The spatial poetics of the personality cult: Circles around Stalin

The Landscape of Stalinism

Volumn , Issue , 2003, Pages 19-50

  Plamper, Jan ^a  

^a UNIVERSITY OF TÜBINGEN   (Germany)

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EID: 84903683808     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (67)

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2. Otdel Rukopisei, Gosudarstvennaia Tret'iakovskaia Galereia (OR GTG), f. 8. III, d. 926, ll. 1-2.
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8. Frank Kämpfer, Das russische Herrscherbild von den Anfängen bis zu Peter dem Großen: Studien zur Entwicklung politischer Ikonographie im byzantinischen Kulturkreis (Recklingshausen: Bongers, 1978);
9. Nicholas Riasanovsky, The Image of Peter the Great in Russian History and Thought (New York: Oxford University Press, 1985);
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12. Nina Sinitsyna, Tretii Rim: Istoki i evoliutsiia russkoi samoderzhavnoi kontseptsii (Moscow: Indrik, 1998);
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14. Boris Uspenskii, "La perception de l'histoire et la doctrine 'Moscou-troisième Rome, '" in La royauté sacrée dans le monde chrétien, eds. Alain Boureau and Claudio-Sergio Ingerflom (Paris: Edition de l'Ecole des Hautes Etudes en Sciences Sociales, 1992);
15. Marshall Poe, "Moscow, the Third Rome: The Origins and Transformations of a 'Pivotal Moment, '" Jahrbücher für Geschichte Osteuropas 49, no. 3(2001):412-29.
16. Barbara Walker, "On Reading Soviet Memoirs: A History of the 'Contemporaries' Genre as an Institution of Russian Intelligentsia Culture from the 1790s to the 1970s", Russian Review 59, no. 3(July 2000):327-52.
17. Istoriia vsesoiuznoi kommunisticheskoi partii (bol'shevikov): Kratkii kurs (1945; reprint, Moscow: Pisatel', 1997), 3.
18. Matthew Cullerne Bown, Socialist Realist Painting (New Haven, Conn.: Yale University Press, 1998), 101.
19. Mark Bassin, "'I Object to Rain That Is Cheerless': Landscape Art and the Stalinist Aesthetic Imagination", Ecumene 7, no. 3(July 2000):313.
20. Bown, Socialist Realist Painting, 101.
21. Stalin: K shestidesiatiletiiu so dnia rozhdeniia (Moscow: Pravda, n. d. [1939 or 1940]), 75.
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23. Frank Miller, Folklore for Stalin: Russian Folklore and Pseudofolklore in the Stalin Era (Armonk, N. Y.: M. E. Sharpe, 1990);
24. Felix Oinas, Essays on Russian Folklore and Mythology (Columbus, Ohio: Slavica, 1985);
25. Alma Kunanbaeva and Izaly Zemtsovsky, "Communism and Folklore", in Folklore and Traditional Music in the Former Soviet Union and Eastern Europe, ed. James Porter (Los Angeles: Department of Ethnomusicology, UCLA, 1997), 3-44;
26. Ursula Justus, "Vozvrashchenie v rai: Sotsrealizm i fol'klor", in Sotsrealisticheskii kanon, eds. Evgeny Dobrenko and Hans Günther (St. Petersburg: Gumanitarnoe agenstvo 'Akademicheskii proekt', 2000), 70-86.
27. Levon A. Abramian, "Tainaia politsiia kak tainoe obshchestvo: Strakh i vera v SSSR", Etnograficheskoe obozrenie 5(1993):38.
28. Stalin v tvorchestve armianskogo naroda was undertaken by L. Dzhrnazian in 1988.
29. Abramian, "Tainaia politsiia", 38.
30. Excerpt from Dzhambul, quoted in I. Eventov, "Kazakhskii geroicheskii epos i pesni Dzhambula", Sovetskii fol'klor 6(1939):70-85 (82).
31. "Shein is das Leb'n", in G. von Poehl and M. Agthe, Das Judentum: Das wahre Gesicht der Sowjets (Berlin: Otto Stollberg, 1943), 83.
32. Dobruzhin, Jiddische Volkslieder weg'n Stalinen (Moscow: der Emes, 1940).
33. Yuri Slezkine, Arctic Mirrors: Russia and the Small Peoples of the North (Ithaca, N. Y.: Cornell University Press, 1994), 298.
34. Hans Blumenberg, "Light as a Metaphor for Truth", in Modernity and the Hegemony of Vision, ed. David Levin (Berkeley: University of California Press, 1993), 30-62;
35. Martin Jay, Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (Berkeley: University of California Press, 1993).
36. Poehl and Agthe, Das Judentum, 85-86.
37. Clark, Petersburg, 302
38. Joan Wallach Scott, Gender and the Politics of History (New York: Columbia University Press, 1988), 48.
39. "The Cult of Stalin, 1929-1939", Ph. D. dissertation, University of Kentucky, 1977, 133.
40. Diana Leslie Cheren, "Recovering Uncertainty: An Interpretation of Aleksandr Deineka's The Defense of Petrograd", master's thesis, History of Art, University of California, Berkeley, 1995.
41. Mikhail Yampolsky, "In the Shadow of Monuments: Notes on Iconoclasm and Time", trans. John Kachur, in Soviet Hieroglyphics: Visual Culture in Late Twentieth-Century Russia, ed. Nancy Condee (Bloomington: Indiana University Press, 1995), 93.
42. Clark, Petersburg, 306
43. Matthew Cullerne Bown, Kunst unter Stalin: 1924-1956 (Munich: Klinkhardt and Biermann, 1991), 116-17.
44. Roi Medvedev, "O Staline i stalinizme", Znamia 3(1989):156.
45. Bown's own Socialist Realist Painting, 118
46. Bown's A Dictionary of Twentieth-Century Russian and Soviet Painters, 1900-1980s [London: Izomar, 1998]
47. (Bown, Socialist Realist Painting, 234).
48. Bown, Kunst unter Stalin, 92, 257.
49. ("Prazdnik sotsialisticheskoi kul'tury", Iskusstvo 2 [1941]: 6)
50. I. V. Stalin and K. E. Voroshilov in the Kremlin a different name: Guarding Peace (Na strazhe mira).
51. Elizabeth Valkenier, Russian Realist Art: The State and Society. The Peredvizhniki and Their Tradition (Ann Arbor, Mich.: Ardis, 1977);
52. idem, Ilya Repin and the World of Russian Art (New York: Columbia University Press, 1990);
53. idem, The Wanderers: Masters of Nineteenth-Century Painting. An Exhibition from the Soviet Union (Dallas Museum of Art, 1990).
54. I. S. Rabinovich's introductory article to Stalin i liudy sovetskoi strany v izobrazitel'nom iskusstve: Katalog vystavki (Moscow: Izdanie Gosudarstvennoi Tret'iakovskoi Gallerei, 1939), 7.
55. Hubertus Gassner and Alisa Liubimova, eds., Agitatsiia za schast'e: Sovetskoe iskusstvo stalinskoi epokhi (Bremen: Edition Temmen, 1994), 103.
56. V. I. Vikhtinskii et al.'s Vo imia mira (Podpisanie dogovora mezhdu Sovetskim Soiuzom i Kitaiskoi Narodnoi Respublikoi), illustration in ibid., 107;
57. D. A. Nalbandian's Dlia schast'ia naroda: Zasedanie Politbiuro TsK VKP (b), illustration in ibid., 100.
58. Bown, Socialist Realist Painting, 253.
59. Gassner and Liubimova, Agitatsiia za schast'e, 104.
60. Jochen Hellbeck, "Laboratories of the Soviet Self: Diaries of the Stalin Era", Ph. D. dissertation, Columbia University, 1998, 64-66.
61. Sovetskoe iskusstvo (14 February 1947, 1)
62. P. Rozin's picture V. I. Lenin and I. V. Stalin at the Bay (V. I. Lenin i I. V. Stalin v razlive) (1950)
63. Sovetskoe Iskusstvo 6(20 January 1951):1.
64. Albert Boime, The Magisterial Gaze: Manifest Destiny and American Landscape Painting, c. 1830-1865 (Washington, D. C.: Smithsonian Institution Press, 1991), 1.
65. Bassin, "'I Object to Rain That Is Cheerless, '" 334.
66. Wortman, Scenarios of Power, 2:22-23.
67. Sovetskoe iskusstvo, 22 May 1948, 1.