Minimalism and biography

Art Bulletin

Volumn 82, Issue 1, 2000, Pages 149-163

  Chave, Anna C ^a  

^a CITY UNIVERSITY OF NEW YORK   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84900858486     PISSN: 00043079     EISSN: 15596478     Source Type: Journal    
DOI: 10.1080/00043079.2000.10786924     Document Type: Article

References (11)

1. Balbus, Isaac D., Marxism and Domination: A Neo-Hegelian, Feminist, Psychoanalytic Theory of Sexual, Political, and Technological Liberation (Princeton: Princeton University Press, 1982).
2. Battcock, Gregory, ed., Minimal Art: A Critical Anthology (1968; reprint, Berkeley: University of California Press, 1995).
3. Chave, Anna C., 1992, “Eva Hesse: A ‘Girl Being a Sculpture,’” in Eva Hesse: A Retrospective, ed. Helen, Cooper, exh. cat., Yale University Art Gallery, New Haven, 99-117.
4. Chave, Anna C., 1998, “Striking Poses: The Absurdist Theatrics of Eva Hesse,” in Sculpture and Photography: Envisioning the Third Dimension, ed. Geraldine A., Johnson (New York: Cambridge University Press).
5. Crow, Thomas, The Rise of the Sixties: American and European Art in the Era of Dissent (New York: Harry N. Abrams, 1996).
6. Forti, Simone, Handbook in Motion (Halifax: Press of the Nova Scotia College of Art and Design, 1974).
7. Foster, Hal, “The Crux of Minimalism,” in The Return of the Real (Cambridge, Mass.: MIT Press, 1996).
8. Krens, Thomas, Rosalind, Krauss, et al., Robert Morris: The Mind/Body Problem, exh. cat., Solomon R. Guggenheim Museum, New York, 1994.
9. Lippard, Lucy R., From the Center: Feminist Essays on Women's Art (New York: E. P. Dutton, 1976).
10. Rainer, Yvonne, Work 1961-73 (Halifax: Press of the Nova Scotia College of Art and Design, 1974).
11. Stoops, Susan L., ed., More than Minimal: Feminism and Abstraction in the ‘70s, exh. cat., Rose Art Museum, Brandeis University, Waltham, Mass., 1996.