Video surveillance in hollywood movies

Surveillance and Society

Volumn 2, Issue 2-3, 2004, Pages 464-473

  Kammerer, Dietmar ^a  

^a HUMBOLDT UNIVERSITY   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84907466715     PISSN: None     EISSN: 14777487     Source Type: Journal    
DOI: None     Document Type: Article

References (8)

1. Barthes, R. (1989) Die helle Kammer: Bemerkung zur Photographie. Suhrkamp: Frankfurt.
2. Black, J. (2002) The Reality Effect: Film Culture and the Graphic Imperative. New York: Routledge.
3. Groombridge, Nic (2002) ‘Crime Control or Crime Culture TV?’ Surveillance & Society 1(1): 30-46. http://www.surveillance-and-society.org/articles1/cctvculture.pdf
4. Levin, T. (2002) ‘Rhetoric of the Temporal Index: Surveillant Narration and the Cinema of “Real Time”.’ In T. Levin, U. Frohne and P. Weibel (eds.) CTRL Space. Rhetorics of Surveillance from Bentham to Big Brother. Karlsruhe: Center for Art and Media, 578-593.
5. Lyon, D. (2001) Surveillance Society: Monitoring Everyday Life. Buckingham: Open University Press.
6. Mathiesen, T. (1987) ‘The Eagle and the Sun: on panoptical systems and mass media in modern society.’ In J. Lowman, R.J. Menzies and T.S. Palys (eds.) Transcarceration. Essays in the Sociology of Social Control. Aldershot: Gower (Cambridge Studies in Criminology 55), 59-75.
7. Mathiesen, T. (1997) ‘The Viewer Society: Michel Foucault's 'Panopticon' revisited.’ Theoretical Criminology, 1(2): 215-234.
8. Seesslen, G. (2002) ‘Kammerspiel des Terrors: Panic Room.’ In: Frank Schnelle (ed.), David Fincher. Berlin: Bertz, 195-220.