Imaginary Success?-The Contentious Ascendance of Creativity

European Planning Studies

Volumn 22, Issue 5, 2014, Pages 995-1009

  Campbell, Peter ^a  

^a UNIVERSITY OF LIVERPOOL   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

DEVELOPMENT PROJECT; ECONOMIC IMPACT; INDUSTRIAL PRACTICE;

ENGLAND; LIVERPOOL [ENGLAND]; UNITED KINGDOM;

EID: 84900853852     PISSN: 09654313     EISSN: 14695944     Source Type: Journal    
DOI: 10.1080/09654313.2012.753993     Document Type: Article

References (67)

1. Aitken, L. (2007) How creative industries boost the bottom line, Campaign. Available at http://www.campaignlive.co.uk/analysis/669591/ (accessed 10 December 2007).
2. Arts Council England (2010) Cultural Capital: A Manifesto for the Future. Available at http://www.artscouncil.org.uk/publication_archive/cultural-capital-manifesto-future/ (accessed 21 April 2010).
3. Babani, D. & Gerrard, N. (2011) Will funding cuts be good for the arts? The Observer. Available at http://www.guardian.co.uk/culture/2011/apr/03/arts-funding-cuts-debate (accessed 4 April 2011).
4. Belfiore, E. (2002) Art as a means of alleviating social exclusion: Does it really work?, International Journal of Cultural Policy, 8(1), pp. 91-106. doi: 10.1080/102866302900324658
5. Burnham, A. (2009) Five Lessons from Liverpool's Year as Capital of Culture. Available at http://www.culture.gov.uk/reference_library/minister_speeches/6182.aspx (accessed 10 April 2009).
6. Cameron, D. (2010) Speech on Tourism. Available at http://www.number10.gov.uk/news/speeches-and-transcripts/2010/08/pms-speech-on-tourism-54479 (accessed 21 August 2010).
7. Campbell, P. (2011a) Creative industries in a European Capital Of Culture, International Journal of Cultural Policy, 17(5), pp. 510-522. doi: 10.1080/10286632.2010.543461
8. Campbell, P. (2011b) You say 'creative', and I say 'creative', Journal of Policy Research in Tourism, Leisure & Events, 3(1), pp. 18-30. doi: 10.1080/19407963.2011.539379
9. Caves, R.E. (2000) Creative Industries-Contracts Between Art and Commerce (London: Harvard University Press).
10. CBI (2012) Creative Industries in Focus. Available at http://www.cbi.org.uk/business-issues/creative-industries/in-focus (accessed 12 February 2012).
11. Christopherson, S. (2008) Beyond the self-expressive creative worker, Theory, Culture & Society, 25(7-8), pp. 73-95. doi: 10.1177/0263276408097797
12. Comunian, A., Faggian, A. & Li, Q.C. (2010) Unrewarded careers in the creative class: The strange case of bohemian graduates, Papers in Regional Science, 89(2), pp. 389-410. doi: 10.1111/j.1435-5957.2010.00281.x
13. DCMS (2006) Developing Entrepreneurship for the Creative Industries-Making the Case for Public Investment (London: DCMS).
14. DCMS (2009) UK City of Culture 2013: Bidding Guidance. Available at http://webarchive.nationalarchives.gov.uk/20100407120701/http://www.culture.gov.uk/images/publications/UkCoC-Bidding_Guidance.pdf (accessed 1 November 2011).
15. DCMS (2010) Creative Industries Economic Estimates-February 2010. Available at http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6622.aspx (accessed 5 May 2010).
16. DCMS (2011) Creative Industries Economic Estimates-Full Statistical Release. Available at http://www.culture.gov.uk/publications/8682.aspx (accessed 18 February 2012).
17. DCMS (2012) Creative Industries. Available at http://www.culture.gov.uk/what_we_do/creative_industries/default.aspx (accessed 18 February 2012).
18. DCMS, BERR and DlUS (2008) Creative Britain: New Talents for the New Economy (London: DCMS).
19. European Commission (2010) Commission Launches Public Consultation on Future of Cultural and Creative Industries. Available at http://europa.eu/rapid/pressReleasesAction.do?reference=IP/10/466&format=HTML&aged=0&language=EN&guiLanguage=en (accessed 30 April 2010).
20. European Commission (2012) European Creative Districts-Call for Proposals, Grant Programme 2012. Available at http://ec.europa.eu/enterprise/newsroom/cf/_getdocument.cfm?doc_id=7286 (accessed 5 May 2012).
21. Evans, G. (2004) Cultural industry quarters: From pre-industrial to post-industrial production, in: D. Bell & M. Jayne (Eds) City of Quarters: Urban Villages in the Contemporary City, pp. 71-92 (Aldershot: Ashgate).
22. Feist, A. (2001) The relationship between the subsidised and the wider cultural sector, in: S. Selwood (Eds) The UK Cultural Sector, pp. 189-200 (London: Policy Studies Institute).
23. Florida, R. (2004) The Rise of the Creative Class (New York: Basic Books).
24. Frontier Economics (2007) Creative Industry Performance-A Statistical Analysis for the DCMS (London: Frontier Economics).
25. Gill, R. & Pratt, A. (2007) In the social factory? Immaterial labour, precariousness and cultural work, Theory, Culture & Society, 25(7-8), pp. 1-30. doi: 10.1177/0263276408097794
26. Griffiths, R. (2006) City/culture discourses: Evidence from the competition to select the European Capital of Culture 2008, European Planning Studies, 14(4), pp. 415-430. doi: 10.1080/09654310500421048
27. Hartley, J. (2005) Creative Industries, in: J. Hartley (Eds) Creative Industries, pp. 1-40 (Oxford: Blackwell).
28. Henwood, D. (2005) After the New Economy (London: The New Press).
29. Hesmondhalgh, D. (2007) The Cultural Industries (London: Sage).
30. Hesmondhalgh, D. & Banks, M. (2009) Looking for work in creative industries policy, International Journal of Cultural Policy, 15(4), pp. 415-430.
31. van Heur, B. (2010) Creative Networks And The City (London: Transaction Publishers).
32. Higgins, C. (2012) Exam reform will destroy UK's creative economy-arts leaders, The Guardian. Available at http://www.guardian.co.uk/education/2012/nov/02/arts-leaders-concerns-ebacc-schools (accessed 3 November 2012).
33. HMSO (2002) UK Standard Industrial Classification of Economic Activities 2003 (London: Her Majesty's Stationery Office).
34. HODGE, M. (2010) UK City of Culture Festival Will Showcase Creative Industries. Available at http://www.cabinetforum.org/blog/uk_city_of_culture_festival_will_showcase_creative_industries (accessed 8 July 2010).
35. Holden, J. (2007) Publicly Funded Culture and the Creative Industries (London: Arts Council England).
36. Impacts 08. (2010) Creating an Impact: Liverpool's Experience as European Capital of Culture. Available at http://www.liv.ac.uk/impacts08/Papers/Creating_an_Impact_-_web.pdf (accessed 10 June 2010).
37. Jessop, B. (2004) Critical semiotic analysis and cultural political economy, Critical Discourse Studies, 1(2), pp. 159-174. doi: 10.1080/17405900410001674506
38. Landry, C. & Bianchini, F. (1995) The Creative City (London: Demos).
39. Landry, C. (2000) The Creative City (London: Comedia).
40. Leadbeater, C. & Oakley, K. (1999) The Independents (London: Demos).
41. Leftly, M. (2012) Creative wave: Britons who bring in £9bn a year. The Independent. Available at http://www.independent.co.uk/news/business/analysis-and-features/creative-wave-britons-who-bring-in-9bn-a-year-7813255.html?printService=print (accessed 4 June 2012).
42. Levitas, R. (2004) Let's hear it for Humpty: Social exclusion, the third way and cultural capital, Cultural Trends, 13(2), pp. 41-56. doi: 10.1080/0954896042000267143
43. Liverpool City Council (1987) An Arts and Cultural Industries Strategy for Liverpool (Liverpool: Liverpool City Council).
44. London Development Agency (2008) London: A Cultural Audit (London: LDA).
45. McRobbie, A. (2002) From Holloway to Hollywood, in: P. Du Gay & M. Pryke (Eds) Cultural Economy, pp. 97-114 (London: Sage).
46. Montgomery, J. (2005) Beware 'the creative class'. Creativity and wealth creation revisited, Local Economy, 20(4), pp. 337-343. doi: 10.1080/02690940500298706
47. NESTA (2007) Entrepreneurship Education for the Creative Industries (London: NESTA).
48. O'Connor, J. (2009) Creative industries: A new direction?, International Journal of Cultural Policy, 15(4), pp. 387-402. doi: 10.1080/10286630903049920
49. Oakley, K. (2004) Not so cool Britannia: The role of the creative industries in economic development, International Journal of Cultural Studies, 7(1), pp. 67-77. doi: 10.1177/1367877904040606
50. Oakley, K. (2008) Any answer as long as it's right: Evidence-based cultural policymaking, in: L. Andersen & K. Oakley (Eds) Making Meaning, Making Money, pp. 18-41 (Newcastle Upon Tyne: Cambridge Scholars).
51. Oakley, K. (2009) The disappearing arts: Creativity and innovation after the creative industries, International Journal of Cultural Policy, 15(4), pp. 403-413. doi: 10.1080/10286630902856721
52. ONS (2009) UK Standard Industrial Classification of Economic Activities 2007 (SIC 2007)-Structure and Explanatory Notes (Basingstoke: Palgrave Macmillan).
53. Orlowski, A. (2012) 'Oppressive' UK Copyright Law. Available at http://www.theregister.co.uk/2012/05/02/soros_ip_philosophy/ (accessed 2 May 2012).
54. PalmerRae (2004) European Cities and Capitals of Culture. Available at http://ec.europa.eu/culture/key-documents/doc926_en.htm (accessed 28 November 2008).
55. Parkinson, M. & Bianchini, F. (1993) Liverpool: A tale of missed opportunities?, in: F. Bianchini & M. Parkinson (Eds) Cultural Policy and Urban Regeneration, pp. 155-177 (Manchester: University Press).
56. Peck, J. (2005) Struggling with the creative class, International Journal of Urban and Regional Research, 29(4), pp. 740-770. doi: 10.1111/j.1468-2427.2005.00620.x
57. Potts, J. & Cunningham, S. (2008) Four models of the creative industries, International Journal of Cultural Policy, 14(3), pp. 233-247. doi: 10.1080/10286630802281780
58. Richards, G. (2007) Embedding entrepreneurship at the heart of education, in: G. Hagoort, A. Oostinjen, M. van Thiel & J. Szit (Eds) Read This First: Growth and Development of Creative SMEs, pp. 56-62 (Utrecht: ECCE).
59. Robinson, K. (2001) Out of Our Minds: Learning to Be Creative (Oxford: Capstone).
60. Schlesinger, P. (2007) Creativity: From discourse to doctrine?, Screen, 48(3), pp. 377-387. doi: 10.1093/screen/hjm037
61. Serota, N. (2012) Our creative edge is at risk, The Guardian. Available at http://www.guardian.co.uk/commentisfree/2012/nov/02/britain-creative-edge-is-at-risk (accessed 3 November 2012).
62. Selwood, S. (2001) The UK Cultural Sector-Profile and Policy Issues (London: Policy Studies Institute).
63. Smith, C. (1998) Creative Britain (London: Faber and Faber).
64. Throsby, D. (2008) Modelling the cultural industries, International Journal of Cultural Policy, 14(3), pp. 217-232. doi: 10.1080/10286630802281772
65. Tremblay, G. (2011) Creative statistics to support creative economy politics, Media, Culture and Society, 33(2), pp. 289-298. doi: 10.1177/0163443710386519
66. White, A. (2009) A grey literature review of the UK Department for Culture, Media and Sport's creative industries economic estimates and creative economy research programme, Cultural Trends, 18(4), pp. 337-343. doi: 10.1080/09548960903268162
67. Zukin, S. (1982) Loft living as 'historic compromise' in the urban core: The New York experience, International Journal of Urban and Regional Research, 6(2), pp. 256-267. doi: 10.1111/j.1468-2427.1982.tb00577.x