Evaluation and improvement of the Mood Conductor interactive system

Proceedings of the AES International Conference

Volumn , Issue , 2014, Pages 117-126

  Lou, Ting ^a   Barthet, Mathieu ^a   Fazekas, György ^a   Sandler, Mark ^a  

^a QUEEN MARY UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

APPLICATIONS; DATA VISUALIZATION; SEMANTICS; SURVEYS; USER INTERFACES; WORLD WIDE WEB;

EVALUATION AND IMPROVEMENT; INTERACTIVE SYSTEM; MUSIC CREATION; MUSIC PERFORMANCE; SERVER COMPONENTS; USER CENTRED DESIGN; USER SURVEYS; WEB APPLICATION;

VISUALIZATION;

EID: 84904310919     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (23)

1. L. Barkhuus and T. Jørgensen. Engaging the crowd: studies of audience-performer interaction. In CHI'08 Extended Abstracts on Human Factors in Computing Systems, CHI EA'08, pages 2925-2930, New York, NY, USA, 2008. ACM.
2. M. Barthet and S. Dixon. Ethnographic observations of musicologists at the british library: implications for music information retrieval. In 12th International Society for Music Information Retrieval Conference (ISMIR), Miami, Florida (USA), 2011.
3. A. Bryman and E. Bell. Buisness research methods. Oxford University Press, 2007.
4. R. Dean and Bailes F. The control of acoustic intensity during jazz and free improvisation performance: possible transcultural implications for social discourse and community. Critical Studies in Improvisation, 6:1-22, 2010.
5. R. M. Emerson, R. I. Fretz, and L. L. Shaw. Writing Ethnographic Fieldnotes. The University of Chicago Press, Chicago, 1995.
6. K. A. Ericsson and H. A. Simon. Protocol analysis: Verbal reports as data (Revised edition). Massachussets Institute of Technology, Cambridge, MA, 1996.
7. G. Fazekas, M. Barthet, and M. Sandler. Mood Conductor: Emotion-driven interactive music performance. In Proc. of the 5th International Conference on Affective Computing and Intelligent Interaction (ACII), page 726, Geneva, Switzerland, 2013.
8. G. Fazekas, M. Barthet, and M. Sandler. The Mood Conductor system: Audience and performer interaction using mobile technology and emotion cues. In Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR), pages 106-121, 2013.
9. R. A. Kendall and E. C. Carterette. The communication of musical expression. Music Perception, 8(2):129-164, 1990.
10. Y. Kim, E. M. Schmidt, and L. Emelle. Moodswings: A collaborative game for music mood label collection. In Proc. of the International Society for Music Information Retrieval (ISMIR) Conference, 2008.
11. T. Lou, M. Barthet, G. Fazekas, and M. Sandler. Evaluation of the Mood Conductor interactive system based on audience and performers' perspectives. In Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR), pages 594-609, 2013.
12. A. McPherson, M. Barthet, and E. Chew, editors. CMMR 2012 New Resonances Festival Music Programme. Queen Mary University of London, 2012.
13. J. A. Russell. A circumplex model of affect. Journal of Personality and Social Psychology, 39(6):1161-1178, 1980.
14. E. Schubert, S. Ferguson, N. Farrar, D. Taylor, and G. E. McPherson. Continuous response to music using discrete emotion faces. In M. Barthet and S. Dixon, editors, Proc. of the 9th Int. Symposium on Computer Music Modeling and Retrieval (CMMR), pages 3-19, 2012.
15. J. Scott, J. Chapmany, M. Moorhead, R. Schwabey, and Y. E. Kim. Personalized song interaction using a multi-touch interface. In Proc. of NIME, pages 417-420, Korea, 2013.
16. N. M. Sgouros. Supporting audience and player interaction during interactive media performances. In Proc. of IEEE International Conference on Multimedia and Expo (ICME), volume 3, pages 1367-1370, 2000.
17. J. A. Sloboda and P. N. Juslin. Psychological perspectives on music and emotion. In Patrik N. Juslin and John A. Sloboda, editors, Music and Emotion Theory and Research, Series in Affective Science, pages 71-104. Oxford University Press, 2001.
18. D. Stowell, A. Robertson, N. Bryan-Kinns, and M. Plumbley. Evaluation of live human-computer music-making: quantitative and qualitative approaches. International Journal of Human-Computer Studies, 67(11):960-975, 2009.
19. W. F. Thompson and B. Robitaille. Can composers express emotions through music? Empirical studies of the arts, 10(1):79-89, 1992.
20. A. G. W. Van Zijl and J. Sloboda. Performers' experienced emotions in the construction of expressive musical performance: An exploratory investigation. Psychology of Music, 39(2):196-219, 2010.
21. M. Wanderley and N. Orio. Evaluation of input devices for musical expression: Borrowing tools from HCI. Comput. Music J., 26(3):62-76, September 2002.
22. C. Wharton, J. Rieman, C. Lewis, and P. Poson. The cognitive walkthrough method: a practicioner's guide. Usability Inspection Methods. Wiley, 1994.
23. Y. Xiang, N. K. Bee, and R. Dillon. Porting and optimizing music and emotion driven game engine from pc platform to ps 3 platform. In Proc. of the 16th International Conference on Computer Games, pages 70-74, 2011.