메뉴 건너뛰기




Volumn 2, Issue 1-2, 2012, Pages 3-18

Caught on the back foot: Epistemic inertia and visible music

Author keywords

Audiovisual; Epistemic inertia; IASPM; Interdisciplinarity; Interprofessionalism; Invisible music

Indexed keywords


EID: 84906140048     PISSN: None     EISSN: 20793871     Source Type: Journal    
DOI: 10.5429/2079-3871(2011)v2i1-2.2en     Document Type: Article
Times cited : (30)

References (36)
  • 1
    • 85093878090 scopus 로고    scopus 로고
    • 26 March. consulted: 12.dec.11
    • Gololobov, Ivan. 2011. ―Post-Socialist Punk". 26 March. http://www2.warwick.ac.uk/fac/soc/sociology/rsw/current/punk/; consulted: 12.dec.11.
    • (2011) Post-Socialist Punk
    • Gololobov, Ivan1
  • 3
    • 85093909964 scopus 로고    scopus 로고
    • International Research Network, German Research Foundation. ; consulted: 12.dec.11
    • International Research Network, German Research Foundation. 2011. "Sound in Media Culture: aspects of a cultural history of sound." http://www.soundmediaculture.net; consulted: 12.dec.11.
    • (2011) Sound in Media Culture: aspects of a cultural history of sound
  • 4
    • 84917402050 scopus 로고
    • Musik in Film und Fernsehen. Einige Bemerkungen zu einem aktuellen Thema
    • Jelinek, Hanns. 1968. "Musik in Film und Fernsehen. Einige Bemerkungen zu einem aktuellen Thema." Österreichisches Musikzeitschrift, Vol. 23, No. 3.
    • (1968) Österreichisches Musikzeitschrift , vol.23 , Issue.3
    • Jelinek, Hanns1
  • 6
    • 85093904464 scopus 로고    scopus 로고
    • 18 July. consulted: 12.dec.11
    • Labatos, Baxtor. 2011. "Celtic Music Fan", 18 July. http://celticmusicfan.wordpress.com/; consulted: 12.dec.11
    • (2011) Celtic Music Fan
    • Labatos, Baxtor1
  • 8
    • 85062704720 scopus 로고
    • Musik som klassisk konst. En 1700-talsidé som blev klassisk
    • Arkiv, Lund, Sweden
    • Ling, Jan. 1989. "Musik som klassisk konst. En 1700-talsidé som blev klassisk". In Frihetens former: en vänbok till Sven-Eric Liedman. Arkiv, Lund, Sweden. Pp. 171-187.
    • (1989) Frihetens former: en vänbok till Sven-Eric Liedman , pp. 171-187
    • Ling, Jan1
  • 9
    • 85093879013 scopus 로고    scopus 로고
    • Cultural Studies'Stories: La domestication d'une pensée sauvage?
    • Réseau 80 CNET, Paris. consulted 17.july.2011
    • Mattelart, Armand, and Neveu, Erik. 1996. ―Cultural Studies'Stories: La domestication d'une pensée sauvage?" In Réseaux no. 80 CNET, Paris. www.enssib.fr/autressites/reseaux-cnet/80/01-matte.pdf; consulted 17.july.2011.
    • (1996)
    • Mattelart, Armand1    Neveu, Erik2
  • 10
    • 84871123359 scopus 로고
    • Semiologie et semiographie musicale
    • Nattiez Jean-Jaques. 1973. "Semiologie et semiographie musicale". Musique en Jeu, no.13, pp.78-79.
    • (1973) Musique en Jeu , Issue.13 , pp. 78-79
    • Jean-Jaques, Nattiez1
  • 12
    • 85093890889 scopus 로고
    • Public Studies into Popular Music: a matter for international and interdisciplinary organisation
    • ff. (hard-copy typescript at University of Salford)
    • Tagg, Philip. 1983. "Public Studies into Popular Music: a matter for international and interdisciplinary organisation" in Compendium #745, p. 45, ff. (hard-copy typescript at University of Salford);
    • (1983) Compendium #745 , pp. 45
    • Tagg, Philip1
  • 13
    • 84928361874 scopus 로고
    • Why IASPM? Which tasks?" (2nd IASPM conf., Reggio Emilia, 1983) in Popular Music Perspectives, 2
    • ed. D. Horn. Göteborg and Exeter: IASPM. Also at Tagg.org. consulted 17.july.2011
    • Tagg, Philip. 1985a. "Why IASPM? Which tasks?" (2nd IASPM conf., Reggio Emilia, 1983) in Popular Music Perspectives, 2, ed. D. Horn. Göteborg and Exeter: IASPM. Pp. 501-507. Also at Tagg.org. www.tagg.org/articles/xpdfs/iasptask83.pdf; consulted 17.july.2011.
    • (1985) , pp. 501-507
    • Tagg, Philip1
  • 15
    • 85093890551 scopus 로고
    • Report on fourth IASPM conference in Accra, Ghana
    • consulted 17.july.2011
    • Tagg, Philip. 1987. "Report on fourth IASPM conference in Accra, Ghana", in RPM; www.tagg.org/articles/ghanarpt.html; consulted 17.july.2011.
    • (1987) RPM
    • Tagg, Philip1
  • 16
    • 84971803744 scopus 로고
    • Open Letter about 'Black'and 'White'Music
    • original version (1987) at [110717]
    • Tagg, Philip. 1989. ―Open Letter about 'Black'and 'White'Music". Popular Music, Vol. 8, No. 3, 285-298; original version (1987) at www.tagg.org/articles/xpdfs/opelet.pdf [110717].
    • (1989) Popular Music , vol.8 , Issue.3 , pp. 285-298
    • Tagg, Philip1
  • 17
    • 84973995119 scopus 로고
    • From Refrain to Rave: the decline of figure and the rise of ground
    • original version (1993) at [110717]; consulted 17.july.2011
    • Tagg, Philip. 1994. "From Refrain to Rave: the decline of figure and the rise of ground". Popular Music. Vol. 13, No. 2, 209-222; original version (1993) at www./tagg.org/articles/xpdfs/pmusrave.pdf [110717]; consulted 17.july.2011.
    • (1994) Popular Music , vol.13 , Issue.2 , pp. 209-222
    • Tagg, Philip1
  • 18
    • 85093904582 scopus 로고    scopus 로고
    • Netscope - limits and possibilities of the Internet for popular music studies
    • 1997a. July University of Technology, Sydney. [110725]; consulted 17.july.2011
    • Tagg, Philip. 1997a. "Netscope - limits and possibilities of the Internet for popular music studies". 5th annual conference, IASPM (Australia and New Zealand), July 1997, University of Technology, Sydney. www.tagg.org/articles/xpdfs/IaspOz97.pdf [110725]; consulted 17.july.2011.
    • (1997) 5th annual conference, IASPM (Australia and New Zealand)
    • Tagg, Philip1
  • 20
    • 61949271620 scopus 로고    scopus 로고
    • The Göteborg connection: lessons in the history and politics of popular music education and research
    • also at consulted 17.july.2011
    • Tagg, Philip. 1998a. "The Göteborg connection: lessons in the history and politics of popular music education and research". Popular Music, Vol. 17, No. 2: pp. 219-42; also at www.tagg.org/articles/xpdfs/gbgcnnct.pdf; consulted 17.july.2011.
    • (1998) Popular Music , vol.17 , Issue.2 , pp. 219-242
    • Tagg, Philip1
  • 21
    • 85093890986 scopus 로고    scopus 로고
    • Studying music in the audio-visual media - an epistemological mess
    • b ed. T. Hautamäki and H. Järviluoma. Department of Folk Tradition, University of Tampere, Tampere, Finland. Also at consulted 17.july.2011
    • Tagg, Philip. 1998b. "Studying music in the audio-visual media - an epistemological mess." In Music on Show: Issues of Performance, ed. T. Hautamäki and H. Järviluoma. Department of Folk Tradition, University of Tampere, Tampere, Finland. Pp. 1- 14. Also at www.tagg.org/articles/xpdfs/glasg95.pdf. consulted 17.july.2011.
    • (1998) Music on Show: Issues of Performance , pp. 1-14
    • Tagg, Philip1
  • 22
    • 85093903333 scopus 로고    scopus 로고
    • Popular Music Studies: bridge or barrier?
    • a ed. G. Tonini. Bolzano: Libreria Musicale Italiana. Also at consulted 17.july.2011
    • Tagg, Philip. 2001a. "Popular Music Studies: bridge or barrier?".In Musica come ponte tra i popoli ie Musi als r c ezwischen den l ern, ed. G. Tonini. Bolzano: Libreria Musicale Italiana. Pp. 128-142. Also at www.tagg.org/articles/xpdfs/bolz9811.pdf; consulted 17.july.2011.
    • (2001) Musica come ponte tra i popoli ie Musi als r c ezwischen den l ern , pp. 128-142
    • Tagg, Philip1
  • 23
    • 85093880578 scopus 로고    scopus 로고
    • Twenty Years After
    • Turku: consulted 17.july.2011
    • Tagg, Philip. 2001b. "Twenty Years After", 11th IASPM conference, Turku: www.tagg.org/articles/turku2001.html; consulted 17.july.2011.
    • (2001) 11th IASPM conference
    • Tagg, Philip1
  • 24
    • 85093904752 scopus 로고    scopus 로고
    • High and Low, Cool and Uncool: aesthetic and historical falsifications about music in Europe
    • 2001c. in ed. C. Levy, Sofia: Bulgarska Akademiya na Naukute-Institut za izkustvoznanie; for very similar paper delivered at IASPM-UK/Ireland conference, University of Surrey consulted 17.july.2011
    • Tagg, Philip..2001c. "High and Low, Cool and Uncool: aesthetic and historical falsifications about music in Europe" in Bulgarian Musicology, 2, ed. C. Levy, 9-18. Sofia: Bulgarska Akademiya na Naukute-Institut za izkustvoznanie; for very similar paper delivered at IASPM-UK/Ireland conference, University of Surrey (2000) see www.tagg.org/articles/iaspmuk2000.html; consulted 17.july.2011.
    • (2000) Bulgarian Musicology , vol.2 , pp. 9-18
    • Tagg, Philip1
  • 25
    • 85093903206 scopus 로고    scopus 로고
    • consulted 17.july.2011
    • Tagg, Philip. 2007. "IASPM Pop Theory Discussion". http://tagg.org/others/IASPMtheorycorr.htm; consulted 17.july.2011.
    • (2007) IASPM Pop Theory Discussion
    • Tagg, Philip1
  • 26
    • 84873325531 scopus 로고    scopus 로고
    • Mass Media Music Scholars Press, New York & Montréal. [110717]; consulted 17.july.2011
    • Tagg, Philip. 2009a. Everyday Tonality. Mass Media Music Scholars' Press, New York & Montréal. http://tagg.org/mmmsp/EverydayTonalityInfo.htm [110717]; consulted 17.july.2011.
    • (2009) Everyday Tonality
    • Tagg, Philip1
  • 27
    • 85093900423 scopus 로고    scopus 로고
    • consulted 17.july.2011
    • Tagg, Philip. 2009b. "Dominants and Dominance." http://www.youtube.com/watch?v=rWlt9Is1nms; consulted 17.july.2011.
    • (2009) Dominants and Dominance
    • Tagg, Philip1
  • 29
    • 85093881773 scopus 로고    scopus 로고
    • MUL2109, cours à la Faculté de musique, Université de Montréal (hiver 2010) [110725]; consulted 17.july.2011
    • Tagg, Philip. 2009d. Musique et images en movement. MUL2109, cours à la Faculté de musique, Université de Montréal (hiver 2010) www.tagg.org/udem/musimgmot/musimgmot.htm [110725]; consulted 17.july.2011.
    • (2009) Musique et images en movement
    • Tagg, Philip1
  • 30
    • 85093879710 scopus 로고    scopus 로고
    • Music, Moving Image and the 'Missing Majority': how vernacular media competence can help music studies move into the digital era
    • keynote address, Music & Moving Image conference, 2011-05-21, Steinhardt School, New York University; forthcoming (with PowerPoint presentation) in Film International; text only at [110723]; consulted 17.july.2011
    • Tagg, Philip. 2011a. "Music, Moving Image and the 'Missing Majority': how vernacular media competence can help music studies move into the digital era"; keynote address, Music & Moving Image conference, 2011-05-21, Steinhardt School, New York University; forthcoming (with PowerPoint presentation) in Film International; text only at http://tagg.org/articles/xpdfs/NYC110521.pdf [110723]; consulted 17.july.2011.
    • (2011)
    • Tagg, Philip1
  • 31
    • 85093894005 scopus 로고    scopus 로고
    • [110723]; consulted 17.july.2011
    • Tagg, Philip. 2011b. Scotch Snaps: The Big Picture http://www.youtube.com/watch?v=3BQAD5uZsLY [110723]; consulted 17.july.2011.
    • (2011) Scotch Snaps: The Big Picture
    • Tagg, Philip1
  • 34
    • 9644259690 scopus 로고    scopus 로고
    • New York & Montréal: Mass Media Music Scholars Press; [110722]
    • Tagg, Philip and Clarida, Bob. 2003. Ten Little Title Tunes. New York & Montréal: Mass Media Music Scholars' Press; http://tagg.org/mmmsp/10Titles.html [110722].
    • (2003) Ten Little Title Tunes
    • Tagg, Philip1    Clarida, Bob2
  • 36
    • 85093903520 scopus 로고
    • (a.k.a. James Bond Theme), The Best of Bond, United Artists UAS 29021, USA. also www.itunes.apple.com/us/artist/john-barry-orchestra/id133904310; also DVD Dr No (NTSC) MGM 0-7298-4528-5. consulted 17.july.2011
    • Monty Norman. 1962. "Theme from Dr No" (a.k.a. James Bond Theme), The Best of Bond, United Artists UAS 29021, USA. tagg.org/audio/DrNoBondVinyl.mp3; see also www.itunes.apple.com/us/artist/john-barry-orchestra/id133904310; also DVD Dr No (NTSC) MGM 0-7298-4528-5. consulted 17.july.2011.
    • (1962) Theme from Dr No
    • Norman, Monty1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.