-
1
-
-
0001520211
-
Measurements of the bowing parameters in violin playing. II: Bow-bridge distance, dynamic range, and limits of bow force
-
Askenfelt, A. (1986). Measurements of the bowing parameters in violin playing. II: Bow-bridge distance, dynamic range, and limits of bow force. Journal of the Acoustical Society of America, 86, 503-516.
-
(1986)
Journal of the Acoustical Society of America
, vol.86
, pp. 503-516
-
-
Askenfelt, A.1
-
2
-
-
84909190091
-
Finite-element calculation of a bass drum
-
Bader, R. (2006). Finite-element calculation of a bass drum. Journal of the Acoustical Society of America 119(5), 3290-3290.
-
(2006)
Journal of the Acoustical Society of America
, vol.119
, Issue.5
, pp. 3290-3290
-
-
Bader, R.1
-
3
-
-
84909190080
-
Entwicklung von akustischen Optimierungsverfahren für Stabspiele und Membraninstrumente
-
(Development of acoustical optimization methods for musical bars and membrane instruments.), Braunschweig 1983
-
Borg, I. (1983). Entwicklung von akustischen Optimierungsverfahren für Stabspiele und Membraninstrumente. (Development of acoustical optimization methods for musical bars and membrane instruments.) PTB Report, Projekt 5267, Braunschweig 1983.
-
(1983)
PTB Report, Projekt 5267
-
-
Borg, I.1
-
4
-
-
84971737266
-
Articulatory gestures as phonological units
-
Browman, C. P. and Goldstein, L. (1989). Articulatory gestures as phonological units. Phonology, 6, 201-251.
-
(1989)
Phonology
, vol.6
, pp. 201-251
-
-
Browman, C.P.1
Goldstein, L.2
-
7
-
-
0025267121
-
Auditory correlates of perceived mallet hardness for a set of recorded percussive sound events
-
Freed, D. J. (1990). Auditory correlates of perceived mallet hardness for a set of recorded percussive sound events. Journal of the Acoustical Society of America, 87(1), 311-322.
-
(1990)
Journal of the Acoustical Society of America
, vol.87
, Issue.1
, pp. 311-322
-
-
Freed, D.J.1
-
8
-
-
85014652035
-
Gestural-sonorous objects: embodied extensions of Schaeffer's conceptual apparatus
-
Godøy, R. I. (2006). Gestural-sonorous objects: embodied extensions of Schaeffer's conceptual apparatus. Organised Sound, 11(2), 149-157.
-
(2006)
Organised Sound
, vol.11
, Issue.2
, pp. 149-157
-
-
Godøy, R.I.1
-
9
-
-
0036872456
-
On the creation of the Helmholtz motion in the bowed string
-
Guettler, K. (2002). On the creation of the Helmholtz motion in the bowed string. Acta Acustica united with Acustica, 88, 970-985.
-
(2002)
Acta Acustica united with Acustica
, vol.88
, pp. 970-985
-
-
Guettler, K.1
-
10
-
-
77953580037
-
A closer look at the string player's bowing gestures
-
Guettler, K. (2003). A closer look at the string player's bowing gestures. Journal of the Catgut Acoustical Society, 4-7(II), 12-16.
-
(2003)
Journal of the Catgut Acoustical Society
, vol.4-7
, Issue.II
, pp. 12-16
-
-
Guettler, K.1
-
12
-
-
0033741462
-
Orchestral timbre, comb filter-coloration from reflections
-
Halmrast, T. (2000). Orchestral timbre, comb filter-coloration from reflections. Journal of Sound and Vibration, 352(1), 53-69.
-
(2000)
Journal of Sound and Vibration
, vol.352
, Issue.1
, pp. 53-69
-
-
Halmrast, T.1
-
13
-
-
0004220068
-
-
New York: Dover (English translation 1954: Originally published as Lehre von den Tonempfindungen Braunschweig: Vieweg)
-
Helmholtz, H. v. (1862). On the Sensations of Tone. New York: Dover (English translation 1954: Originally published as Lehre von den Tonempfindungen Braunschweig: Vieweg).
-
(1862)
On the Sensations of Tone
-
-
Helmholtz, H.V.1
-
14
-
-
4344567952
-
The importance of parameter mapping in electronic instrument design
-
Hunt, A., Wanderley, M., and Paradis, M. (2003). The importance of parameter mapping in electronic instrument design. Journal of New Music Research, 32(4), 429-440.
-
(2003)
Journal of New Music Research
, vol.32
, Issue.4
, pp. 429-440
-
-
Hunt, A.1
Wanderley, M.2
Paradis, M.3
-
15
-
-
0142165432
-
Identification and blend of timbres as a basis for orchestration
-
Kendall, R. A. and Carterette, E. C. (1993). Identification and blend of timbres as a basis for orchestration. Contemporary Music Review 9 (Parts 1 and 2), 51-67.
-
(1993)
Contemporary Music Review
, vol.9
, Issue.PARTS 1 AND 2
, pp. 51-67
-
-
Kendall, R.A.1
Carterette, E.C.2
-
17
-
-
1542286740
-
The psychomechanics of simulated sound sources: material properties of impacted bars
-
McAdams, S., Chaignec, A., and Roussaried, V. (2004). The psychomechanics of simulated sound sources: material properties of impacted bars. Journal of the Acoustical Society of America, 115(3), 1306-1320.
-
(2004)
Journal of the Acoustical Society of America
, vol.115
, Issue.3
, pp. 1306-1320
-
-
McAdams, S.1
Chaignec, A.2
Roussaried, V.3
-
19
-
-
10244240590
-
Speaking of sound: language and the professionalization of sound-recording engineers
-
Porcello, T. (2004). Speaking of sound: language and the professionalization of sound-recording engineers. Social Studies of Science, 34(5), 733-758.
-
(2004)
Social Studies of Science
, vol.34
, Issue.5
, pp. 733-758
-
-
Porcello, T.1
-
20
-
-
0345671583
-
On the mechanical theory of the vibrations of bowed strings and of musical instruments of the violin family, with experimental verifications of the results: Part II-Experiments with mechanically played violins
-
In, 1920-1921
-
Raman, C. V. (1920). On the mechanical theory of the vibrations of bowed strings and of musical instruments of the violin family, with experimental verifications of the results: Part II-Experiments with mechanically played violins. In Proceedings of the Indian Association for the Cultivation of Science (1920-1921), 19-36.
-
(1920)
Proceedings of the Indian Association for the Cultivation of Science
, pp. 19-36
-
-
Raman, C.V.1
-
21
-
-
3042661104
-
Timbre analysis by synthesis: representations, imitations and variants for musical composition
-
In G. De Poli, A. Piccialli, and C. Roads (eds.), Cambridge, MA: MIT Press
-
Risset, J.-C. (1991). Timbre analysis by synthesis: representations, imitations and variants for musical composition. In G. De Poli, A. Piccialli, and C. Roads (eds.), Representations of Musical Signals. Cambridge, MA: MIT Press, 7-43.
-
(1991)
Representations of Musical Signals
, pp. 7-43
-
-
Risset, J.-C.1
-
25
-
-
70350385015
-
Effect of the bow hair width on the violin spectrum
-
In, Stockholm, Sweden
-
Schoonderwaldt, E., Guettler, K., and A. Askenfelt, A. (2003). Effect of the bow hair width on the violin spectrum. In Proceedings of the Stockholm Musical Acoustics Conference. Stockholm, Sweden, 91-94.
-
(2003)
Proceedings of the Stockholm Musical Acoustics Conference
, pp. 91-94
-
-
Schoonderwaldt, E.1
Guettler, K.2
Askenfelt, A.A.3
-
26
-
-
79959123718
-
-
Berkeley, Los Angeles, London: University of California Press
-
Slawson, W., (1985). Tone Colour. Berkeley, Los Angeles, London: University of California Press.
-
(1985)
Tone Colour
-
-
Slawson, W.1
-
27
-
-
33745104091
-
Mapping strategies for gestural and adaptive control of digital audio effects
-
Verfaille, V., Wanderley, M. M., and Depalle, P. (2006). Mapping strategies for gestural and adaptive control of digital audio effects. Journal of New Music Research 35(1), 71-93.
-
(2006)
Journal of New Music Research
, vol.35
, Issue.1
, pp. 71-93
-
-
Verfaille, V.1
Wanderley, M.M.2
Depalle, P.3
-
28
-
-
34250892502
-
When the brain plays music: auditory-motor interactions in music perception and production
-
Zatorre, R. J., Chen, J. L., and Penhune, V. B. (2007). When the brain plays music: auditory-motor interactions in music perception and production. Nature Reviews Neuroscience 8, 547-558.
-
(2007)
Nature Reviews Neuroscience
, vol.8
, pp. 547-558
-
-
Zatorre, R.J.1
Chen, J.L.2
Penhune, V.B.3
|