Unsupervised generation of percussion sound sequences from a sound example

Proceedings of the 7th Sound and Music Computing Conference, SMC 2010

Volumn , Issue , 2010, Pages 72-

  Marchini, Marco ^a   Purwins, Hendrik ^a  

^a UNIVERSITAT POMPEU FABRA   (Spain)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER PROGRAMMING;

FUZZY MULTI-LEVEL; RHYTHMIC PATTERNS; TEMPO ESTIMATIONS;

COMPUTER SCIENCE;

EID: 84905172401     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (21)

1. S. Dubnov, G. Assayag, and R. El-Yaniv., "Universal classification applied to musical sequences," in Proceedings of the International Computer Music Conference, pp. 332-340, 1998.
2. D. Cope, Virtual Music: Computer Synthesis of Musical Style. Cambridge, Massachusetts: MIT Press, 2004.
3. F. Pachet, "The continuator: Musical interaction with style," in Proceedings of ICMC (ICMA, ed.), pp. 211-218, ICMA, September 2002.
4. A. Addessi, L. Ferrari, S. Carlotti, and F. Pachet, "Young children's musical experiences with a flow machine," in Proceedings of the 9th International Conference on music perception and cognition, 2006.
5. L. Meyer, Style and music: Theory, history, and ideology. University of Chicago Press, 1996.
6. H. Purwins, M. Grachten, P. Herrera, A. Hazan, R. Marxer, and X. Serra, "Computational models of music perception and cognition II: Domain-specific music processing," Physics of Life Reviews, vol. 5, pp. 169-182, 2008.
7. P. Buhlmann and A. J. Wyner, "Variable length markov chains," Annals of Statistics, vol. 27, pp. 480-513, 1999.
8. F. Lerdahl and R. Jackendoff, A Generative Theory of Tonal Music. The MIT Press, June 1996.
9. C. E. Shannon, "A mathematical theory of communication," SIGMOBILE Mob. Comput. Commun. Rev., vol. 5, pp. 3-55, January 2001.
10. M. J. Weinberger, J. J. Rissanen, and M. Feder, "A universal finite memory source.," IEEE Trans. Inf. Theory, vol. 41, no. 3, pp. 643-652, 1995.
11. S. Abdallah and M. Plumbley, "Information dynamics: patterns of expectation and surprise in the perception of music," Connect. Sci, vol. 21, no. 2-3, pp. 89-117, 2009.
12. A. Hazan, R. Marxer, P. Brossier, H. Purwins, P. Her-rera, and X. Serra, "What/when causal expectation modelling applied to audio signals," Connection Science, vol. 21, pp. 119-143, 2009.
13. R. Marxer and H. Purwins, "Unsupervised incremental learning and prediction of audio signals," in Proceedings of 20th International Symposium on Music Acoustics, 2010.
14. O. Lartillot, P. Toiviainen, and T. Eerola, "A mat-lab toolbox for music information retrieval," in Annual Conference of the German Classification Society, 2007.
15. R. Duda, P. Hart, and D. Stork, Pattern classification. Citeseer, 2001.
16. S. Dixon, "Automatic extraction of tempo and beat from expressive performances," Journal of New Music Research, vol. 30, no. 1, pp. 39-58, 2001.
17. D. Ron, Y. Singer, and N. Tishby, "The power of amnesia: learning probabilistic automata with variable memory length," Mach. Learn., vol. 25, no. 2-3, pp. 117-149, 1996.
18. S. Dubnov, G. Assayag, and A. Cont, "Audio oracle: A new algorithm for fast learning of audio structures," in Proceedings of International Computer Music Conference (ICMC), pp. 224-228, 2007.
19. www.youtube.com/user/audiocontinuation, April 2010.
20. O. Gillet and G. Richard, "Enst-drums: an extensive audio-visual database for drum signals processing," in ISMIR, pp. 156-159, 2006.
21. H. Purwins, P. Holonowicz, and P. Herrera, "Polynomial extrapolation for prediction of surprise based on loudness - a preliminary study," in Sound and Music Computing Conference, (Porto), 2009.