Spectral Envelope Correction for Real-Time Transposition: Proposal of a "Floating-Formant" Method

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2002, Pages 126-129

  Dudas, Richard ^a  

^a Cycling '74   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

GENERALIZED METHOD; HUMAN EAR; NON INSTRUMENTALS; REAL- TIME; SPECTRA'S; SPECTRAL ENVELOPES;

COMPUTER MUSIC;

EID: 84906076625     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (9)

1. Dudas, R., "Generalized Transposition of Additive Analysis Data," Internal Report, CNMAT, University of California, Berkeley, 1999.
2. Grey, J., "An Exploration of Musical Timbre," Report STAN-M-2, Stanford University Dept. of Music, 1975.
3. Grey, J. and Gordon, J. W., "Perceptual Effects of Spectral Modifications on Musical Timbres," Journal of the Acoustical Society of America, 63(5), May 1978.
4. Laroche, J. and Dolson, M., "About this Phasiness Business," Proceedings of the ICMC, Thessaloniki, 1997.
5. Laroche, J. and Dolson, M., "New Phase-Vocoder Techniques for Real-Time Pitch-Shifting, Chorusing, Harmonizing and Other Exotic Audio Effects," Journal of the Audio Engineering Society, Vol. 47 No. 11, Nov 1999.
6. Schwarz, D., Spectral Envelopes in Sound Analysis and Synthesis, Diplomarbeit Nr. 1622, Universität Stuttgart, Fakultät Informatik, 1998.
7. Slawson, W., Sound Color, University of California Press, Berkeley, California, 1985.
8. Slawson, W., "Vowel Quality and Musical Timbre as Functions of Spectrum Envelope and Fundamental Frequency," Journal of the Acoustical Society of America, 43, 1968.
9. Sprenger, S., "On the Importance of Formants in Pitch Scaling," online publication: www.dspdimension.com. 1999.