Discussing quality: Critical vocabularies and popular television drama

Media and Cultural Theory

Volumn , Issue , 2005, Pages 221-232

  Geraghty, Christine ^a  

^a UNIVERSITY OF GLASGOW   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84906798944     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203509616     Document Type: Chapter

References (10)

1. Bauman, Z. (2002) Society under Siege, Cambridge: Polity.
2. Bauman, Z. (2003) Liquid Love, Cambridge: Polity.
3. Cooke, L. (2003) British Television Drama, London: BFI.
4. Ellis, J. (2000) Seeing Things Television in the Age of Uncertainty, London: I.B.Taurus.
5. Feuer, J. (1995) Seeing through the Eighties: Television and Reaganism, Durham, NC: Duke University Press.
6. Gledhill, C. (1987) 'The melodramatic field: an investigation', in Home is Where the Heart Is, London: BFI.
7. Gripsrud, J. (1995) The Dynasty Years: Hollywood, Television and Critical Media Studies, London: Routledge.
8. Hare, D. (2002) 'Why fabulate?' Guardian, Saturday Review, 2 February.
9. Jancovich, M. and Lyons, J. (eds) (2003) Quality British Television, London: BFI.
10. Yorke, J. (2002) 'Our modern morality plays', Guardian, 4 September.