Not my fantasy: The persistence of Indian imagery in Dr. Quinn, medicine woman

Dressing in Feathers: The Construction of the Indian in American Popular Culture

Volumn , Issue , 2018, Pages 245-261

  Bird, S Elizabeth ^a  

^a UNIVERSITY OF MINNESOTA DULUTH   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84905953010     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780429500909     Document Type: Chapter

References (24)

1. Rayna Green, “The Pocahontas Perplex: The Image of Indian Women in American Culture.” Massachusetts Review 16 (4) (1975), pp. 698-714.
2. Michael T. Marsden and Jack Nachbar, “The Indian in the Movies,” in Handbook of North American Indians: History of Indian-White Relations, vol. 4, ed. Wilcolm E. Washburn (Washington D.C.: Smithsonian Institution Press, 1988), pp. 607-616.
3. John J. O’Connor, “It’s Jane Seymour, M.D., in the Wild and Wooly West,” New York Times, February 4, 1993, p. B5.
4. Richard Zoglin, “Frontier Feminist,” Time, March 1, 1993, pp. 63-64.
5. Robert F. Berkhofer, Jr., The White Man’s Indian: Images of the American Indian from Columbus to the Present (New York: Vintage Books, 1979).
6. Daniel Francis, The Imaginary Indian: The Image of the Indian in Canadian Culture (Vancouver, British Columbia: Arsenal Pulp Press, 1992).
7. Daniel Francis, Imaginary Indian, p. 5.
8. Stewart Brand, “Indians and the Counterculture, 1960s-1970s,” in Washburn, ed., Handbook, p. 570.
9. Daniel Francis, Imaginary Indian, p. 25.
10. Robert S. Tilton, Pocahontas: The Evolution of an American Narrative (Cambridge: Cambridge University Press, 1994), p. 56.
11. Vine DeLoria, Jr., Custer Died for Your Sins: An Indian Manifesto (Norman: University of Oklahoma Press, 1988).
12. Rayna Green, “The Only Good Indian: The Image of the Indian in American Vernacular Culture.” Ph.D. diss., Indiana University, 1974, p. 382.
13. JoEllen Shiveley, “Cowboys and Indians: Perceptions of Western Films Among American Indians and Anglos,” American Sociological Review 57 (1992), pp. 725-734.
14. Rayna Green, “The Tribe Called Wannabee: Playing Indian in America and Europe,” Folklore 99 (1) (1988), pp. 30-55.
15. John Fiske, “Meaningful Moments,” Critical Studies in Mass Communication 5 (1988), pp. 246-251.
16. Henry Jenkins, Textual Poachers: Television Fans and Participatory Culture (New York: Routledge, 1992).
17. David Morley, Family Power and Domestic Feisure (London: Comedia, 1986); Andrea Press, Women Watching Television (Philadelphia: University of Pennsylvania Press, 1991), and many others.
18. S. Elizabeth Bird, For Enquiring Minds: A Cultural Study of Supermarket Tabloids (Knoxville: University of Tennessee Press, 1992).
19. Celeste M. Condit, “The Rhetorical Limits of Polysemy,” Critical Studies in Mass Communication 6 (2) (1989), p. 107.
20. Stuart Hall, “Notes on Deconstructing the Popular,” in Peoples History and Socialist Theory, ed. Raphael Samuel (London: Routledge, 1981), p. 228.
21. George Lipsitz, Time Passages: Collective Memory and American Popular Culture (Minneapolis: University of Minnesota Press, 1990), p. 115
22. S. Elizabeth Bird, “Cultural Studies as Confluence: The Convergence of folklore and Media Studies,” in Popular Culture Theory and Methodology, ed. Harold E. Hinds, Jr. (Bowling Green, Ohio: Popular Press, forthcoming).
23. Jesus Martin-Barbero, Communication, Culture, and Hegemony (Newbury Park, Calif.: Sage Publications, 1993).
24. Lrederic Jameson, “Reification and Utopia in Mass Culture,” Social Text 1 (1979), p. 147.