Beyond fluidity: A cultural history of cinema under water

Ecocinema Theory and Practice

Volumn , Issue , 2012, Pages 149-168

  Starosielski, Nicole ^a  

^a MIAMI UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84906103103     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203106051     Document Type: Chapter

References (35)

1. Steinberg, Philip E. The Social Construction of the Ocean. Cambridge: Cambridge University Press, 2001: 112.
2. Eldredge, Charles C. "Wet Paint: Herman Melville, Elihu Vedder, and Artists Undersea." American Art 11.2 (Summer 1997): 107-35;
3. Brant, Clare. "Translating Cuttlefish: Underwater Lifewritings." Biography 32.1 (Winter 2009): 114-27.
4. Certeau, Michel. The Practice of Everyday Life. Berkeley: University of California Press, 1984.
5. Bauman, Zygmunt. Liquid Modernity. Cambridge: Polity, 2000.
6. Marina McDougall and Brigitte Berg, eds. Science is Fiction: The Films of Jean Painlevé. Cambridge, MA: MIT Press, 2001.
7. Hayward, Eva. "Enfolded Vision: Refracting The Love Life of the Octopus." Octopus: A Journal of Visual Studies 1 (2005).
8. Past, Elena. "Lives Aquatic: Mediterranean Cinema and an Ethics of Underwater Existence." Cinema Journal 48.3 (Spring 2009): 63.
9. Bousé, Derek. Wildlife Films. Philadelphia: University of Pennsylvania Press, 2000.
10. Mitman, Gregg. Reel Nature: America's Romance with Wildlife on Film. Cambridge, MA: Harvard, 1999.
11. Ingram, David. Green Screen: Environmentalism and Hollywood Cinema. Exeter, UK: University of Exeter Press, 2000.
12. Ferguson, Kathryn. "Submerged Realities: Shark Documentaries at Depth." ATENEA 26.1 (June 2006).
13. Benton, Graham. "Shark Films: Cinematic Realism and the Production of Terror." In Nandita Batra and Vartan P. Messier (eds.) This Watery World: Humans and the Sea, Newcastle: Cambridge Scholars Publishing, 2008: 123-131.
14. Bryld, Mette and Nina Lykke. Cosmodolphins: Feminist Cultural Studies of Technology, Animals, and the Sacred. London: Zed Books, 1999.
15. Davis, Susan G. Spectacular Nature: Corporate Culture and the Sea World Experience. Berkeley: University of California Press, 1997.
16. Cubitt, Sean. EcoMedia. Amsterdam: Rodolpi, 2005: 46.
17. Past, "Lives Aquatic": 63.
18. Ferguson, "Submerged Realities": 120.
19. Gregory, James. "A Documentary Gets the Hard Sell." Films in Review (November 1956).
20. Taves, Brian. "With Williamson Beneath the Sea." Journal of Film Preservation 25.52 (April 1996): 54-61.
21. Burgess, Thomas. Take Me Under the Sea: The Dream Merchants of the Deep. Salem, OR: Ocean Archives, 1994.
22. Reidy, Micheal S, Gary Kroll, and Erik M Conway. Exploration and Science: Social Impact and Interaction. Santa Barbara, CA: ABC-CLIO, 2007: 192.
23. Williamson, My Life From the Bottom Up: 177.
24. Thompson, Krista A. An Eye for the Tropics: Tourism, Photograph, and Framing the Caribbean Picturesque. Durham, NC: Duke University Press, 2006, 176.
25. Rony, Fatimah Tobing. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham, NC: Duke University Press, 1996: 10.
26. Rony, The Third Eye: 5.
27. Gonder, Patrick. "Race, Gender and Terror: The Primitive in 1950s Horror Films." Genders 40 (2004).
28. Sobchack, Vivian. Screening Space: The American Science Fiction. New Brunswick, NJ: Rutgers University Press, 1997: 45.
29. Spigel, Lynn. "From Domestic Space to Outer Space: The 1960s Fantastic Family Sitcom." In Constance Penley, Elisabeth Lyon, Lynn Spigel, and Janet Bergstrom (eds.) Close Encounters: Film, Feminism, and Science Fiction. Minneapolis: University of Minnesota Press, 1991: 218.
30. "Captain Nemo and the Underwater City," Variety, December 15, 1969.
31. "Fun under Water," Our Sunday Visitor, March 6, 1966.
32. "World Without Sun," Cue, February 26, 1964.
33. "World Without Sun," Vogue, March 1, 1965.
34. "Hello Down There," Boxoffice, March 17, 1969.
35. Hall, Stephen J., Patrick Dugan, Edward H. Allison, and Neil L. Andrew, "The End of the Line: Who is Most at Risk from the Crisis in Global Fisheries?" AMBIO 39.1 (2010): 80.