The dilemma of uniqueness: An essay on consciousness and qualities

Nordisk Tidsskrift for Musikkterapi

Volumn 5, Issue 2, 1996, Pages 87-96

  Kenny, Carolyn Bereznak ^a  

^a NONE   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84901754620     PISSN: 08039828     EISSN: None     Source Type: Journal    
DOI: 10.1080/08098139609477876     Document Type: Article

References (11)

1. Campbell, J. (1990): The power of myth. Random House, New York.
2. Dissanayake, E. (1992): Homo aestheticus. Where art comes from and why. The Free Press, New York.
3. Gaston, E. Thayer (1968/95): Man and Music. Nordic Journal of Music Therapy, 4 (2).
4. Kenny, C.B. (1982): The mythic artery: The magic of music therapy. Ridgeview Publishing Co., Atascadero, CA.
5. Kenny, C.B. (1987): The field of play: A theoretical study of music therapy process. (Doctoral dissertation). The Fielding Institute, Santa Barbara, CA.
6. Kenny, C.B. (1989): The field of play: A guide for the theory and practice of music therapy. Ridgeview Publishing Co., Atascadero, CA.
7. Kenny, C.B. (1996): The story of the field of play. In: Langenberg, M.; Aigen, K. & J. Frommer (Eds.): Qualitative Research in Music Therapy. Beginning Dialogues.
8. Langenberg, M.; Aigen, K. & J. Frommer (Eds.) (1996): Qualitative Research in Music Therapy. Beginning Dialogues. Barcelona Publishers, Phoenixville, PA.
9. McWhinney, W. (1989): Of paradigms and systems theories. The Fielding Institute, Santa Barbara.
10. Ruud, E. (1995): Improvisation as a liminal experience: Jazz and music therapy as modern «rites de passage». In: Kenny, C.B. (ed.): Listening, playing, creating: Essays on the power of sound. State University of New York Press, New York.
11. Sears, W. (1968/1996): Processes in music therapy. Nordic Journal of Music Therapy, 5(1).