Characters and Others, 1615.
77. Stow John Survey of London, 1598.
78. Tarlton Richard Tarltons Jeasts, 1638.
79. Tatham John The Fancies Theater, 1640.
80. Taylor John The Water-Cormorant his complaint: Against a brood of Land-Cormorants, 1622.
81. Three Parnassus Plays, The, ed. J. B. Leishman London: Ivor Nicholson and Watson Ltd, 1949.
82. Vaughan Henry The Works of Henry Vaughan, ed. L. C. Martin Oxford: Clarendon Press, 1957.
83. Vincent Augustine A Discoverie of Errours, 1622.
84. Warning for Faire Women, A, 1599.
85. Wotton Henry The Life and Letters, ed. Logan Pearsall Smith 2 vols, Oxford: Clarendon Press, 1907.
86. Wright Thomas The Passions of the mind in Generall, 1604.
87. Astington John H. English Court Theatre, 1558-1642, Cambridge: Cambridge University Press, 1999.
88. Barroll J. Leeds Politics, Plague, and Shakespeare's Theater, Ithaca: Cornell University Press, 1991.
89. Bate Jonathan and Russell Jackson Shakespeare: An Illustrated Stage History, Oxford: Oxford University Press, 1996.
90. Bawcutt N. W. The Control and Censorship of Caroline Drama, Oxford: Clarendon Press, 1996.
91. Beckerman Bernard Shakespeare at the Globe, 1599-1609, New York: Macmillan, 1962.
92. Bentley G. E. The Jacobean and Caroline Stage, 7 vols, Oxford: Clarendon Press, 1941-1968.
93. Bentley G. E. The Profession of Dramatist in Shakespeare's Time, 1590-1642, Princeton: Princeton University Press, 1971.
94. Bentley G. E. The Profession of Player in Shakespeare's Time, 1590-1642, Princeton: Princeton University Press, 1971.
95. Berry Herbert Shakespeare's Playhouses, New York: AMS, 1987.
96. Besant G. B. London Bridge, London: Selwyn and Blount, 1927.
97. Bevington David Action Is Eloquence: Shakespeare's Language of Gesture, Cambridge, MA: Harvard University Press, 1984.
98. Bland Mark 'The Appearance of the Text in Early Modern England', TEXT, 11, 1998, 91-127.
99. Blayney Peter W. M. The First Folio of Shakespeare, Washington: Folger Shakespeare Library, 1991.
100. Blayney Peter W. M. 'The Publication of Playbooks', in A New History of Early English Drama, ed. John D. Cox and David Scott Kastan New York: Columbia University Press, 1997, 383-422.
101. Blayney Peter W. M. The Texts of 'King Lear' and their Origins, I: Nicholas Okes and the First Quarto, Cambridge: Cambridge University Press, 1982.
102. Bowden William The English Dramatic Lyric, New Haven: Yale University Press, 1951.
103. Bowers Fredson T. Bibliography and Textual Criticism, Oxford: Clarendon Press, 1964.
104. Bowers Fredson T. On Editing Shakespeare and the Elizabethan Dramatists, Philadelphia: University of Pennsylvania Press, 1955.
105. Bowers Fredson T. Textual Study and Literature Criticism, Cambridge: Cambridge University Press, 1959.
106. Bradbrook M. C. The Rise of the Common Player, London: Chatto & Windus 1962.
107. Bradley David From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage, Cambridge: Cambridge University Press, 1992.
108. Braunmuller A. R. and M. Hattaway eds, The Cambridge Companion to English Renaissance Drama, Cambridge: Cambridge University Press, 1990.
109. Brooks Douglas A. From Playhouse to Printing House: Drama and Authorship in Early Modern England, Cambridge: Cambridge University Press, 2000.
110. Chambers E. K. The Elizabethan Stage, 4 vols, Oxford: Clarendon Press, 1923.
111. Chambers E. K. William Shakespeare: A Study of Facts and Problems, 2 vols, Oxford: Clarendon Press, 1930.
112. Clayton Thomas ed., The Hamlet First Published (Q1, 1603): Origins, Form, Intertextualities, Newark: University of Delaware Press, 1992.
113. Clinton-Baddeley V. C. It'll be Alright on the Night, London: Putnam, 1954.
114. Coghill Nevill Shakespeare's Professional Skills, Cambridge: Cambridge University Press, 1964.
115. Cook Ann Jennalie The Privileged Playgoers of Shakespeare's London, 1576-1642, Princeton: Princeton University Press, 1981.
116. Cox John D. and David Scott Kastan eds, A New History of Early English Drama, New York: Columbia University Press, 1997.
117. Dawson Anthony B. and Paul Yachnin The Culture of Playgoing in Shakespeare's England: A Collaborative Debate, Cambridge: Cambridge University Press, 1995.
118. Dessen Alan C. Elizabethan Drama and the Viewer's Eye, Chapel Hill: University of North Carolina Press, 1977.
119. Dessen Alan C. Elizabethan Stage Conventions and Modern Interpretations, Cambridge: Cambridge University Press, 1984.
120. Dessen Alan C. Recovering Shakespeare's 'Theatrical' Vocabulary, Cambridge: Cambridge University Press, 1995.
121. Dillon Janete 'Is There a Performance in this Text?', Shakespeare Quarterly, 45, 1994, 74-86.
122. Duncan Jones Katherine, Ungentle Shakespeare, London: Arden, 2001.
123. Duthie G. I. Papers, Mainly Shakespearian, Edinburgh: Oliver & Boyd, 1964.
124. Dutton Richard Licensing, Censorship and Authorship in Early Modern England, Basingstoke: Palgrave, 2000.
125. Dutton Richard Mastering the Revels: The Regulation and Censorship of English Renaissance Drama, Iowa City: University of Iowa Press, 1991.
126. Eccles Christine The Rose Theatre, London: Nick Hern Books, 1990.
127. Erne Lukas Shakespeare as Literary Dramatist, Cambridge: Cambridge University Press, 2003.
128. Foakes R. A. Illustrations of the English Stage, 1580-1642, London: Scolar Press, 1985.
129. Foakes R. A. 'The Player's Passion: Some Notes of Elizabethan Psychology and Acting', Essays and Studies, NS 7, 1954, 62-77.
130. Foakes R. A. Shakespeare and Violence, Cambridge: Cambridge University Press, 2003.
131. Gaskell Philip A New Introduction to Bibliography, Oxford: Clarendon Press, 1972.
132. Greg W. W. A Bibliography of the English Printed Drama to the Restoration, 4 vols, London: Bibliographical Society, 1939-1959.
133. Greg W. W. ed., Dramatic Documents from the Elizabethan Playhouses; Stage Plots, Actors' Parts, Prompt Books, 2 vols, Oxford: Clarendon Press, 1931.
134. Greg W. W. Henslowe Papers, London: A. H. Bullen, 1907.
135. Greg W. W. Some Aspects and Problems of London Publishing between 1550 and 1650, Oxford: The Clarendon Press, 1956.
136. Greg W. W. ed., Two Elizabethan Stage Abridgements, Oxford: Malone Society, 1922.
137. Gurr Andrew 'Maximal and Minimal Texts: Shakespeare v. The Globe', Shakespeare Survey, 52, 1999, 68-87.
138. Gurr Andrew Playgoing in Shakespeare's London, 2nd edn, Cambridge: Cambridge University Press, 1996.
139. Gurr Andrew The Shakespearean Stage, 1574-1642, 3rd edn, Cambridge: Cambridge University Press, 1992.
140. Gurr Andrew and Mariko Ichikawa Staging in Shakespeare's Theatres, Oxford: Oxford University Press, 2000.
141. Harbage Alfred Shakespeare's Audience, New York: Columbia University Press, 1941.
142. Harbage Alfred and S. Schoenbaum Annals of English Drama, 975-1700, London: Methuen, 1964.
143. Harris Jonathan Gil and Natasha Korda eds, Staged Properties in Early Modern English Drama, Cambridge: Cambridge University Press, 2002.
144. Harris Michael and Robin Myers The Stationers' Company and the Book Trade, 1550-1990, Winchester: St Paul's Bibliographies, 1997.
145. Hartnoll Phyllis ed., Shakespeare and Music, London: Macmillan, 1964.
146. Hattaway Michael Elizabethan Popular Theatre, London: Routledge and Kegan Paul, 1982.
147. Hay Peter Theatrical Anecdotes, Oxford: Oxford University Press, 1987.
148. Honigmann E. A J. The Stability of Shakespeare's Text, London: Edward Arnold, 1965.
149. Honigmann E. A. J. The Texts of Othello and Shakespearian Revision, London: Routledge, 1996.
150. Hope Jonathan The Authorship of Shakespeare's Plays, Cambridge: Cambridge University Press, 1994.
151. Hope Jonathan 'Shakespeare's "Natiue English"', in A Companion to Shakespeare, ed. David Scott Kastan London: Blackwell, 1999.
152. Howard-Hill T. H. Ralph Crane and Some Shakespeare First Folio Comedies, Charlottesville: University Press of Virginia, 1972.
153. Howard-Hill T. H. Shakespeare and 'Sir Thomas More' - Essays on the Play and its Shakesperian Interest, Cambridge: Cambridge University Press, 1989.
154. Hunter G. K. '"Flatcaps and Bluecoats": Visual Signals on the Elizabethan Stage', Essays and Studies, 30, 1980, 16-47.
155. Ingram William The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London, Ithaca: Cornell University Press, 1992.
156. Ioppolo Grace Revising Shakespeare, Cambridge, MA: Harvard University Press, 1991.
157. Ioppolo Grace ed., Shakespeare Performed: Essays in Honour of R. A. Foakes, Newark: University of Delaware Press, 2000.
158. Irace Kathleen O. 'Origins and Agents of Q1 Hamlet ', in The Hamlet First Published, ed. Thomas Clayton Newark: University of Delaware Press, 1992.
159. Irace Kathleen O. Reforming the 'Bad' Quartos; Performance and Provenance of Six Shakespearian First Editions, Newark: University of Delaware Press, 1994.
160. Jones Ann Rosalind and Peter Stallybrass Renaissance Clothing and the Materials of Memory, Cambridge: Cambridge University Press, 2001.
161. Jones John Shakespeare at Work, Oxford: Clarendon Press, 1995.
162. Joseph Bertram Elizabethan Acting, London: Oxford University Press, 1951.
163. Joseph Bertram Elizabethan Acting rev. edn, London: Oxford University Press, 1964.
164. Kastan David Scott ed., A Companion to Shakespeare, Blackwell Companions to Literature and Culture, Oxford: Blackwell, 1999.
165. Kastan David Scott Shakespeare After Theory, London and New York: Routledge, 1999.
166. Kastan David Scott Shakespeare and the Book, Cambridge: Cambridge University Press, 2001.
167. Kermode Frank Shakespeare's Language, London: Penguin Books, 2000.
168. Kerrigan John ' Love's Labour's Lost and Shakespearean Revision', Shakespeare Quarterly, 33, 1982, 337-339.
169. Kerrigan John 'Shakespeare at Work: the Katharine-Rosaline Tangle in Love's Labour's Lost', Review of English Studies, NS 33, 1982, 134-136.
170. Kinney Arthur F. Shakespeare by Stages: An Historical Introduction, Oxford: Blackwell, 2003.
171. Knapp Robert S. Shakespeare: The Theater and the Book, Princeton: Princeton University Press, 1989.
172. Knutson Roslyn Lander The Repertory of Shakespeare's Company, 1594-1613, Fayetteville: University of Arkansas Press, 1991.
173. Lawrence W. J. Old Theatre Days and Ways, London: G. G. Harrap & Co., Ltd, 1935.
174. Lawrence W. J. Those Nut-cracking Elizabethans, London: Argonaut Press, 1935.
175. Leech Clifford and T. W. Clark eds, The Revels History of Drama in English, vol. 3, 1576-1613, by J. Leeds Barroll et al., London: Methuen, 1975.
176. Linthicum Marie Channing Costume in the Drama of Shakespeare and His Contemporaries, Oxford: Clarendon Press, 1936.
177. Long John H. Shakespeare's Use of Music: A Study of the Music and its Performance in the Original Production of Seven Comedies, Gainesville: University of Florida Press, 1955.
178. Long John H. Shakespeare's Use of Music: The Final Comedies, Gainesville: University of Florida Press, 1961.
179. Long John H. Shakespeare's Use of Music: The Histories and Tragedies, Gainesville: University of Florida Press, 1971.
180. Long William B. '"A Bed for Woodstock": a Warning for the Unwary', Medieval and Renaissance Drama in England, 2, 1985, 91-118.
181. Long William B. '"Precious Few": the Surviving English Manuscript Playbooks', in A Companion to Shakespeare, ed. David Scott Kastan Blackwell Companions to Literature and Culture, Oxford: Blackwell, 1999, 414-433.
182. Long William B. 'Stage directions: a Misinterpreted Factor in Determining Textual Provenance', TEXT: Transactions of the Society for Textual Scholarship, 2, 1985, 121-137.
183. McDonald Russ The Bedford Companion to Shakespeare: An Introduction with Documents, London: Palgrave, 1996.
184. McDonald Russ Shakespeare and the Arts of Language, Oxford: Oxford University Press, 2001.
185. McGann Jerome A Critique of Modern Textual Criticism, Chicago: University of Chicago Press, 1983.
186. McGann Jerome ed., Textual Criticism and Literary Interpretation, Chicago and London: University of Chicago Press, 1985.
187. MacIntyre Jean Costumes and Scripts in the Elizabethan Theatre, Edmonton: University of Alberta Press, 1992.
188. McKenzie D. F. 'Printers of the Mind: Some Notes on Bibliographical Theories and Printing-house Practices', Studies in Bibliography, 22, 1969, 1-75.
189. McKerrow R. B. An Introduction to Bibliography for Literature Students, Oxford: Clarendon Press, 1928.
190. McLaverty James 'The Concept of Authorial Intention in Textual Criticism', The Library, 6th ser., 1984, 121-138.
191. McLeod Randall (Random Cloud), 'Fiat flux', in Crisis in Editing: Texts of the English Renaissance, ed. Randall McLeod New York: AMS Press, 1988.
192. McLeod Randall (Random Cloud), 'The Marriage of Good and Bad Quartos', Shakespeare Quarterly, 33, 1982, 421-431.
193. McMillin Scott The Elizabethan Theatre and 'The Book of Sir Thomas More', Ithaca: Cornell University Press, 1987.
194. McMillin Scott 'The Sharer and His Boy', in Redefining Theatre History, ed. Peter Holland and Stephen Orgel London: Palgrave, 2004, forthcoming.
195. McMillin Scott and Sally-Beth MacLean The Queen's Men and Their Plays, Cambridge: Cambridge University Press, 1998.
196. McMullan Gordon The Politics of Unease in the Plays of John Fletcher, Amherst: Studies in Early Modern Culture, 1994.
197. Maguire Laurie Shakespearean Suspect Texts: The 'Bad' Quartos and their Contexts, Cambridge: Cambridge University Press, 1996.
198. Marotti Arthur F. Manuscript, Print, and the English Renaissance Lyric, Ithaca: Cornell University Press, 1995.
199. Masten Jeffrey Textual Intercourse, Cambridge: Cambridge University Press, 1997.
200. Melchiori Giorgio 'The Continuing Importance of New Bibliography', in Ann Thompson and Gordon McMullan In Arden: Editing Shakespeare, London: Thomson, 2003.
201. Mullaney Steven The Place of the Stage: License, Play, and Power in Renaissance England, Chicago: Chicago University Press, 1988.
202. Munro John The Shakspere Allusion-Book, 2 vols, Oxford: Oxford University Press, 1932.
203. Naylor Edward Shakespere and Music, 2nd edn, 1896, London: J. M. Dent and Sons, Ltd, 1931.
204. Nungezer Edwin A Dictionary of Actors, New Haven: Yale University Press, 1929.
205. Orgel Stephen 'The Authentic Shakespeare', Representations, 21, 1988, 1-25.
206. Orgel Stephen Impersonations: The Performance of Gender in Shakespeare's England, Cambridge: Cambridge University Press, 1996.
207. Orgel Stephen 'What Is a Text?', Research Opportunities in Renaissance Drama, 24, 1981, 3-6.
208. Palfrey Simon and Tiffany Stern Shakespeare in Parts, Oxford: Oxford University Press, 2005, forthcoming.
209. Pendleton Thomas A. '"This is not the man": on Calling Falstaff Falstaff', Analytical and Enumerative Bibliography, NS 4, 1990, 59-71.
210. Potter Lois and Arthur F. Kinney eds, Shakespeare, Text and Theater, Newark: University of Delaware Press, 1999.
211. Ramsey Paul 'The Literary Evidence for Shakespeare as Hand D in the Manuscript Play Sir Thomas More', The Upstart Crow, 11, 1991, 131-155.
212. Rasmussen Eric 'The Revision of Scripts', in A New History of Early English Drama, ed. John D. Cox and David Scott Kastan New York: Columbia University Press, 1997, 441-460.
213. Roach Joseph R. The Player's Passion, Newark: University of Delaware Press, 1985.
214. Rutter Carol Chillington ed., Documents of the Rose Playhouse, rev. edn, Manchester: Manchester University Press, 1999.
215. Seng Peter J. The Vocal Songs in the Plays of Shakespeare: A Critical History, Cambridge, MA: Harvard University Press, 1967.
216. Shand G. B. and Raymond Shady Play-texts in Old Spelling, New York: AMS Press, 1984.
217. Shapiro Michael Gender in Play on the Shakespearian Stage: Boy Heroines and Female Pages, Ann Arbor: University of Michigan Press, 1994
218. Sheavyn Phoebe Anne The Literary Profession in the Elizabethan Age, 2nd edn, Manchester: Manchester University Press, 1967.
219. Stern Tiffany 'Behind the Arras: the Prompter's Place in the Shakespearean Theatre', Theatre Notebook, 55, 2001, 110-118.
220. Stern Tiffany Rehearsal from Shakespeare to Sheridan, Oxford: Clarendon Press, 2000.
221. Stern Tiffany 'Repatching the Play', in Redefining the Theatre, ed. Peter Holland and Stephen Orgel London: Palgrave, 2004, forthcoming.
222. Stern Tiffany '"A Small-beer Health to his Second Day": Playwrights, Prologues, and First Performances in the Early Modern Theatre', Studies in Philology, 2004, forthcoming.
223. Stern Tiffany 'Was Totus Mundus Agit Histrionem Ever the Motto of the Globe Theatre?', Theatre Notebook, 51, 1997, 122-127.
224. Sternfeld F. W. Music in Shakespearean Tragedy, London: Routledge and Kegan Paul, 1963.
225. Taylor Gary Reinventing Shakespeare: A Cultural History from the Restoration to the Present, New York: Oxford University Press, 1989.
226. Taylor Gary and John Jowett Shakespeare Reshaped 1606-1623, Oxford: Clarendon Press, 1993.
227. Taylor Gary and Michael Warren eds, The Division of the Kingdoms: Shakespeare's Two Versions of 'King Lear', Oxford: Clarendon Press, 1983.
228. Thompson Ann and Gordon McMullan In Arden: Editing Shakespeare, London: Thomson, 2003.
229. Thomson Peter On Actors and Acting, Exeter: University of Exeter Press, 2000.
230. Thomson Peter Shakespeare's Theatre, 2nd edn, London: Routledge, 1992.
231. Tucker Patrick Secrets of Acting Shakespeare: The Original Approach, London and New York: Routledge, 2002.
232. Urkowitz Steven Shakespeare's Revision of King Lear, Princeton: Princeton University Press, 1980.
233. Urkowitz Steven '"Well-Sayd Olde Mole": Burying Three Hamlets in Modern Editions', in Shakespeare Study Today, ed. Georgianna Ziegler New York, 1986.
234. Vickers Brian Shakespeare, Co-author: A Historical Study of Five Collaborative Plays, Oxford: Oxford University Press, 2003.
235. Weimann Robert Author's Pen and Actor's Voice, Cambridge: Cambridge University Press, 2000.
236. Wells Stanley W. Re-editing Shakespeare for the Modern Reader: Based on Lectures Given at the Folger Shakespeare Library, Washington DC, Oxford: Clarendon Press, 1984.
237. Wells Stanley and Lena Cowen Orlin eds, Shakespeare: An Oxford Guide, Oxford: Oxford University Press, 2003.
238. Wells Stanley W. and Gary Taylor Modernizing Shakespeare's Spelling with Three Studies in the Text of Henry V, Oxford: Clarendon Press, 1979.
239. Wells Stanley and Gary Taylor eds, William Shakespeare, a Textual Companion, Oxford: Clarendon Press, 1987.
240. Werstine Paul 'Narratives about Printed Shakespeare Texts: "Foul Papers" and "Bad" Quartos', Shakespeare Quarterly, 41, 1990, 65-86.
241. Werstine Paul 'Plays in Manuscript', in A New History of Early English Drama, ed. John D. Cox and David Scott Kastan New York: Columbia University Press, 1997, 481-497.
242. West Anthony James The Shakespeare First Folio: The History of the Book, Oxford and New York: Oxford University Press, 2001.
243. Wickham Glynne Early English Stages, 1300 to 1660, 3 vols in 4, London: Routledge and Kegan Paul, 1959-1981.
244. Wickham Glynne Herbert Berry and William Ingram English Professional Theatre, 1530-1660, Cambridge: Cambridge University Press, 2001.
245. Wiggins Martin Shakespeare and the Drama of His Time, Oxford: Oxford University Press, 2000.
246. Wiles David Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse, Cambridge: Cambridge University Press, 1987.
247. Williams George Walton The Craft of Printing and the Publication of Shakespeare's Works, Washington: Folger Shakespeare Library, 1985.
248. Worthen W. B. Shakespeare and the Authority of Performance, Cambridge: Cambridge University Press, 1997.
249. Wright George T. 'Hendiadys and Hamlet', PMLA, 96, 1981, 168-193.
250. Wright George T. Shakespeare's Metrical Art, Berkeley and Los Angeles: University of California Press, 1988.