Electronic literature: New horizons for the literary

Electronic Literature: New Horizons for the Literary

Volumn , Issue , 2008, Pages 1-223

  Hayles, N Katherine ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84901551058     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (251)

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53. "Poetic Machinations, " Visible Language 30.2 (1996): 118-37, .
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55. http://leoalmanac.org/journal/lea-v14-n05-06/pbootz.asp.
56. Philippe Bootz, La série des U, ELC 1; Alire 12 (2004).
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58. Jim Andrews, On Lionel Kearns, ELC 1 and http://www.vispo.com/kearns/ index.htm.
59. http://www.reitzes.com/cutup.html.
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68. Carrie Noland, "Digital Gestures, " in New Media Poetics: Contexts, Technotexts, and Theories, ed. Adalaide Morris and Thomas Swiss (Cambridge: MIT Press, 2006), 217-44.
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70. John Cayley, "Literal Art, " http://www.electronicbookreview. com/thread/firstperson/programmatology.
71. John Cayley, riverIsland, http://www.shadoof.net/in/.
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75. Alan Sondheim "Internet Text, 1994 [Through Feb. 2, 2006], ".
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77. Stephanie Strickland, "Writing the Virtual: Eleven Dimensions of E-Poetry, " Leonardo Electronic Almanac 14:05/06 (2006), http://leoalmanac.org/journal/vol-14-n05-06/sstrickland.asp.
78. Dali Clocks: Time Dimensions of Hypermedia, " Electronic Book Review ll (2000), http://www.altxcom/ebr/ebr11/11str.htm.
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111. computerized version of The Ivanhoe Game, see http://www.patacriticism. org/ivanhoe/.
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119. Gilles Deleuze, "Postscript on Societies of Control, " October 59 (Winter 1992): 3-7.
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121. Alexander Galloway and Eugene Thacker, The Exploit (Minneapolis: University of Minnesota Press, 2007).
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124. Alan Liu, David Durand, Nick Montfort, Merrillee Proffitt, Liam R. E. Quin, Jean-Hughes Rety, and Noah Wardrip-Fruin, "Born Again Bits" (September 30, 2004), http://eliterature.org/pad/bab.html.
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126. Jonathan Safran Foer, Extremely Loud and Incredibly Close (New York: Houghton Mifflin, 2005).
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131. André Leroi-Gourhan, Gesture and Speech (Cambridge: MIT Press, 1993).
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148. Michael Joyce, afternoon: A story (Watertown, Mass.: Eastgate Systems, 1990).
149. Michael Joyce, Twelve Blue (1991), http://www.eastgate.com/TwelveBlue/.
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152. Jill Walker, "Piecing together and tearing apart: finding the story in afternoon, " ACM Hypertext Conference (1999), http://jilltxt.net/txt/ afternoon.html.
153. Robert Coover, "The Elevator, " 125-37;.
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155. Vannevar Bush, "As We May Think, " Atlantic Monthly 176.1 (July 1945): 101-8.
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158. Gregory L. Ulmer, "A Response to Twelve Blue by Michael Joyce, " Postmodern Culture 5.1 (September 1997), http://muse.jhu.edu/journals/ postmodern-culture/toc/pmc8.1.html.
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161. Maria Mencia, Audible Writing Experiments (2004), www.m.mencia.freeuk. com/AWE.html.
162. Maria Mencia, Documentation of the video version (2001) athttp://www.m.mencia.freeuk.com/birds.html.
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164. Judd Morrissey, The Jew's Daughter, http://www.thejewsdaughter.com.
165. Matthew Mirapaul, "Pushing Hypertext in New Directions, " New York Times (July 27, 2000), The New York Times on the Web, http://partners. nytimes.com/library/tech/00/07/cyber/artsatlarge/27artsatlarge.html.
166. James Joyce, Ulysses (New York: Vintage, 1990), 666-722.
167. Jessica Pressman, Remembering, and Rereading, " in "Digital Modernism: Making It New in New Media" (Ph.D. diss., UCLA), 205-64.
168. Thomas Nagel, in The View from Nowhere (New York: Oxford University Press, 1989).
169. Donna Haraway, "Situated Knowledge: The Science Question in Feminism as a Site of Discourse on the Privilege of Partial Perspective, " Feminist Studies 14.3 (1988): 575-99.
170. Daniel C. Dennett, Consciousness Explained (New York: Little, Brown, 1991).
171. Lutz Hamel, Judd Morrissey, and Lori Talley, "Automatic Narrative Evolution: A White Paper, " http://www.errorengine.org/ane-white-paper.pdf.
172. Neal Stephenson, The Diamond Age: Or, a Young Lady's Illustrated Primer (New York: Bantam 1996), 84-86.
173. Lev Manovich "five principles of New Media" in The Language of New Media (Cambridge: MIT Press, 2002).
174. Espen Aarseth, "textology" in Cybertext: Perspectives on Ergodic Literature (Baltimore: Johns Hopkins University Press, 1997).
175. Friedrich A. Kittler Discourse Networks 1800/1900, trans. Michael Matteer (Stanford: Stanford University Press, 1992).
176. Vectors: Journal of Culture and Technology in a Dynamic Vernacular, http://vectors.iml.annenberg.edu/.
177. Bob Stein, Institute for the Future of the Book, http://www.annenberg. edu/projects/project.php?id=84.
178. Friedrich A. Kittler, "Gramophone, Film, Typewriter, " in Literature, Media, Information Systems, ed. John Johnston (Amsterdam: Overseas Publishers, 1995), 35.
179. Friedrich A. Kittler, Discourse Networks 1800/1900, trans. Michael Metteer, with Chris Cullens (Stanford: Stanford University Press, 1990).
180. Geoffrey Winthrop-Young, "Drill and Distraction in the Yellow Submarine: On the Dominance of War in Friedrich Kittler's Media Theory, " Critical Inquiry 28.4 (2002): 825-55.
181. Karin Knorr Cetina and Urs Bruegger, "Inhabiting Technology: The Global Lifeform of Financial Markets, " Current Sociology 50.3 (May 2002): 389-405.
182. Karin Knorr Cetina and Urs Bruegger, "Global Microstructures: The Virtual Societies of Financial Markets, " American Journal of Sociology 107.4 (January 2002): 905-50.
183. Karin Knorr Cetina and Urs Bruegger, "The Market as an Object of Attachment: Exploring Postsocial Relations in Financial Markets, " Canadian Journal of Sociology 25.2 (2000): 141-68.
184. Gordon L. Clark, Nigel Thrift, and Adam Tickell, "Performing Finance: The Industry, the Media, and Its Image, " Review of International Political Economy 11.23 (May 2004): 289-310.
185. Mark B. N. Hansen, New Philosophy for New Media (Cambridge: MIT Press, 2004).
186. Gerald M. Edelman, Bright Air, Brilliant Fire: On the Matter of the Mind (New York: Basic Books, 2001).
187. Mark B. N. Hansen, Bodies in Code: Interfaces with Digital Media (New York: Routledge, 2006).
188. N. Katherine Hayles, Nanoculture: Implications of the New Technoscience (Bristol: Intellect Books, 2002).
189. J. Brough, "The Specious Present: A Neurophenomenology of Time Consciousness, " in Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science, ed. Jean Petitot, Francisco. J. Varela, Bernard Pachoud, and Jean-Michel Roy (Stanford: Stanford University Press, 1999), 216-314.
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192. S. G. Hormuzdi, M. A. Filippov, G. Mitropoulou, H. Monyer, and R. Bruzzone, "Electrical Synapses: A Dynamic Signaling System That Shapes the Activity of Neuronal Networks, " Biochemical Biophysics Acta 1662.1-2 (March 23, 2004): 113-37.
193. Kaiser Family Foundation, Generation M: Media in the Lives of 8-18 Year Olds, http://www/kf.org/entmedia/7251.cfm.
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195. Mark James Baldwin, "A New Factor in Evolution, " American Naturalist 30 (June 1896): 441-51.
196. Terrence W. Deacon, The Symbolic Species: The Co-Evolution of Language and the Brain (New York: Norton, 1998).
197. Scott H. Johnson-Frey, Roger Newman-Norlund, and Scott T. Grafton, "A Distributed Left Hemisphere Network Active during Planning of Everyday Tool Use Skills, " Cerebral Cortex 15.6 (2005):681-95, online at http://cercor.oxfordjournals.org/cgi/content/full/15/6/681.
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199. Steven Johnson, How Today's Popular Culture Is Actually Making Us Smarter (New York: Riverhead Books, 2005), 139-44.
200. N. Katherine Hayles, "Hyper and Deep Attention: The Generational Divide in Cognitive Modes, " Profession 2007 (New York: Modern Language Association, forthcoming December 2007).
201. Joshua S. Rubinstein, David E. Meyer, and Jeffrey E. Evans, "Executive Control of Cognitive Processes in Task Switching, " Journal of Experimental Psychology: Human Perception and Performance 27.4 (August 2001): 763-97, availableathttp://www.apa.org/journals/releases/xhp274763.pdf.
202. John Cayley, Giles Perring, Translation, http://www.shadoof.net/in/ translation.html.
203. Robert Coover, "Literary Hypertext: The Passing of the Golden Age, " keynote address, Digital Arts and Culture Conference, October 29, 1999, Atlanta, available at http://www.nickm.com/vox/golden-age.html.
204. Talan Memmott, Lexia to Perplexia (September 2000), http://www.altx.com/ ebr/ebr11/11mem/.
205. Young-Hae Chang Heavy Industries, Nippon, http://www.yhchang.com/NIPPON. html.
206. Scott Bukatman, Terminal Identity: The Virtual Subject in Postmodern Science Fiction (Durham: Duke University Press, 1993).
207. Jessica Pressman, "Making It New in New Media: Digital Modernism, " (Ph.D. diss., UCLA, June 2007).
208. M. J. Beck, R. Gold, A. M. Balsamo, M. D. Chow, M. Gorbet, S. R. Harri-son, D. W. MacDonald, and S. L. Minneman, "Designing Innovative Reading Experiences for a Museum Exhibit, " Computer Magazine (IEEE), 34.1 (January 2001): 80-87.
209. "War Is Peace: The Zen Master Poet, " in Pieces of Intelligence: The Existential Poetry of Donald H. Rumsfeld, ed. Hart Seely (New York: Free Press, 2003), 1-20.
210. Pierre Bourdieu, Outline of a Theory of Practice, trans. Richard Nice (Cambridge: Cambridge University Press, 1977).
211. N. Katherine Hayles, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (Chicago: University of Chicago Press, 1999), 199-200.
212. Michael Polanyi in Personal Knowledge: Towards a Post-Critical Philosophy (Chicago: University of Chicago Press, 1974).
213. Antonio Damasio, Descartes' Error: Emotion, Reason, and the Human Brain (New York: Penguin, 2005).
214. The Feeling of What Happens: Body and Emotion in the Making of Consciousness (New York: Harvest Books, 2000).
215. Dominick LaCapra, Writing History, Writing Trauma, Parallax: Re-Visions of Culture and Society (Baltimore: Johns Hopkins University Press, 2000), 57.
216. Nigel Thrift, "Remembering the Technological Unconscious by Foregrounding Knowledges of Position, " Environment and Planning D: Society and Space 22.1 (2004): 175-90.
217. N. Katherine Hayles, My Mother Was a Computer: Digital Subjects and Literary Texts (Chicago: University of Chicago Press, 2005), 15-38.
218. Stuart Moulthrop, "Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext, " Mosaic 28/4 (1995): 57-77.
219. Stuart Moulthrop, in The World Wide Web and Contemporary Cultural Theory: Magic, Metaphor, Power, ed. Andrew Herman (New York: Routledge, 2000), 259-76. also online at http://iat.ubalt.edu/moulthrop/essays/404.html.
220. N. Katherine Hayles, "Traumas of Code, " Critical Inquiry 33.1 (2006): 136-57.
221. Andy Clark, Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence (New York: Oxford University Press, 2004), 3, 4.
222. Edwin Hutchins, Cognition in the Wild (Cambridge: MIT Press, 1996).
223. Matthew Kirschenbaum, in Mechanisms: New Media and Forensic Textuality (Cambridge: MIT Press, 2008), .
224. William Poundstone, Project for Tachistoscope, in Electronic Literature Collection, vol. 1, ed. N. Katherine Hayles, Nick Montfort, Scott Rettberg, and Stephanie Strickland (College Park, Md.: Electronic Literature Organization, 2006), http://collection.eliterature.org.
225. Ruth Benschop, "What Is a Tachistoscope? Historical Explorations of an Instrument, " Science inContext 11.1 (Spring 1998):23-50.
226. Vance Oakley Packard, The Hidden Persuaders (New York: Random House, 1957).
227. Garrett Stewart, Reading Voices: Literature and the Phonotext (Berkeley: University of California Press, 1990).
228. The piece is available for download on John Cayley's website, http://www.shadoof.net/in/.
229. John Cayley, "Overboard: An example of ambient timebased poetics in digital art, " dichtung-digital 32 (2004), http://www.dichtung-digital.com/ 04/2-Cayley.htm.
230. Walter Benjamin, "On Language as Such and on the Language of Man, " in One- Way Street and Other Writings, trans. Edmund Jephcott and Kinsley Shorter (London: Verso, 1979), 107-23.
231. John Cayley, Dmitri Lemmerman, "Lens: The Practice and Poetics of Writing in Immersive VR: A Case Study with Maquette, " Leonardo Electronic Almanac 14.5-6 (2006), http://leoalmanac.org/journal/Vol-14/lea-v14-n05-06/ cayley.asp.
232. A QuickTime maquette of Lens is available for download at John Cayley's website, http://www.shadoof.net/in/?lens.html.
233. Brian Kim Stefans, Fashionable Noise: On Digital Poetics (Berkeley: Atelos, 2003).
234. Jerome McGann, Radiant Textuality: Literature after the World Wide Web (London: Palgrave, 2001).
235. Seybold Report on Publishing Systems, " 24.4, http://www. seyboldreports.com/SRPS/free/0ps24/P2404003.htm.
236. John Cayley, "Writing on Complex Surfaces, " dichtung-digital 35 (February 2005), http://www.dichtung-digital.com/2005/2-Cayley.htm.
237. Noah Wardrip-Fruin, "Surface, Data, and Process, " (Ph.D. diss., Brown University, 2006).
238. Kathleen Fitzpatrick, The Anxiety of Obsolescence: The American Novel in the Age of Television (Nashville: Vanderbilt University Press, 2006).
239. Bruce Sterling, Distraction (New York: Spectra, 1999).
240. Jonathan Safran Foer, Extremely Loud and Incredibly Close (New York: Houghton Mifflin, 2005).
241. Salvador Plascencia, The People of Paper (San Francisco: McSweeney's, 2005).
242. Mark Danielewski, House of Leaves (New York: Pantheon, 2000).
243. N. Katherine Hayles, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (Chicago: University of Chicago Press, 1999), chap. 3, 50-83.
244. Claude Shannon and Warren Weaver, The Mathematical Theory of Information (Urbana: University of Illinois Press, 1949), 3.
245. Larry McCaffrey and Sinda Gregory, "Haunted House: An Interview with Mark Z. Danielewski, " Critique: Studies in Contemporary Fiction 44.2 (Winter 2003): 99-135.
246. Mark B. N. Hansen, "The Digital Topography of Mark Z. Danielewski's House of Leaves, " Contemporary Literature 45.4 (2004): 597-636.
247. Hayles, How We Became Posthuman, 222-46.
248. John R. Koza, Matthew J. Streeter, William Mydlowec, Jessen Yu, and Guido Lanza, Genetic Programming IV: Routine Human-Computer Machine Intelligence (New York: Spring, 2005).
249. Brian Cantwell Smith, On the Origin of Objects (Cambridge: Bradford Books, 1996), 76.
250. Daniel C. Dennett, Darwin's Dangerous Idea: Evolution and the Meanings of Life (New York: Simon and Schuster, 1995), 426.
251. N. Katherine Hayles, "Saving the Subject: Remediation in House of Leaves, " American Literature 74 (2002): 77-806.