Popular Songs and Social Realities in Post-Independence Zimbabwe

African Studies Review

Volumn 43, Issue 2, 2000, Pages 73-86

  Vambe, Maurice Taonezvi ^a  

^a UNIVERSITY OF ZIMBABWE   (Zimbabwe)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84901395382     PISSN: 00020206     EISSN: 15552462     Source Type: Journal    
DOI: 10.2307/524985     Document Type: Article

References (12)

1. Chiwome, Emmanuel. 1998. “The Response of Zimbabwean Oral and Literary Artists to Missionary Teachers.” In Spencer-Walters, Tom, ed., Orality, Literacy, and the Fictive Imagination: African and Diasporan Literatures. Michigan: Bedford Publishers.
2. Gunner, Liz, ed. 1994. Politics and Perfomance: Theatre, Poetry and Song in Southern Africa. Johannesburg: University of Witwaterstand Press.
3. Hall, Stuart. 1994. “Notes on Deconstructing ‘the Popular.’” In Storey, John, ed., Cultural Theory and Popular Culture: A Reader. London: Wheatsheaf Harvester.
4. Kwaramba, Alice. 1997. Popular Music and Society: The Language of Protest in Chimurenga Music, The Case of Thomas Mapfumo. University of Olso.
5. McFadden, Patricia. 1992. “Sex, Sexuality and the Problems of AIDS in Africa.” In Meena, Ruth, ed., Gender in Southern Africa: Conceptual and Theoretical Issues. Harare: SAPES Books.
6. Pongweni, Alex. J. C. 1982. Songs that Won the Liberation War. Harare: The College Press.
7. Samupindi, Charles. 1992. Pawns. Harare: Baobab Books.
8. Schmidt, Elizabeth. 1992. Peasants, Traders and Wives: Shona Women in the History of Zimbabwe, 1870–1939. Harare: Baobab Books.
9. Vambe, Maurice T. 1998. “The Politics of Representing the Self.” In Pearce, Carole, ed., The Zimbabwean Review. Harare Quarterly. 4 (3).
10. Waal, de. V. 1992. The Politics of Reconciliation. Harare: The College Press.
11. Wilkins, K. G., ed. 1996. Media Development: Journal of the World Association for Christian Communication. 42 (2).
12. Zindi, F. 1985. Roots Rocking in Zimbabwe. Gweru: Mambo Press.