Thinking in circles: An essay on ring composition

Thinking in Circles: An Essay on Ring Composition

Volumn , Issue , 2007, Pages 1-169

  Douglas, Mary ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84902948865     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (146)

1. Glenn W. Most, The Measures of Praise: Structure and Function in Pindar's Second Pythian and Seventh Nemean Odes (Gottingen: Vandenhoeck and Ruprecht, 1985), 11.
2. Jack R. Lundbom, "The Inclusio and Other Framing Devices in Deuteronomy 1-28," Vetus Testamentum 46 (1966): 296-315.
3. Jacob Milgrom, Numbers: The Traditional Hebrew Text with the New JPS Translation (Philadelphia: Jewish Publication Society, 1990).
4. Robert Lowth, De Sacra Poesi Hebraeorum. The Oxford Lectures on Poetry (1753; trans. Boston, 1829), 157ff.
5. Milgrom, Numbers, xxii.
6. Roman Jakobson and Krystyna Pomorska, Dialogues, trans. Christian Hubert (Cambridge: Cambridge University Press, 1983), 102.
7. James Fox, "Roman Jakobson and the Comparative Study of Parallelism," in Roman Jakobson: Echoes of His Scholarship, ed. C. H. van Schooneveld and D. Armstrong (Lisse: De Ritter Press, 1977).
8. Jakobson and Pomorska, Dialogues, 103.
9. Jakobson and Pomorska, Dialogues, 102.
10. Quoted in Jakobson and Pomorska, Dialogues, 102.
11. Martin Schwartz, "The Gathas and Other Old Avestan Poetry," in La Langue Poétique Indo-européenne, ed. G.-J. Pinault and D. Petit (Paris, 2006), 1.
12. H.-P. Schmidt, "Die Komposition von Yasna 49," in Prati Danum, F. J. Kuiper (London: Mouton, 1968), 170-92.
13. Martin Schwartz, "Gathic Compositional History, Y29 and Bovine Symbolism," in Paitimana: Essays in Iranian, Indo-European, and Indian Studies in Honor of Hanns-Peter Schmidt, vol. 2, ed. Siamak Adhami (Costa Mesa: Mazda, 2006), 194-249.
14. Schwartz, "Gathic Compositional History," 196.
15. Léon Vandermeersch, "Les origines divinatoires de la tradition chinoise du paraléllisme littéraire," Extrème-Orient-Extrème-Occident 11 (1989): 11-32.
16. Sarah Allan, The Shape of the Turtle: Myth, Art, and Cosmos in Early China (Albany: SUNY Press, 1981).
17. Vandermeersh, "Les origines divinatoires."
18. Hua L. Wu, "The Concept of Parallelism: Jin Shengtan's Critical Discourse on The Water Margins," in Poetics East and West, ed. Milena Dolezelova-Velingerova. Monograph Series of Toronto Semiotics 4 (Toronto, 1988-89), 170.
19. Milena Dolezelova-Velingerova, "Seventeenth-Century Chinese Theory of Narrative: A Reconstruction of Its System and Concepts," in Poetics East and West, 149-55.
20. Dolezelova-Velingerova, "Seventeenth-Century Chinese Theory of Narrative," quote on p. 152.
21. Robert Alter and Frank Kermode, The Literary Guide to the Bible (Cambridge, Mass.: Harvard University Press, 1987).
22. Robert Alter, "The Characteristics of Ancient Hebrew Poetry," in Alter and Kermode, Literary Guide to the Bible, 611-24.
23. Joel Rosenberg, "Jeremiah and Ezekiel," in Alter and Kermode, Literary Guide to the Bible, 184-206.
24. Joel Rosenberg, "Jeremiah and Ezekiel," in Alter and Kermode, Literary Guide to the Bible, 190.
25. Simon Weightman, "Structure and the Mathnawi." Presented at the Rumi Conference, January 25-26, 2002.
26. Seyed Ghahreman Savi-Homani, " 'Love the Whole and Not the Part': Investigation of the Rhetorical Structure of Book One of the Mathnawī of Jalāl al-din Rumi" (D.Phil. thesis, University of London, 2003).
27. Albert Lord, The Singer of Tales (Cambridge, Mass.: Harvard University Press, 1960).
28. G. Nagy on creative recall, see his Poetry as Performance (Cambridge: Cambridge University Press, 1996), 16.
29. Jack Goody, The Power of the Written Tradition (Washington, D.C.: Smithsonian Institution Press, 2000), 21-22.
30. Aldous Huxley, Vulgarity in Literature: Digressions from a Theme (London: Chatto and Windus, 1930), 15.
31. Jean Starobinski, Les Mots sous les Mots: Les anagrammes de Ferdinand Saussure (Paris: Gallimard, 1971).
32. Douglas R. Hofstadter, Le Ton Beau de Marot: In Praise of the Music of Language (New York: Basic Books, 1997), 305.
33. Umberto Cassuto, From Noah to Abraham (Jerusalem: Magnes Press, 1997).
34. Alastair Fowler, Kinds of Literature: An Introduction to the Theory of Genres and Modes (Cambridge, Mass: Harvard University Press, 1982), 18.
35. Leonard B. Meyer's Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture (Chicago: University of Chicago Press, 1967).
36. Frank Kermode, The Genesis of Secrecy: On the Interpretation of Narrative (Cambridge, Mass.: Harvard University Press, 1979).
37. Frank Kermode, The Genesis of Secrecy: On the Interpretation of Narrative (Cambridge, Mass.: Harvard University Press, 1979),162.
38. W. A. van Otterlo, De Ringcompositie als opbouwprincipe in de Epische Gedichten van Homerus (Amsterdam: Verhandling der Koninklijke Nederlandsche Academie van Wetenschappen, 1948).
39. G. B. Gray, The Forms of Hebrew Poetry (London and New York: Hodder and Stoughton, 1915), 37.
40. Jonathan Magonet, Bible Lives (London: SCM Press, 1991), 27.
41. E. Auerbach, Mimesis: The Representation of Reality in Western Literature (Princeton, N.J.: Princeton University Press, 1953), 11.
42. Shalom Spiegel, The Last Trial: On the Legends and Lore of the Command to Abraham to Offer Isaac as a Sacrifice: The Akedah (New York: Behrman House, 1979), 110-11.
43. Sebastian Brock, "From Ephrem to Romanos," in Greek Literature in the Byzantine Period: Greek Literature, vol. 9, ed. Gregory Nagy (New York: Routledge, 2001), 1-151.
44. Isaac AQEDA, version from Romanos, listed in Le Muséon 99 (1986): 66-67.
45. Auerbach, Mimesis, ch. 1, "Odysseus' Scar."
46. Magonet, "Abraham," ch. 2 in Bible Lives (London: SCM Press, 1992), 23-33.
47. Vladimir Propp, Theory and History of Folklore, trans. A. Y. Martin and R. P. Martin, ed. A. Lieberman (Manchester: Manchester University Press, 1954).
48. Maurice Bloch, ed., Political Language and Oratory in Traditional Society (New York: Academic Press, 1975).
49. Emile Durkheim, The Elementary Forms of the Religious Life: A Study in Religious Sociology, trans. Joseph Ward Swain (London: G. Allen and Unwin, 1915).
50. Joseph Henrich and Francis Gill-White, "The Evolution of Prestige," Evolution and Human Behavior 22 (2001): 165-96.
51. B. W. Andrzejewski and I. M. Lewis, Somali Poetry: An Introduction (Oxford: Clarendon Press, 1964), 42.
52. J. W. Welch and D. B. McKinlay, eds., Chiasmus Bibliography (Provo, Utah: Research Press, 1999).
53. J. W. Welch and D. B. McKinlay, eds., Chiasmus Bibliography (Provo, Utah: Research Press, 1999), 168-69.
54. Roland Meynet, L'Analyse rhétorique: Une nouvelle méthode pour comprendre la Bible (Paris: Les Editions du Cerf, 1989).
55. Nils W. Lund, Chiasmus in the New Testament (Chapel Hill: University of North Carolina Press, 1942).
56. Umberto Cassuto, From Noah to Abraham (Jerusalem: Magnes Press, 1964).
57. Jonathan Magonet, Form and Meaning: Studies in Literary Techniques in the Book of Jonah, 2nd ed. (Sheffield: Almond Press, 1983).
58. Gary Rendsburg, The Redaction of Genesis (Winona Lake, Ind.: Eisenbrauns, 1986).
59. John Bligh, Galatians: A Discussion of St. Paul's Epistle (London: St. Paul Publications, 1969), 37-40.
60. Leonard Muellner, The Anger of Achilles: Menis in Greek Epic (Ithaca, N.Y.: Cornell University Press, 1996).
61. Gregory Nagy, Poetry as Performance: Homer and Beyond (Cambridge: Cambridge University Press, 1996), 16.
62. Alastair Fowler, Kinds of Literature: An Introduction to the Theory of Genres and Modes (Cambridge, Mass.: Harvard University Press, 1982), 29.
63. Douglas Hofstadter, Le Ton Beau de Marot: In Praise of the Music of Language (New York: Basic Books, 1997).
64. Douglas Hofstadter, Le Ton Beau de Marot: In Praise of the Music of Language (New York: Basic Books, 1997) 272.
65. Glenn W. Most, The Measures of Praise: Structure and Function in Pindar's Second Pythian and Seventh Nemean Odes (Gottingen: Vandenhoeck and Ruprecht, 1985).
66. Mary Douglas, In the Wilderness: The Doctrine of Defilement in the Book of Numbers (Sheffield: Sheffield Academic Press, 1993).
67. David Meijers, "The Structural Analysis of the Jewish Calendar and Its Political Implications," Anthropos 82 (1987): 604-10.
68. David Goodman, "Note on Identifying Beginnings and Endings," in Douglas, In the Wilderness, 123-26.
69. David Goodman's note on two words for "trumpets," in Douglas, In the Wilderness, 123-26.
70. Douglas, In the Wilderness, 123.
71. Goodman, "Note on Identifying Beginnings and Endings," 124.
72. Goodman, "Note on Identifying Beginnings and Endings," 125.
73. Goodman, "Note on Identifying Beginnings and Endings," 126.
74. Mary Douglas, "Responding to Ezra: The Priests and the Foreign Wives," Biblical Interpretation 10, no. 1 (2002): 1-23.
75. Graeme Auld, ed., "Judges 1-.25, in The Conquest under the Leadership of the House of Judah," in Understanding Poets and Prophets: Essays in Honour of G. A. Anderson (Sheffield: Sheffield Academic Press, 1993);
76. M. Weinfeld, "The Period of the Conquest and the Judges as Seen by the Earlier and the Later Sources," Vetus Testamentum 17 (1967): 93-111.
77. J. Blenkinsopp, "The Judaean Priesthood during the Neo-Babylonian and Achaemenid Periods: A Hypothetical Reconstruction," Catholic Biblical Quarterly 60, no. 1 (1998): 25-43.
78. Mary Douglas, Jacob's Tears: The Priestly Project of Reconciliation (Oxford: Oxford University Press, 2004).
79. Graeme Auld, "After Exodus and Before Numbers," in The Book of Leviticus: Composition and Reception, ed. Rolf Rendtorf and Robert Kugler (Leiden: Brill, 2003), 41-54.
80. Roman Jakobson: "There is a system of steady correspondences in composition and order of elements on many different levels: syntactic constructions, grammatical forms and grammatical categories, lexical synonyms and total lexical identities, and finally combinations of sounds and prosodic schemes." Roman Jakobson and Krystyna Pomorska, Dialogues, trans. Christian Hubert (Cambridge: Cambridge University Press, 1983), 102-3.
81. Rodney Needham discusses the idea of "natural universals" and warns that they cannot be expected to have the same interpretation across cultures. Needham, Circumstantial Deliveries (Berkeley: University of California Press, 1981), 59.
82. Evelyn Fishburn touches on these possibilities in a chapter in "Traces of the Thousand and One Nights in Borges," Variaciones Borges 17 (2004): 143-57.
83. Agatha Christie, Five Little Pigs (New York: Dodd, Mead, 1942).
84. Agatha Christie, The ABC Murders (reprint, New York: Dodd, Mead, 1977.
85. Thomas Narcejac, Une Machine à lire: Le roman policier (Paris: Denoël/ Gonthier, 1975).
86. Thomas Narcejac, Une Machine à lire: Le roman policier (Paris: Denoël/ Gonthier, 1975), 87.
87. Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman, ed. Melvyn New and Joan New, with an introductory essay by Christopher Ricks (New York: Penguin, 2003).
88. "Shandean Mirrors, Puzzles of the Master Analogy," in The Glass 14 (Winter 2001/Spring 2002): 14-29.
89. Robert Lowth, De Sacra Poesi Hebraeorum, based on thirty-four lectures in Latin delivered at Oxford between 1741 and 1750.
90. Alastair Fowler, Triumphal Forms: Structural Patterns in Elizabethan Poetry (Cambridge: Cambridge University Press, 1970).
91. The Oxford Dictionary of the Christian Church [Oxford: Oxford University Press, 2005], s.v. "Hermetic Books."
92. Campbell Ross, Sterne L'Eloge de la folie are very similar to Sterne's own apologia in Tristram Shandy.
93. Ian Campbell Ross's biography, Laurence Sterne: A Life (Oxford: Oxford University Press, 2001).
94. Christopher Ricks, "The Irish Bull," chapter 4 in his Beckett's Dying Words (Oxford: Clarendon Press, 1990), 153-56.
95. Richard Lattimore's translation, The Iliad of Homer (Chicago: Chicago University Press, 1951).
96. John L. Myres, Homer and His Critics, ed. Dorothea Grey (London: Routledge & Paul, 1958), 46-47.
97. Jack Goody, The Myth of the Bagre (Oxford: Clarendon Press, 1972), 186-87.
98. E. D. Lewis, "A Quest for the Source: The Ontogenesis of a Creation Myth of the Ata Tana Ai," chapter 9 in To Speak in Pairs, Essays on the Ritual Languages of Eastern Indonesia, ed. James J. Fox (Cambridge: Cambridge University Press, 1988).
99. Oliver Taplin, Homeric Soundings: The Shaping of the Iliad (Oxford: Clarendon Press, 1992).
100. Oliver Taplin, Homeric Soundings: The Shaping of the Iliad (Oxford: Clarendon Press, 1992), 15.
101. Cedric Whitman, Homer and the Heroic Tradition (Cambridge, Mass.: Harvard University Press, 1958), 257.
102. Cedric Whitman, Homer and the Heroic Tradition (Cambridge, Mass.: Harvard University Press, 1958),256.
103. Cedric Whitman, Homer and the Heroic Tradition (Cambridge, Mass.: Harvard University Press, 1958),665-67.
104. Whitman, Homer and the Heroic Tradition, 257.
105. Alastair Fowler, Triumphal Forms: Structural Patterns in Elizabethan Poetry (Cambridge: Cambridge University Press, 1970).
106. Arthur Hatto introduced this term to me, with many lively examples and the reference to the volume he edited called Traditions of Heroic and Epic Poetry, vol. 2 (London: Modern Humanities Research Association, 1989).
107. G. E. Duckworth, Structural Patterns and Proportions in Virgil's Aeneid: A Study in Mathematical Composition (Ann Arbor: University of Michigan Press, 1962).
108. Malcolm Willcock, A Companion to the Iliad: Based on the Translation by Richmond Lattimore (Chicago: Chicago University Press, 1976), 82.
109. Cedric Whitman, Homer and the Heroic Tradition (Cambridge, Mass.: Harvard University Press, 1958), 257.
110. Glenn W. Most, The Measures of Praise: Structure and Function in Pindar's Second Pythian and Seventh Nemean Odes (Göttingen: Vandenhoeck and Ruprecht, 1985), 42.
111. "Sarah Stein's Notes, 1908," ch. 4 in Matisse on Art, ed. Jack Flam (New York: Phaidon, 1973).
112. Henri Matisse, "Notes d'un peintre," La Grande Revue 52, no. 24 (December 25, 1908).
113. Christopher Green, ed., Art Made Modern: Roger Fry's Vision of Art (London: Courtauld Gallery, Courtauld Institute of Art, in association with Merrell Holberton, 1999).
114. Mary Douglas, "Rightness of Categories," in How Classification Works: Nelson Goodman among the Social Sciences, ed. Mary Douglas and David Hull (Edinburgh: Edinburgh University Press, 1992), 239-69.
115. Nelson Goodman, Languages of Art: An Approach to a Theory of Symbols, 2nd ed. (Indianapolis: Hackett, 1976).
116. Wittgenstein, Lectures and Conversations on Aesthetics, Psychology, and Religious Belief, Cyril Barrett, ed. (Oxford: Blackwell, 1966), 5.
117. Goodman, Languages of Art, 252.
118. Nelson Goodman and Catherine Z. Elgin, Reconceptions in Philosophy and Other Arts and Sciences (Indianapolis: Hackett, 1988), 123.
119. T. S. Eliot's theory of the classic, as discussed in Frank Kermode, The Classic: Literary Images of Permanence and Change (Cambridge, Mass.: Harvard University Press, 1983).
120. Graeme Auld, "After Exodus and Before Numbers," in The Book of Leviticus: Composition and Reception, ed. Rolf Rendtorf and Robert Kugler (Leiden: Brill, 2003), 41-54.
121. Margaret Church, "The First English Pattern Poems," PMLA 61 (1946): 636-50.
122. Alastair Fowler, "Cut without Hands: Herbert's Christian Altar," ch 2 in Presenting Poetry: Composition, Publication, Reception ed. Howard Erskine Hill and Richard A. McCabe (Cambridge: Cambridge University Press, 1995), 41-51.
123. Jeremy Adler, "Technopaigneia, Carmina Figurata and Bilder-Reime: Seventeenth-Century Poetry in Historical Perspective." Comparative Criticism 4 (1982): 107-47.
124. Mary Douglas, Leviticus as Literature (Oxford: Oxford University Press, 1999).
125. Kermode, The Classic, 80.
126. Lawrence Gowing, Turner: Imagination and Reality (New York: Museum of Modern Art, 1966), 44-45.
127. T. S. Eliot, "Little Gidding," The Four Quartets, 1942.
128. Collected Poems, 1909-1962 (London: Faber and Faber, 1963), 222.
129. Goodman, Languages of Art.
130. "Jorge Luis Borges" in E. Auerbach, Mimesis: The Representation of Reality in Western Literature (Princeton, N.J.: Princeton University Press, 1953), 99, 74.
131. "Jorge Luis Borges" in E. Auerbach, Mimesis: The Representation of Reality in Western Literature (Princeton, N.J.: Princeton University Press, 1953), 99, 90.
132. "Jorge Luis Borges" in E. Auerbach, Mimesis: The Representation of Reality in Western Literature (Princeton, N.J.: Princeton University Press, 1953), 99, 82-83.
133. Martin Heinzelmann, Gregory of Tours: History and Society in the Sixth Century (Cambridge: Cambridge University Press, 2001), 100.
134. Peter Godman, Poets and Emperors: Frankish Politics and Carolingian Poetry (Oxford: Clarendon Press, 1987), 8-9.
135. Heinzelmann, Gregory of Tours.
136. Michael Thompson, Rubbish Theory: The Creation and Destruction of Value (Oxford: Oxford University Press, 1979).
137. Jean Starobinski, Les Mots sous les Mots: Les anagrammes de Ferdinand Saussure (Paris: Gallimard, 1971).
138. David Damrosch, The Narrative Covenant: Transformations of Genre in the Growth of Biblical Literature (San Francisco: Harper and Row, 1987), 12.
139. E. Fishburn, "Jorge Luis Borges," ch. 10 in Postmodernism: The Key Figures, ed. Hans Bertens and Joseph Natoli (Malden, Mass.: Blackwell, 2002), 99, 74.
140. B. Herrnstein Smith, Poetic Closure: A Study of How Poems End (Chicago: University of Chicago Press, 1968), 234-60, 237.
141. B. Herrnstein Smith, Poetic Closure: A Study of How Poems End (Chicago: University of Chicago Press, 1968), 234-60, 241.
142. Fishburn, "Jorge Luis Borges," 57.
143. Smith, Poetic Closure, 240-41.
144. Aaron Wildavsky, Michael Thompson, and Richard Ellis, Cultural Theory (Boulder, Colo.: Westview Press, 1990).
145. Katrina C. D. McLeod, "The Political Culture of Warring States China," in Essays in the Sociology of Perception, ed. Mary Douglas (Boston: Routledge, 1982), 140-57.
146. The Analects of Confucius, trans. Arthur Waley (London: Allen & Unwin, 1964), 21-22.