The new blue music: Changes in rhythm and blues, 1950-1999

The New Blue Music: Changes in Rhythm and Blues, 1950-1999

Volumn , Issue , 2006, Pages 1-261

  Ripani, Richard J ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84901864352     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (437)

1. Abbott, Lynn. "'Play That Barbershop Chord': A Case for the African-American Origin of Barbershop Harmony." American Music 10, no. 3 (Fall 1992): 289-325.
2. Abbott, Lynn. "They Cert'ly Sound Good to Me: Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues." American Music 14, no. 4 (Winter 1996): 402-54.
3. Abbott, Lynn, and Doug Seroff. Out of Sight: The Rise of African American Popular Music, 1889-1995. Jackson, MS: University Press of Mississippi, 2002.
4. Aebersold, Jamey. How to Play Jazz and Improvise, vol. 1. Albany, IN: Jamey Aebersold Jazz, 1967.
5. Abraham, Otto, and Erich von Hornbostel. "Suggested Methods for the Transcription of Exotic Music." Translated by George and Eve List. Ethnomusicology 38, no. 3 (Fall 1994): 425-56.
6. Abrahams, Roger D. Singing the Master: The Emergence of African American Culture in the Plantation South. New York: Pantheon, 1992.
7. Abrahams, Roger D., and George Foss. Anglo-American Folksong Style. Englewood Cliffs, NJ: Prentice Hall, 1968.
8. Allen, William Francis, Charles Pickard Ware, and Lucy McKim Garrison. Slave Songs of the United States. New York: A. Simpson, 1867.
9. Averill, Gage. Four Parts, No Waiting: A Social History of American Barbershop Harmony. New York: Oxford University Press, 2003.
10. Baker, David. David Baker's Jazz Improvisation. Van Nuys, CA: Alfred Publishing, 1983.
11. Baker, Kenneth. Chords and Progressions for Jazz & Popular Keyboard. New York: Amsco Publications, 1983.
12. Baraka, Amiri (Leroi Jones). Blues People: Negro Music in White America. New York: William Morrow and Company, 1963. Reprint, New York: Quill, 1999.
13. Barbour, J. Murray. Tuning and Temperament: A Historical Survey. New York: Da Capo Press, 1972.
14. Barulich, Frances, and Jan Fairley. "Habanera." In The New Grove Dictionary of Music and Musicians, 2nd ed., vol. 10, ed. Stanley Sadie, 633-34. New York: MacMillan, 2001, rev. 2002.
15. Belz, Carl. The Story of Rock. New York: Harper Colophon Books, 1969.
16. Berendt, Joachim E. The Jazz Book: From Ragtime to Fusion and Beyond, 6th ed. Revised by Günther Huesmann. Brooklyn, New York: Lawrence Hill Books, 1992.
17. Berlin, Edward A. Ragtime: A Musical and Cultural History. Berkeley: University of California Press, 1980.
18. Berliner, Paul. The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe. Chicago: University of Chicago Press, 1993.
19. Berliner, Paul. Thinking in Jazz: The Infinite Art of Improvisation. Chicago: University of Chicago Press, 1994.
20. Berry, Jason, Jonathan Foose, and Tad Jones. "Professor Longhair's Carnival Rhythms: The Magic of New Orleans." Southern Exposure 15, no. 1 (1987): 23-27.
21. Berry, Jason, Jonathan Foose, and Tad Jones. Up From the Cradle of Jazz: New Orleans Music Since WWII. Athens, GA: University of Georgia Press, 1986. Reprint, New York: Da Capo Press, 1992.
22. Bertrand, Michael T. Race, Rock, and Elvis. Urbana, IL: University of Illinois Press, 2000.
23. Blesh, Rudi. Shining Trumpets: A History of Jazz. New York: Alfred A. Knopf, 1953.
24. Blesh, Rudi, and Harriet Janis. They All Played Ragtime: The True Story of an American Music. New York: Grove Press, 1959.
25. Bogdanov, Vladimir, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, eds., The All Music Guide to Hip-Hop: The Definitive Guide to Rap and Hip-Hop. San Francisco: Backbeat Books, 2003.
26. Bogdanov, Vladimir, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, eds. The All Music Guide to Soul: The Definitive Guide to R&B and Soul. San Francisco: Backbeat Books, 2003.
27. Borneman, Ernest. "Black Light and White Shadow: Notes for a History of American Negro Music." Jazz Research 2 (1970): 24-93.
28. Borneman, Ernest. "The Roots of Jazz." In Jazz, eds. Nat Hentoff and Albert McCarthy, 1-20. New York: Rinehart & Company, 1959.
29. Bowman, Rob. Soulsville, U.S.A.: The Story of Stax Records. New York: Schirmer Books, 1997.
30. Boyer, Horace Clarence. "Lucie E. Campbell: Composer for the National Baptist Convention." In We'll Understand it Better By and By, ed. Bernice Johnson Reagon, 81-108. Washington, DC: Smithsonian Institution Press, 1992.
31. Boyer, Horace Clarence. "William Herbert Brewster: The Eloquent Poet." In We'll Understand It Better By and By, ed. Bernice Johnson Reagon, 211-31. Washington, DC: Smithsonian Institution Press, 1992.
32. Brackett, David. Interpreting Popular Music. Berkeley, CA: University of California Press, 1995.
33. Brackett, David. "What a Difference a Name Makes: Two Instances of African-American Popular Music." In The Cultural Study of Music: An Introduction, eds. Martin Clayton, Trevor Herbert, and Richard Middleton, 238-50. New York: Routledge, 2003.
34. Brewer, Roy. "The Use of Habanera Rhythm in Rockabilly Music." American Music 17, no. 3 (Fall 1999): 300-17.
35. Bronson, Bertrand Harris. The Singing Tradition of Child's Popular Ballads. Princeton, NJ: Princeton University Press, 1976.
36. Broonzy, William. Big Bill Blues: William Broonzy's Story As told to Yannick Bruynoghe. New York: Da Capo, 1992.
37. Brothers, Thomas. "Solo and Cycle in African-American Jazz." Musical Quarterly 78 (1994): 479-509.
38. Broven, John. Rhythm & Blues in New Orleans. Gretna, LA: Pelican Publishing, 1995.
39. Brown, Geoff. James Brown Doin' It to Death. London, Omnibus Press, 1996.
40. Brown, James, with Bruce Tucker. James Brown: The Godfather of Soul. New York: Thunder's Mouth Press, 1997.
41. Burnim, Mellonee Victoria. The Black Gospel Music Tradition: Symbol of Ethnicity. Ph.D. diss. Indiana University. Ann Arbor, MI: University Microfilms Int., 1980.
42. Bush, John, and Bradley Torreano. "Puff Daddy." In All Music Guide to Hip-Hop: The Definitive Guide to Rap and Hip-Hop, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 394-95. San Francisco: Backbeat Books, 2003.
43. Carr, Patrick. Liner notes to Look What Thoughts Will Do. Columbia Legacy CD C2K 64880, 1997.
44. Carrington, J. F. Talking Drums of Africa. New York: Negro Universities Press, 1969.
45. Charters, Samuel. The Blues Makers. New York: Da Capo, 1991. Reprint of Oak, 1967, 1977. Contains reprints of The Bluesmen and Sweet As the Showers of Rain (The Bluesmen, vol. 2).
46. Charters, Samuel. The Legacy of the Blues: Art and Lives of Twelve Great Bluesmen. New York: Da Capo, 1977.
47. Charters, Samuel "Workin' on the Building: Roots and Influences." In Nothing But the Blues: The Music and the Musicians, ed. Lawrence Cohn, 13-31. New York: Abbeville Press, 1993.
48. Chilton, John. Let the Good Times Roll: The Story of Louis Jordan and His Music. Ann Arbor, MI: University of Michigan Press, 1994.
49. Clayton, Martin, Trevor Herbert, and Richard Middleton, eds. The Cultural Study of Music: An Introduction. New York: Routledge, 2003.
50. Cohn, Lawrence, ed. Nothing But the Blues: The Music and the Musicians. New York: Abbeville Press, 1993.
51. Collier, James Lincoln. The Making of Jazz: A Comprehensive History. London: Papermac, 1981.
52. Cooper, Daniel. Lefty Frizzell: The Honky Tonk Life of Country Music's Greatest Singer. New York: Little, Brown, and Co., 1995.
53. Cotton, Lee. Shake, Rattle & Roll. Ann Arbor, MI: Pierian Press, 1989.
54. Courlander, Harold. Negro Folk Music, U.S.A. New York: Columbia University Press, 1963.
55. Cox, John Harrington. Folk-songs of the South. Hatboro, PA: Folklore Associates, 1963.
56. Crouse, Timothy. "Resurrecting New Orleans: The Gulf Coast Originals Never Left Home." Rolling Stone 108 (May 11, 1972): 16-20.
57. Curtis, Jim. Rock Eras: Interpretations of Music and Society, 1954-1984. Bowling Green, OH: Bowling Green University Press, 1987.
58. Dixon, Robert M. W., and John Godrich. Recording the Blues. New York: Stein and Day, 1970.
59. Ehrlich, Eugene, Stuart Berg Flexner, Gorton Carruth, and Joyce M. Hawkins. Oxford American Dictionary. New York: Oxford University Press, 1980.
60. Elliott, James Issac. The Life and Legacy of Lefty Frizzell: Music, Media and Modern Country Singing. Master's thesis, Austin Peay State University, 1990.
61. Ellis, Alexander J. Appendix to On the Sensations of Tone: As a Physiological Basis for the Theory of Music, by Hermann Helmholtz. Longmans & Co., 1885; New York: Dover, 1954.
62. Epstein, Dena. Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Urbana, IL: University of Illinois Press, 1977.
63. Erlewine, Thomas. "2-Pac." In All Music Guide to Hip-Hop: The Definitive Guide to Rap and Hip-Hop, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 486-89. San Francisco: Backbeat Books, 2003.
64. Erlewine, Thomas, and Steve Huey. "Wu-Tang Clan." In All Music Guide to Hip-Hop: The Definitive Guide to Rap and Hip-Hop, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 505-8. San Francisco: Backbeat Books, 2003.
65. Ertegun, Ahmet. "The Story of Atlantic: Ahmet Ertegun 'In His Own Words.'" Rolling Stone 867 (April 26, 2001): 46-48, 50.
66. Escott, Colin, and Martin Hawkins. Good Rockin' Tonight: Sun Records and the Birth of Rock 'n' Roll. New York: St. Martin's Press, 1992.
67. Evans, David. "Africa and the Blues." Living Blues 10 (Autumn 1972): 27-29.
68. Evans, David "African Elements in Twentieth-Century United States Black Folk Music." Jazz Research 10 (1978): 85-109.
69. Evans, David. Big Road Blues: Tradition and Creativity in the Folk Blues. Berkeley, CA: University of California Press, 1982. Reprint, New York: Da Capo Press, 1987.
70. Evans, David "Goin' Up the Country: Blues in Texas and the Deep South." In Nothing But the Blues: The Music and the Musicians, ed. Lawrence Cohn, 33-85. New York: Abbeville Press, 1993.
71. Evans, David. "Charley Patton: The Conscience of the Delta." In Screamin' and Hollerin' the Blues: The Worlds of Charley Patton Revenant Album 212, 2001.
72. Evans, David "Musical Innovation in the Blues of Blind Lemon Jefferson." Black Music Research Journal 20, no. 1 (2000): 83-116.
73. Evans, David "Techniques of Blues Composition among Black Folksingers." Journal of American Folklore 87 (1974): 240-49.
74. Evans, David. Tommy Johnson. London: Studio Vista, 1971.
75. Fahey, John. Charley Patton. London: Studio Vista, 1970.
76. Ferris, William, and Mary Hart, eds. Folk Music and Modern Sound. Jackson, MS: University Press of Mississippi, 1982.
77. Finkelstein, Sidney. Jazz: A People's Music. New York: Citadel Press, 1948.
78. Friedman, Albert B. The Viking Book of Folk Ballads of the English-Speaking World. New York: The Viking Press, 1961.
79. Garland, Phyl. The Sound of Soul: The Story of Black Music. New York: Pocket Books, 1971.
80. George, Nelson. The Death of Rhythm and Blues. New York: Penguin Books, 1988.
81. George, Nelson. Hip Hop America. New York: Penguin Books, 1998.
82. Gertzur Heide, Karl. Deep South Piano: The Story of Little Brother Montgomery. London: Studio Vista, 1970.
83. Giddins, Gary. "Professor Longhair Woogies." Village Voice 24 (June 4, 1979): 74-75.
84. Gillett, Charlie. Making Tracks: The History of Atlantic Records. Frogmore, UK: Panther Books, 1975.
85. Gillett, Charlie. The Sound of the City: The Rise of Rock and Roll, rev. ed. London: Book Club Associates, 1984.
86. Gitler, Ira. Liner notes to Horace Silver and the Jazz Messengers. Blue Note CD CDP 7 46140 2, 1987.
87. Green, Archie. Only a Miner: Studies in Recorded Coal-Mining Songs. Urbana, IL: University of Illinois Press, 1972.
88. Gribin, Anthony J., and Matthew Schiff. The Complete Book of Doo-Wop. Iola, WI: Krause Publications, 2000.
89. Guralnick, Peter. Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom. New York: Little, Brown, and Co., 1986, 1999.
90. Hagan, Chet. Grand Ole Opry. New York: Henry Holt, 1989.
91. Handy, W. C., ed. A Treasury of the Blues. New York: Albert & Charles Boni, 1949. Originally published as Blues: An Anthology. New York: Albert & Charles Boni, 1926.
92. Handy, W. C. Father of the Blues: An Autobiography. New York: MacMillan, 1941; reprint New York: Da Capo, 1991.
93. Hazzard-Gordon, Katrina. Jookin': The Rise of Social Dance Formations in African- American Culture. Philadelphia: Temple University Press, 1990.
94. Heilbut, Anthony. The Gospel Sound: Good News and Bad Times. New York: Limelight, 1997.
95. Helander, Bruce. The Rock Who's Who, 2nd ed. New York: Schirmer Books, 1996.
96. Helmholtz, Hermann. On the Sensations of Tone: As a Physiological Basis for the Theory of Music. N.P.: Longmans & Co., 1885. Reprint, New York: Dover, 1954.
97. Hemphill, Paul. The Nashville Sound: Bright Lights and Country Music. New York: Simon and Schuster, 1970.
98. Henderson, Alex. "New Jack Swing." In All Music Guide to Soul: The Definitive Guide to R&B and Soul, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 853-54. San Francisco: Backbeat Books, 2003.
99. Hentoff, Nat, and Albert McCarthy. Jazz. New York: Rinehart and Co., 1959.
100. Herskovits, Melville J., The Myth of the Negro Past. Boston: Beacon Press, 1958.
101. Hinson, Glenn. Fire in My Bones: Transcendence and the Holy Spirit in African American Gospel. Philadelphia: University of Pennsylvania, 1999.
102. Hodeir, Andre. Jazz: Its Evolution and Essence. New York: Grove Press, 1956.
103. Hogan, E. "Teddy Riley." In All Music Guide to Soul: The Definitive Guide to R&B and Soul, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 575. San Francisco: Backbeat Books, 2003.
104. Hoffmann, Frank W. The Literature of Rock, 1954-1978. London: Scarecrow Press, 1981.
105. Hoffmann, Frank W., and B. Lee Cooper. The Literature of Rock, III, 1984-1990: With Additional Material for the Period 1954-1983. Metuchen, NJ: Scarecrow Press, 1995.
106. Huey, Steve. "Babyface." In All Music Guide to Soul: The Definitive Guide to R&B and Soul, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 28-29. San Francisco: Backbeat Books, 2003.
107. Huey, Steve. "Roberta Flack." In All Music Guide to Soul: The Definitive Guide to R&B and Soul, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 245. San Francisco: Backbeat Books, 2003.
108. Huey, Steve. "The Notorious B.I.G." In All Music Guide to Hip-Hop: The Definitive Guide to Rap and Hip-Hop, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 359-60. San Francisco: Backbeat Books, 2003.
109. Huey, Steve. "O.G.: Original Gangster." In All Music Guide to Hip-Hop: The Definitive Guide to Rap and Hip-Hop, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 225. San Francisco: Backbeat Books, 2003.
110. Isacoff, Stuart. Temperament: How Music Became a Battleground for the Great Minds of Western Civilization. New York: Vintage Books, 2003.
111. Jackson, Bruce. Fieldwork. Chicago: University of Chicago Press, 1987.
112. Jackson, George Pullen. White and Negro Spirituals: Their Span and Kinship. Locust Valley, NY: J. J. Augustin, 1943.
113. Jackson, George Pullen. White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and Buckwheat Notes. Chapel Hill, NC: University of North Carolina Press, 1933. Reprint, New York: Dover, 1965.
114. Jackson, George Stuyvesant. Early Songs of Uncle Sam. Ann Arbor, MI: Bruce Humphries, 1933.
115. Johnson, James Weldon, and J. Rosamond Johnson. The Books of American Negro Spirituals, 4th paperback ed. New York: Da Capo, 1989.
116. Jones, A. M. African Music in Northern Rhodesia and Some Other Places. The Occasional Papers of the Rhodes-Livingstone Museum, no. 4. Lusaka, Northern Rhodesia: The Rhodes-Livingstone Museum, 1958.
117. Jones, A. M. "African Rhythm." Africa 24, no. 1 (1954): 26-47.
118. Jones, A. M. "Blue Notes and Hot Rhythm." African Music Society Newsletter 1, no. 4 (June 1951): 9-12.
119. Jones, A. M Studies in African Music, 2 vols. London: Oxford University Press, 1959.
120. Joyner, David Lee. "Southern Ragtime and Its Transition to Published Blues." Unpublished Ph.D. dissertation, The University of Memphis, 1986.
121. Katz, Bernard, ed. The Social Implications of Early Negro Music. New York: Arno Press, 1969.
122. Keil, Charles. Urban Blues. Chicago: University of Chicago Press, 1966.
123. Kirby, Percival R. "A Study of Negro Harmony." The Musical Quarterly 16 (1930): 404-14.
124. Kostka, Stefan, and Dorothy Payne. Tonal Harmony: With an Introduction to Twentieth- Century Music, 3rd ed. New York: McGraw-Hill, 1995.
125. Kubik, Gerhard. "Africa." In The New Grove Dictionary of Music and Musicians, 2nd ed., vol. 1, ed. Stanley Sadie, 190-210. New York: MacMillan, 2001, rev. 2002.
126. Kubik, Gerhard Africa and the Blues. Jackson, MS: University Press of Mississippi, 1999.
127. Kubik, Gerhard. "Central Africa: An Introduction." In The Garland Encyclopedia of World Music, vol. 1, ed. Ruth M. Stone, 650-80. New York: Garland Publishing, 1998.
128. Kubik, Gerhard. "Intra-African Streams of Influence." In The Garland Encyclopedia of World Music, vol. 1, ed. Ruth M. Stone, 293-326. New York: Garland Publishing, 1998.
129. Kubik, Gerhard "The African Matrix in Jazz Harmonic Practices." Black Music Research Journal 25, no. 1/2 (2005): in press.
130. Kubik, Gerhard The Kachamba Brothers' Band: A Study of Neo-Traditional Music in Malawi. Zambian Paper no. 9. Lusaka: Institute for African Studies, University of Zambia, 1974.
131. Kubik, Gerhard. Malawian Music: A Framework for Analysis. Assisted by Moya Aliya Malamusi, Lidiya Malamusi, and Donald Kachamba. Zomba, Malawi: University of Malawi, 1987.
132. Kubik, Gerhard. Theory of African Music, vol. 1. Wilhelmshaven, Germany: Florian Noetzel Verlag, 1994.
133. Lawless, Ray M. Folksingers and Folksongs in America. New York: Duell, Sloan and Pearce, 1960.
134. Leach, MacEdward. The Ballad Book. New York: A. S. Barnes and Co., 1955.
135. Lichtenstein, Grace, and Laura Danker. Musical Gumbo: The Music of New Orleans. New York: W. W. Norton and Co., 1993.
136. Lindley, Mark. "Temperaments." In The New Grove Dictionary of Music and Musicians, 2nd ed., vol. 25, ed. Stanley Sadie, 248-68. New York: MacMillan, 2001, rev. 2002.
137. Lomax, John A., and Alan Lomax, comps. American Ballads and Folk Songs. New York: Dover Publications, 1934.
138. Lomax, John A., comps. Our Singing Country: Folk Songs and Ballads. New York: MacMillan Co., 1941. Reprint, Mineola, NY: Dover Publications, 2000.
139. Lornell, Kip. Happy in the Service of the Lord: African-American Sacred Harmony Quartets in Memphis, 2nd ed. Knoxville: University of Tennessee Press, 1988.
140. Lytle, Craig. "A Quiet Storm." In All Music Guide to Soul: The Definitive Guide to R&B and Soul, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 580. San Francisco: Backbeat Books, 2003.
141. Malone, Bill C. Country Music U.S.A., rev. ed. Austin: University of Texas Press, 1985.
142. Malone, Bill C. Southern Music, American Music. Lexington: University Press of Kentucky, 1979.
143. Marcus, Greil. Mystery Train: Images of America in Rock 'n' Roll Music, 4th rev. ed. New York: Penguin Books, 1997.
144. Matassa, Cosimo. Interview by Jay Gallagher. "Cosimo: A Conversation with the Dean of New Orleans Recording." Mix 20, no. 3 (March 1996): 88-102.
145. McDermott, Tom. "A New Orleans 'Frumba' by Tom McDermott." Piano Today 17, no. 1 (Winter 1996): 43- 56.
146. McEwen, Joe, and Jim Miller. "Motown." In The Rolling Stone Illustrated History of Rock 'n' Roll, 1950-1980, ed. Jim Miller, 235-45. New York: Random House, 1980.
147. McKee, Margaret, and Fred Chisenhall. Beale Black & Blue: Life and Music on Black America's Main Street. Baton Rouge: Louisiana State University Press, 1981.
148. Merriam, Alan P. The Anthropology of Music. Chicago: Northwestern University Press, 1964.
149. Miller, Jim, ed. The Rolling Stone Illustrated History of Rock and Roll, 1950-1980. New York: Random House, 1980.
150. Morales, Humberto, and Henry Adler. How to Play Latin American Rhythm Instruments. Edited by F. Henri Klickmann. Translated by Ernesto Barbosa. Rockville Center, NY: Belwin Mills, 1966.
151. Morrison, Craig. Go Cat Go!: Rockabilly Music and Its Makers. Urbana, IL: University of Illinois Press, 1996.
152. Myers, Helen. Ethnomusicology: An Introduction. New York: W. W. Norton and Co., 1992.
153. Nettl, Bruno. The Study of Ethnomusicology: Thirty-nine Issues and Concepts. Chicago: University of Chicago Press, 1983.
154. Niles, Abbe. Historical and critical text to A Treasury of the Blues, ed. W. C. Handy. New York: Albert & Charles Boni, 1949. Originally published as Blues: An Anthology. New York: Albert and Charles Boni, 1926.
155. Nketia, J. H. Kwabena. The Music of Africa. New York: W. W. Norton and Co., 1974.
156. Odum, Howard W. "Folk-Song and Folk-Poetry as Found in the Secular Songs of the Southern Negroes." The Journal of American Folk-Lore 24 (1911): 351-96.
157. Odum, Howard W., and Guy B. Johnson. The Negro and His Songs: A Study of Typical Negro Songs in the South. Westport, CT: Negro Universities Press, 1925, 1968.
158. Oliver, Paul, ed. The Blackwell Guide to Blues Records. Oxford, UK: Blackwell Publishers, 1989.
159. Oliver, Paul. "Blues." In The New Grove Dictionary of Music and Musicians, 2nd ed., vol. 3, ed. Stanley Sadie, 730-37. New York: MacMillan, 2001, rev. 2002.
160. Oliver, Paul. "Echoes of the Jungle?" Living Blues 13 (Summer 1973): 29-32.
161. Oliver, Paul. Savannah Syncopators: African Retentions in the Blues. New York: Stein and Day, 1970.
162. Oliver, Paul. Screening the Blues: Aspects of the Blues Tradition. New York: Da Capo Press, 1968.
163. Oliver, Paul. "Some Comments: African Influence and the Blues." Living Blues 8 (Spring 1972): 13-17.
164. Oliver, Paul. Songsters and Saints: Vocal Traditions on Race Records. Cambridge, UK: Cambridge University Press, 1984.
165. Oliver, Paul. The Story of the Blues. Radnor, PA: Chilton Book Co., 1969.
166. Palisca, Claude V., ed. Norton Anthology of Western Music, 2 vols. New York: W. W. Norton and Co., 1980.
167. Palmer, Robert. Deep Blues. New York: Penguin Books, 1982.
168. Palmer, Robert. "James Brown." In The Rolling Stone Illustrated History of Rock 'n' Roll, 1950-1980, ed. Jim Miller, 136-42. New York: Random House, 1980.
169. Palmer, Robert. "Professor Longhair's Rock 'n' Roll Gumbo." Downbeat 41 (March 28, 1974): 18-19.
170. Pantaleoni, Hewitt. On The Nature of Music. Oneonta, NY: Welkin Books, 1985.
171. Parrish, Carl, and John F. Ohl. Masterpieces of Music Before 1750. New York: W. W. Norton and Co., 1951.
172. Parrish, Lydia. Slave Songs of the Georgia Sea Islands. N.P.: Creative Age Press, 1942. Reprint, Athens, GA: University of Georgia Press, 1992.
173. Paxton, Josh. Professor Longhair Collection. Milwaukee: Hal Leonard, 1999.
174. Payne, Jim. Give the Drummers Some!: The Great Drummers of R&B, Funk and Soul. Miami: Warner Bros., 1996.
175. Perkins, William Eric, ed. Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia: Temple University Press, 1996.
176. Perkins, William Eric. "The Rap Attack: An Introduction." In Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, 1-45. Philadelphia: Temple University Press, 1996.
177. Pike, Kenneth L. Tone Languages: A Technique for Determining the Number and Type of Pitch Contrasts in a Language, with Studies in Tonemic Substitution and Fusion. Ann Arbor: University of Michigan Press, 1967.
178. Professor Longhair. "Fess." Interview by Bill Greensmith and Bez Turner. Blues Unlimited 130 (May-Aug. 1978): 4-7.
179. Professor Longhair. "Living Blues Interview: Professor Longhair." Interview by Tad Jones. Living Blues 26 (Apr.-May 1976): 16-29.
180. Progler, J. A. "Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section." Ethnomusicology 39, no. 1 (Winter 1995): 21-54.
181. Pruter, Robert, ed. The Blackwell Guide to Soul Recordings. Oxford, UK: Blackwell Publishers, 1993.
182. Pruter, Robert. Doowop: The Chicago Scene. Urbana: University of Illinois Press, 1996.
183. Raichelson, Richard M. Beale Street Talks: A Walking Tour Down the Home of the Blues. Memphis: Arcadia Records, 1994.
184. Randel, Don Michael, ed. Harvard Dictionary of Music, 4th ed. Cambridge, MA: Belknap Press, 2003.
185. Reagon, Bernice Johnson, ed. If You Don't Go, Don't Hinder Me: The African American Sacred Tradition. Lincoln, NE: University of Nebraska Press, 2001.
186. Reagon, Bernice Johnson, ed. We'll Understand It Better By and By: Pioneering African American Gospel Composers. Washington, DC: Smithsonian Institution Press, 1992.
187. Rebennack, Mac "Dr. John." "Under the Hoodoo Moon." Keyboard 20, no. 3 (Mar. 1994): 60-77.
188. Redd, Lawrence. Rock Is Rhythm and Blues: The Impact of Mass Media. East Lansing, MI: Michigan State University Press, 1974.
189. Reese, Gustave. Music in the Middle Ages. New York: W. W. Norton and Co., 1940.
190. Rideout, Ernie. "Master Class: The Rock and Roll Featism of Bill Payne-Under the Radar, Over the Top." Keyboard 22, no. 10 (Oct. 1996): 46-59.
191. Roberts, John Storm. The Latin Tinge: The Impact of Latin American Music on the United States. New York: Oxford University Press, 1979.
192. Rosalsky, Mitch. Encyclopedia of Rhythm & Blues and Doo-wop Vocal Groups. Lanham, MD: Scarecrow Press, 2000.
193. Rose, Cynthia. Living in America: The Soul Saga of James Brown. London: Serpent's Tail, 1990.
194. Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press, 1994.
195. Rowe, Mike. "Piano Blues and Boogie-Woogie." In The Blackwell Guide to Blues Records, ed. Paul Oliver, 112-38. Chicago: University of Chicago Press, 1989.
196. Rycroft, David. "Nguni Vocal Polyphony." Journal of the International Folk Music Council 19 (1967): 89-103.
197. Rye, Howard. "Rhythm and Blues." In The New Grove Dictionary of Music and Musicians, 2nd ed., vol. 21, ed. Stanley Sadie, 309-10. New York: MacMillan, 2001, rev. 2002.
198. Sargeant, Winthrop. Jazz: Hot and Hybrid. New York: E. P. Dutton, 1946.
199. Schneider, Marius. "Tone and Tune in West African Music." Ethnomusicology 5, no. 3 (Sept. 1961): 204-15.
200. Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York: Oxford University Press, 1968.
201. Schuller, Gunther. Musings: The Musical Worlds of Gunther Schuller. New York: Oxford University Press, 1986.
202. Selvin, Joel. Sly and the Family Stone: An Oral History. New York: Avon Books, 1998.
203. Shaw, Arnold, comp. Dictionary of American Pop/Rock. New York: Schirmer, 1982.
204. Shaw, Arnold. Honkers and Shouters: The Golden Years of Rhythm and Blues. New York: MacMillan, 1978.
205. Shaw, Arnold. The Rockin' 50s: The Decade That Transformed the Pop Music Scene. New York: Hawthorn Books, 1974.
206. Shelemay, Kay Kaufman, ed. Ethnomusicology: History, Definitions, and Scope. New York: Garland Publishing, 1992.
207. Slutsky, Allan, and Chuck Silverman. The Funkmasters: The Great James Brown Rhythm Sections. Miami: Warner Bros., 1997.
208. Southern, Eileen. The Music of Black Americans: A History, 3rd ed. New York: W. W. Norton and Co., 1997.
209. Stambler, Irwin. Encyclopedia of Pop, Rock and Soul. New York: St. Martin's Press, 1974.
210. Stewart, Alexander. "'Funky Drummer': New Orleans, James Brown, and the Rhythmic Transformation of American Popular Music." Popular Music 19, no. 3 (Oct. 2000): 292-318.
211. Titon, Jeff Todd. Early Downhome Blues: A Musical and Cultural Analysis, 2nd ed. Chapel Hill: University of North Carolina Press, 1994. Originally published Urbana, IL: University of Illinois Press, 1977.
212. Toll, Robert C. Blacking Up: The Minstrel Show in Nineteenth-Century America. London: Oxford University Press, 1974.
213. Toop, David. Rap Attack 3: African Rap to Global Hip Hop, 3rd ed. London: Serpent's Tail, 2000.
214. Toussaint, Allen. "Allen Toussaint: Soul of New Orleans." Interview by Rick Clark. Mix 21, no. 11 (Nov. 1997): 80, 82, 84, 86, 88, 91, 213.
215. Tsukada, Kenichi. "Harmony in Luvale Music of Zambia." In The Garland Encyclopedia of World Music, vol. 1, ed. Ruth M. Stone, 722-43. New York: Garland Publishing, 1998.
216. Trynka, Paul, ed. Rock Hardware: 40 Years of Rock Instrumentation. London: Balaphon Books, 1996.
217. van der Merwe, Peter. Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music. New York: Oxford University Press, 1989.
218. Vincent, Rickey. Funk: The Music, The People, and the Rhythm of the One. New York: St. Martin's Griffin, 1996.
219. Walser, Robert. "Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy." Ethnomusicology 39, no. 2 (spring/summer 1995): 193-215.
220. Warren, Fred, and Lee Warren. The Music of Africa: An Introduction. London: Prentice Hall, 1970.
221. Waterman, Christopher Alan. Jùjú: A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press, 1990.
222. Waterman, Richard A. "African Influence on the Music of the Americas." In Acculturation in the Americas: Proceedings and Selected Papers of the 29th International Congress of Americanists, ed. Sol Tax, 207-18. New York: Cooper Square, 1967.
223. Waterman, Richard A. "'Hot' Rhythm in Negro Music." Journal of the American Musicological Society 1 (1948): 24-37.
224. Wheeler, Mary. Steamboatin' Days: Folk Songs of the River Packet Days. Louisiana State University Press, 1944. Reprint, Freeport, NY: Books for Libraries Press, 1969.
225. Whitburn, Joel, comp. The Billboard Book of Top 40 Hits, 7th ed. New York: Billboard Books, 2000.
226. Whitburn, Joel, comp. Top Country Singles: 1944-1997. Menomonee Falls, WI: Record Research Inc., 1998.
227. Whitburn, Joel, comp. Top R&B Singles: 1942-1999. Menomonee Falls, WI: Record Research Inc., 2000.
228. Wilgus, D. K. Anglo-American Folksong Scholarship Since 1898. New Brunswick, NJ: Rutgers University Press, 1959.
229. Wilgus, D. K. "Country-Western Music and the Urban Hillbilly." Journal of American Folklore 83 (1970): 157-84.
230. Winner, Langdon. "The Sound of New Orleans." The Rolling Stone Illustrated History of Rock and Roll, 1950-1980, ed. Jim Miller, 35-44. New York: Random House, 1976, 1980.
231. Wolfe, Charles. Classic Country: Legends of Country Music. New York: Routledge, 2001.
232. Wolfe, Charles. "Honky-Tonk Starts Here: The Jim Beck Dallas Studio." The Journal of Country Music 11, no. 1 (1986): 25-30.
233. Wolfe, Charles. "Lefty Frizzell." The Journal of the American Academy for the Preservation of Oldtime Country Music 1, no. 4 (Aug. 1991): 8-11.
234. Wolff, Kurt. Country Music: The Rough Guide. London: Rough Guides, 2000.
235. Work, John W. American Negro Songs: 230 Folk Songs and Spirituals, Religious and Secular. New York: Crown Publishers, 1940. Reprint, Mineola, New York: Dover, 1998.
236. Wynn, Ron. "Nile Rodgers." In All Music Guide to Soul: The Definitive Guide to R&B and Soul, eds. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, and John Bush, 582. San Francisco: Backbeat Books, 2003.
237. Ace, Johnny. Memorial Album. MCA CD 31183, 1990.
238. African Guitar: Solo Fingerstyle Guitar Music from Uganda, Congo/Zaire, Malawi, Namibia, Central African Republic and Zambia. Audiovisual field recordings by Gerhard Kubik. Vetstapol/Rounder DVD 13017, 2003.
239. Afrika Bambaataa. Afrika Bambaataa: Looking for the Perfect Beat, 1980-1985. Tommy Boy CD TBCD 1457, 2001.
240. Afro-American Spirituals, Work Songs, and Ballads. Rounder CD 1510, 1998.
241. Afro-American Blues and Game Songs. Rounder CD 1513, 1999.
242. Afro-American Folk Music from Tate and Panola Counties, Mississippi. Audio field recordings by David Evans and Alan Lomax. Rounder CD 18964-1515-2, 2000.
243. All Music Guide. http://www.allmusic.com/, Dec. 1, 2003.
244. Anglo-American Ballads, vol. 1. Rounder CD 1511, 1999.
245. Anthology of American Folk Music. Edited by Harry Smith. Sony 6 CDs SFW 40090, 1997.
246. Atlantic Blues: Piano. Atlantic CD 81694-2, 1986.
247. Atlantic Rhythm and Blues: 1947-1974. Atlantic 8 CDs 82305-2, 2001.
248. Atlantic Soul Classics. Warner CD 9-27601-2, 1985.
249. Armstrong, Louis. Louis Armstrong: Hot Fives and Hot Sevens. JSP 4 312-315, 1999.
250. Autry, Gene. Greatest Hits. Sony CD A18874, 1992.
251. Barrelhouse Boogie. Bluebird/RCA CD 8334-2-RB, 1989.
252. Basie, Count. Count Basie: April in Paris. Verve CD 825 575-2, 1997.
253. Bell Biv De Voe. The Best of Bell Biv DeVoe. MCA CD 088 112 870-2, 2002.
254. Berry, Chuck. The Best of Chuck Berry. MCA CD MCAD-11944, 1999.
255. Black Appalachia: String Bands, Songsters, and Hoedowns. Rounder CD 11661-1823-2, 1999.
256. Bluesland: A Portrait in American Music. BMG videocassette 72333-80087-3, 1993.
257. Bluesmasters: The Essential History of the Blues, vol. 2. Rhino videocassette R3 2102, 1993.
258. BMG corporate web site. http://www.bmg.com/March 5, 2004.
259. Boyz, Men. Legacy: The Greatest Hits Collection. Universal CD 440 016 083-2, 2001.
260. Brown, Charles. The Best of Charles Brown: Driftin' Blues. Collectables CD COL-CD- 5631, 1995.
261. Brown, James. Foundations of Funk: A Brand New Bag, 1964-1969. Polydor CD 31453 1165- 2, 1996.
262. Brown, James. Funk Power 1970: A Brand New Thing. Polydor CD 31453 1684-2, 1996.
263. Brown, James. James Brown: The Godfather of Soul. A&E/Biography videocassette AAE-14088, 1996.
264. Brown, James. James Brown Live at the Apollo, 1962. Polydor CD 843 479-2, 1990.
265. Brown, James. James Brown: Star Time. Polydor 4 CDs 849 109-2 through 849 112-2, 1991.
266. Brown, James. The Lost James Brown Tapes. Warner/Reprise videocassette 38295-3, 1991.
267. Brown, James. Think! Polydor CD 31453 1018-2, 1996.
268. Brown, James. 20 All Time Greatest Hits. Polydor CD 314 511 326-2, 1991.
269. Cameo. The Best of Cameo. Mercury CD 314 514 824-2, 1993.
270. Can't You Hear the Wind Howl? The Life and Music of Robert Johnson. Produced by Peter Myer. Winstar videocassette WHE71126, 1997.
271. "Capitol Records." http://en.wikipedia.org/wiki/Capitol- Records, May 22, 2004.
272. Carey, Mariah. Mariah Carey. Columbia CD 45202, 1990.
273. Caribbean Voyage: Brown Girl in the Ring. Rounder CD 1716, 1997.
274. Carter Family, the. The Carter Family, 1927-1934. JSP 5 CDs: JSPCD7701A through JSPCD7001E, 2001.
275. Charles, Ray. Modern Sounds in Country & Western Music. Rhino CD R2 70099, 1988.
276. Chess Blues Classics: 1947 to 1956. Chess CD CHD-9369, 1997.
277. Chess Blues Classics: 1957 to 1967. Chess CD CHD-9368, 1997.
278. Chess Blues Piano Greats. Chess 2 CDs CHD2-9385, 1997.
279. Chi-Lites, the Chi-Lites Greatest Hits. Brunswick CD BRC 33002-2, 1998.
280. "Columbia Records." http://en2.wikipedia.org/wiki/Columbia- Records, May 22, 2004.
281. Commodores, The Best of the Commodores. Motown CD 314 542 096-2, 1999.
282. The Complete Stax/Volt Singles: 1959-1968. Atlantic 9 CDs 7 82218-2, 1991.
283. Cooke, Sam. Sam Cooke: Greatest Hits. RCA CD 07863 65605-2, 1998.
284. Cooke, Sam. Sam Cooke with the Soul Stirrers. Specialty CD SPCD-7009-2, 1991.
285. Coltrane, John. The Best of John Coltrane. Atlantic CD 1541-2, 1970.
286. Crudup, Arthur "Big Boy." That's All Right Mama. RCA Heritage/Bluebird CD 61043-2, 1992.
287. Crusaders, T. The Crusaders' Finest Hour. Verve CD 314 543 762-2, 2000.
288. Davis, Miles. Birth of the Cool. Capitol CD 7243 5 30117 2 7, 2000.
289. Davis, Miles. Kind of Blue. Columbia/Legacy CD CK 40579, 1997.
290. Davis, Miles. Milestones. Columbia/Legacy CD CK 85203, 2001.
291. Dazz, Band. The Best of Dazz Band. Motown CD 314 556 771-2, 2001.
292. De La Soul. Timeless: The Singles Collection. Tommy Boy/Rhino CD R2 73860, 2003.
293. Digital Underground. Playwutchyalike: The Best of Digital Underground. Tommy Boy/Rhino CD R2 73861, 2003.
294. Dodds, Baby. Baby Dodds Talking and Drum Solos. Folkways CD F-2290, 2001.
295. Domino, Fats. Fats Domino Jukebox: 20 Greatest Hits. Capitol CD 37600, 2002.
296. Dorsey, Thomas A. Precious Lord: Recordings of the Great Gospel Songs of Thomas A. Dorsey. Columbia/Legacy CD CK 57164, 1994.
297. D. Dre. The Chronic. Death Row CD DRR 63000-2, 1992.
298. Earth, Wind & Fire Earth, Wind & Fire: The Definitive Collection. Columbia 2 CDs 480554 9, 1995.
299. The Ebb Records Story, vol. 2: Blues 'n' Rhythm & Rock 'n' Roll, 1957-1959. Specialty CD SPCD-7073-2, 2001.
300. Echoes of the Forest: Music of the Central African Pygmies. Produced by Larry Blumenfeld. Ellipsis Arts CD 4020, 1995.
301. "Epic Records." http://en.wikipedia.org/wiki/Epic-Records, May 22, 2004.
302. Everly Brothers, the Songs Our Daddy Taught Us. Rhino CD R2 70212, 1988.
303. Flatt, Lester, and Earl Scruggs. The Best of Flatt & Scruggs. Mercury CD 088 170 187-2, 2001.
304. Frizzell, Lefty. Look What Thoughts Will Do. Columbia Legacy CD C2K 64880, 1997.
305. Frizzell, Lefty. Pure Country: Lefty Frizzell. Sony CD A30823, 2000.
306. Gap Band, the Gap Band: Ultimate Collection. Hip-O CD 314 548 098-2, 2001.
307. Garner, Erroll. Concert by the Sea. Columbia CD CK 40589, 1987.
308. Garner, Erroll. Erroll Garner: London 1964, Copenhagen 1970. Greenline videocassette VidJazz 7, 1990.
309. Gaye, Marvin. Midnight Love and the Sexual Healing Sessions. Columbia/Legacy CD C2k 65546, 1998.
310. Gibson, Don. Don Gibson: RCA Country Legends. Buddah/RCA CD 74465 99791 2, 2001.
311. Grandmaster Flash, The Best of Grandmaster Flash, Melle Mel & the Furious Five. Rhino CD R2 71606, 1994.
312. The Great Gospel Women: 31 Classic Performances by the Greatest Gospel Women. Shanachie CD 600492, 1993.
313. Hancock, Herbie. Headhunters. Columbia/Legacy CD CK 65123, 1997.
314. Handy, W. C. W. C. Handy's Memphis Blues Band. Memphis Archives CD MA7006, 1994.
315. Hawkins, Coleman. Body and Soul. Victor Jazz CD 09026-68515-2, 1996.
316. Hayes, Isaac. Isaac Hayes: Greatest Hit Singles. Stax CD SCD-8515-2, 1991.
317. High Lonesome: The Story of Bluegrass. Produced by Rachel Liebling and Andrew Serwer. Shanachie videocassette 604, 1991.
318. Hitsville, U. S. A.: The Motown Singles Collection 1959-1971. Motown 4 CDs 3746363122, 1992.
319. Holcomb, Roscoe. The High Lonesome Sound. Smithsonian Folkways SF CD 40104, 1998.
320. Holiday, Billie. Billie Holiday's Greatest Hits. Decca CD GRD 653, 1995.
321. Hooker, John Lee. The Best of John Lee Hooker, 1965 to 1974. MCA CD MCAD 10539, 1992.
322. Hooker, John Lee. John Lee Hooker: Boogie Chillun. Charly Records Ltd. CD Charly 4, 1986.
323. Hooker, John Lee John Lee Hooker: His Best Chess Sides. Chess CD CHD-9383, 1997.
324. Hooker, John Lee. John Lee Hooker: The Ultimate Collection. Rhino 2 CDs R2 70572, 1991.
325. Hooker, John Lee. The Legendary Modern Recordings, 1948-1954. Flair/Virgin CD 39658 2, 1993.
326. Hopkins, Lightnin. Country Blues. Tradition CD TCD 3001, 1996.
327. House, Son. Son House: The Original Delta Blues. Columbia CD CK 65515, 1998.
328. Howlin, Wolf. Howlin' Wolf: His Best. Chess CD CHD-9375, 1997.
329. Hunter, Ivory Joe. Ivory Joe Hunter/Old and the New. Collectables CD 6234, 1999.
330. Hunter, Ivory Joe. I Almost Lost My Mind 1945/1950. EPM CD 159992, 2001.
331. An Introduction to Gospel Song. Folkways CD F-RF5, 1962.
332. Jacquet, Illinois. The Illinois Jacquet Story. Proper Records 4 CDs, 2002.
333. Jackson, Janet. Control. A&M CD 3905/DX 923, 1986.
334. Jackson, Janet. Rhythm Nation 1814. A&M CD 3920, 1989.
335. Jackson, Michael. Greatest Hits: History, vol. 1. Epic CD EK 85250, 1991.
336. James, Elmore. Elmore James: Golden Hits. Masters CD MCAD 61046-2, 1996.
337. James, Skip. Skip James: Complete Early Recordings. Yazoo CD 2009, 2001.
338. Jefferson, Blind Lemon. Moanin' All Over. Tradition CD TCD 1011, 1996.
339. Johnny Ace. Memorial Album. MCA CD MCAD-31183, 1973.
340. Johnson, Robert. Robert Johnson: King of the Delta Blues. Columbia CD DIDP 092683, 1997.
341. Johnson, Tommy. Tommy Johnson (1928-1929). Document CD DOCD-5001, 1988.
342. Joplin, Scott. Complete Works of Scott Joplin. Richard Zimmerman, Piano. Laserlight 5 CDs: 17 021 through 17 025, 1993.
343. Jordan, Louis. Louis Jordan and His Tympany Five. JSP Records 5 CDs: JSPCD905A through JSPCD905E, 2001.
344. Jubilation! Great Gospel Performances, Volume One: Black Gospel. Rhino CD R2 70288, 1992.
345. Jubilation! Great Gospel Performances, Volume Two: More Black Gospel. Rhino CD R2 70288, 1992.
346. The JVC/Smithsonian Folkways Video Anthology of Music and Dance of Africa, 3 vols. JVC videocassettes VTMV-218E, 291E, and 220E, 1996.
347. KC and the Sunshine Band The Best of KC and the Sunshine Band. Rhino CD R2 70940, 1989.
348. Kentucky Headhunters, the Pickin' on Nashville. Mercury/Polygram CD 838 744-2, 1989.
349. King, Albert. King of the Blues Guitar. Atlantic CD 8213-2, 1989.
350. King, B.B. The Best of B.B. King. MCA CD MCAD-11939, 1999.
351. King, B.B. The RPM Hits 1951-1957. Ace CD CDCHD 712, 1999.
352. King Sunny Ade and His African Beats Juju Music. Mango/Island Records CD 162-539 712-2, 1982.
353. Kool & the Gang Kool & the Gang Spin Their Top Hits. Mercury CD 822 536-2, 1978.
354. Little Richard. The Georgia Peach. Specialty CD SPCD-7012-2, 1991.
355. Lunceford, Jimmie. The Classic Tracks. Kaz Records CD 317, 1996.
356. Lunceford, Jimmie. Jimmie Lunceford and His Orchestra, 1937-1939. Classics Records CD 52, 1990.
357. Macon, Uncle Dave. Travelin' Down the Road. County Records CD CCS-CD-115, 1995.
358. Malamusi, M. A. Original tape Oral Literature Research Programme. Chileka, Malawi.
359. Masters of the Country Blues: Big Bill Broonzy and Roosevelt Sykes. Yazoo DVD 518, 2002.
360. Masters of the Country Blues: Bukka White and Son House. Yazoo DVD 500, 2000.
361. Masters of the Country Blues: John Lee Hooker and Furry Lewis. Yazoo DVD 519, 2002.
362. Masters of the Country Blues: Rev. Gary Davis and Sonny Terry. Yazoo DVD 501, 2001.
363. Masters of the Delta Blues: The Friends of Charlie Patton. Yazoo CD 2002, 2002.
364. McIntosh County Shouters McIntosh County Shouters: Slave Shout Songs from the Coast of Georgia. Folkways CD F-4344, 1984.
365. McShann, Jay. The Essential Jay McShann, 1941-1949. Indigo CD IGOCD 2524, 2002.
366. McShann, Jay. Jay McShann, 1944-1946. Classics Records CD 966, 1997.
367. Memphis, Minnie. I Ain't No Bad Gal. Masters/CBS CD RK 44072, 1988.
368. Memphis, Slim. The Folkways Years: 1959-1973. Smithsonian Folkways Recordings SFW CD 40128, 2000.
369. Millinder, Lucky. Lucky Millinder and His Orchestra, 1941-1942. Classics Records CD 712, 1993.
370. Mintzer, Bob. Latin from Manhattan. DMP CD-523, 1998.
371. Mississippi Blues: Library of Congress Recordings 1940-1942. Travelin Man CD TMCD 07, 1991.
372. Monroe, Bill. The Essential Bill Monroe and the Monroe Brothers. RCA CD 67450-2, 1997.
373. Morton, Jelly Roll. The Library of Congress Recordings, vol. 3: The Pearls. Rounder CD 1093, 1993.
374. Motown Girl Groups. Motown CD 314 520 299-2, 1995.
375. Muddy Waters Can't Be Satisfied. Produced by Morgan Neville and Robert Gordon. Wellspring DVD WHE73167, 2002.
376. Morgan Neville and Robert Gordon. Muddy Waters: His Best, 1947 to 1956. Chess CD CHD-9370, 1997.
377. Negro Work Songs and Calls. Rounder CD 1517, 1999.
378. N.W.A. The N.W.A Legacy, vol. 1: 1988-1998. Priority CD P2 51111, 1999.
379. Owens, Maida. "Louisiana's Traditional Cultures: An Overview." From the Northwestern State University (LA) webpage Louisiana Folklife Program. http://www.louisianafolklife.org/LT/Maidas-Essay/main-introduction-onepage.html, May 21, 2004.
380. Parker, Charlie. The Essential Charlie Parker. Verve CD 314 517 173-2, 1992.
381. Parliament. Chocolate City. Casablanca CD 836 700-2, 1975.
382. Parliament. The Clones of Dr. Funkenstein. Casablanca CD 842 620-2, 1976.
383. Parliament. Parliament's Greatest Hits. Casablanca CD 822 637-2, 1984.
384. Parliament. Up for the Down Stroke. Casablanca CD 842 619-2, 1974.
385. Piano Players Rarely Ever Play Together. Produced by Stevenson J. Palfi. Stevenson Productions videocassette, 1982.
386. Patton, Charley. Screamin' and Hollerin' the Blues: The Worlds of Charley Patton. CD set with historical and critical essays, Revenant Album 212, 2001.
387. Presley, Elvis. Elvis Presley. RCA CD PCD1-5198, 1985.
388. Price, Lloyd. Lloyd Price Greatest Hits. Curb CD D2-77305, 1990.
389. Prince. The Very Best of Prince. Warner CD R2 72472, 2001.
390. Professor Longhair. The Professor Longhair Anthology. Rhino CD R2 71502, 1993.
391. Professor Longhair. Professor Longhair's New Orleans Piano. Atlantic CD 7225-2, 1989.
392. Professor Longhair. Big Chief. Rhino CD R2 71446, 1993.
393. Public Enemy. It Takes a Nation of Millions to Hold Us Back. Def Jam CD 314 527 358-2, 1988.
394. Public Enemy. Muse Sick-N-Hour Mess Age. Def Jam CD 314 523 362-2, 1994.
395. Puff Daddy and the Family No Way Out. Bad Boy CD 78612-73012-2, 1997.
396. Rodgers, Jimmie. The Essential Jimmie Rodgers. RCA CD 67500-2, 1997.
397. Roots of Black Music in America. Folkways 2 CDs F-2694, 1972.
398. Rufus. The Very Best of Rufus. MCA CD MCAD-11543, 1996.
399. Run-DMC. Run DMC Greatest Hits. Arista/BMG Heritage 07822 10607-2, 2002.
400. Shindig! Presents Soul. Produced by Trisha Wexler. Rhino videocassette RNVD 1456, 1991.
401. Silver, Horace. Horace Silver and the Jazz Messengers. Blue Note CD CDP 7 46140 2, 1987.
402. Silver, Horace. Horace Silver: Song for My Father. Blue Note CD 7243 4 990002 2 6, 1999.
403. Slave The Best of Slave, featuring Steve Arrington. Rhino CD R2 71592, 1994.
404. Sly and the Family Stone. Fresh. Epic CD EK 32134, 1991.
405. Sly and the Family Stone. Sly & the Family Stone: Greatest Hits. Epic CD EK 30325, 1990.
406. Sly and the Family Stone. There's a Riot Goin' On. Epic CD EK 30986, 1990.
407. Sly and the Family Stone. A Whole New Thing. Legacy/Epic CD EK 66424, 1995.
408. Smith, Bessie. Empty Bed Blues: Her 23 Greatest. ASV CD AJA 5213, 1996.
409. Smith, Jimmy. Bucket! Blue Note CD 7243 5 24550 2 7, 2000.
410. Smithsonian Folkways American Roots Collection. Smithsonian/Folkways CD SF 40062, 1996.
411. Smithsonian Folkways World Music Collection. Smithsonian/Folkways CD SF 40471, 1997.
412. Snoop, Doggy Dogg. Doggystyle. Death Row CD DRR 63002-2, 1993, 2001.
413. Soul Stirrers, The Soul Stirrers Featuring Sam Cooke, Paul Foster, and Julius Cheeks: Jesus Gave Me Water. Specialty CD SPCD-7031-2, 1992.
414. Sounds of the South. Atlantic 4 CDs 82496-2, 1993.
415. Southern Country Blues, vol. 1: Down in Boogie Alley. Star Sounds CD 3712-2, 1997.
416. Speckled Red. The Barrel-House Blues of Speckled Red. Folkways CD F-3555, 1961.
417. Stanley Brothers, The Complete Columbia Stanley Brothers. Columbia/Legacy CD CK 53798, 1996.
418. Stanley, Ralph, and the Clinch Mountain Boys Man of Constant Sorrow. Rebel CD Reb-CD-1126, 2001.
419. Sugar Hill Gang. Sugar Hill Gang Hits. Flashback R2 75956, 1999.
420. Sun Records: 50th Anniversary. Varese Records 3 CDs 066386, 2002.
421. Tatum, Art. Art Tatum Solos (1940). Decca/MCA CD MCAD-42327, 1989.
422. A Treasury of Library of Congress Field Recordings. Rounder CD 1500, 1997.
423. 2Pac. Strictly 4 My N. I. G. G. A. Z. Amaru/Jive CD 01241-41634-2, 1993.
424. 2Pac. 2Pacalypse Now. Amaru/Jive CD 01241-41633-2, 1991.
425. Usher. My Way. LaFace CD 73008-26043-2, 1997.
426. War. The Very Best of War. Avenue/Rhino CD R2 73895, 2003.
427. Ward, Billy and the Dominoes Sixty-Minute Men: The Best of Billy Ward and His Dominoes. Rhino CD 71509, 1993.
428. "Warner Music Group." http://www.wmg.com/companies/wmg.jsp Feb. 1, 2004.
429. Williams, Hank. The Hits, Volume One. Mercury/Polygram CD 314-528 340-2, 1994.
430. Wills, Bob. The Best of Bob Wills. MCA CD MCAD-5917, 1973.
431. Wonder, Stevie. Fulfillingness' First Finale. Motown CD 3746303322, 1974.
432. Wonder, Stevie. Hotter Than July. Motown CD 012 157 583-2, 1980, 2000.
433. Wonder, Stevie. Innervisions. Motown CD 3746303262, 1973.
434. Wonder, Stevie. Songs in the Key of Life, vol. 1 & 2.Motown CD 3746303402, 1976.
435. Wonder, Stevie. Talking Book. Motown CD 3746303192, 1972.
436. Wu-Tang, Clan. Enter the Wu-Tang: 36 Chambers. RCA CD 66336-2, 1993.
437. Zapp & Roger. Zapp & Roger: All the Greatest Hits. Reprise CD 9 45143-2, 1993.