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Volumn , Issue , 2012, Pages 79-109

Meaningful engagement with music composition

Author keywords

[No Author keywords available]

Indexed keywords


EID: 84900629670     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter
Times cited : (11)

References (56)
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  • 9
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    • Society, culture, and person: A systems view of creativity
    • In: Robert. J. Sternberg (ed.), New York: Cambridge University Press
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  • 12
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    • Podcast retrieved from, on 2 September 2011 (Online, TED Talks
    • Csikszentmihalyi, Mihaly, Mihaly Csikszentmihalyi on flow. Podcast retrieved from http://www.ted.com/talks/mihaly_csikszentmihalyi_on_flow.html on 2 September 2011 (Online, TED Talks, 2004).
    • (2004) Mihaly Csikszentmihalyi On Flow
    • Csikszentmihalyi, M.1
  • 14
    • 61049380069 scopus 로고    scopus 로고
    • Collision detection, muselot, and scribbles: Some reflections on creativity
    • In: David Cope (ed.), Cambridge, MA: MIT Press
    • Dennett, Daniel, 'Collision detection, muselot, and scribbles: some reflections on creativity'. In: David Cope (ed.) Virtual Music: Computer Synthesis of Musical Style (Cambridge, MA: MIT Press, 2001), 283-91.
    • (2001) Virtual Music: Computer Synthesis of Musical Style , pp. 283-291
    • Dennett, D.1
  • 18
    • 84870893211 scopus 로고    scopus 로고
    • Examining meaningful engagement: Musicology and virtual music making environments
    • In: Elizabeth Mackinlay, Brydie-Leigh Bartleet and K. Barney (eds), Newcastle upon Tyne: Cambridge Scholars
    • Dillon, Steven C., 'Examining meaningful engagement: musicology and virtual music making environments'. In: Elizabeth Mackinlay, Brydie-Leigh Bartleet and K. Barney (eds), Musical Islands: Exploring Connections between Music, Place and Research. (Newcastle upon Tyne: Cambridge Scholars, 2009), 297-310.
    • (2009) Musical Islands: Exploring Connections Between Music, Place and Research , pp. 297-310
    • Dillon, S.C.1
  • 22
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    • (1984) Amadeus
    • Forman, M.1
  • 25
    • 84900583909 scopus 로고
    • Aspects of scientific discovery: Aesthetics and cognition
    • In: John Brockman (ed.), New York: Touchstone
    • Gruber, Howard. 'Aspects of scientific discovery: aesthetics and cognition'. In: John Brockman (ed.), Creativity (New York: Touchstone, 1993), 48-74.
    • (1993) Creativity , pp. 48-74
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  • 26
    • 0002488972 scopus 로고
    • Traits of creativity
    • In: H.H. Anderson (ed.), London: Harper, [Reprinted in P.E. Vernon (ed.), Creativity (New York: Penguin Books, 1970), 167-88.]
    • Guilford, Joy Paul, 'Traits of creativity'. In: H.H. Anderson (ed.), Creativity and its Cultivation (London: Harper, 1959), 142-61. [Reprinted in P.E. Vernon (ed.), Creativity (New York: Penguin Books, 1970), 167-88.]
    • (1959) Creativity and Its Cultivation , pp. 142-161
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  • 31
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    • Princeton, NJ: Princeton University
    • Lansky, Paul, Cmix (Princeton, NJ: Princeton University, 1978).
    • (1978) Cmix
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  • 32
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    • New Rochelle, Bridge Records
    • Lansky, Paul, Things She Carried (New Rochelle: Bridge Records, 1997).
    • (1997) Things She Carried
    • Lansky, P.1
  • 35
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    • New Rochelle, Bridge Records
    • Lansky, Paul, Ride (New Rochelle: Bridge Records, 2001).
    • (2001) Ride
    • Lansky, P.1
  • 37
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    • The new UPIC system: Origins and innovations
    • Marino, Gérard and Marie-Hélèn Serra and Jean-Michel Raczinski, 'The new UPIC system: origins and innovations', Perspectives of New Music, 31/2 (1993), 258-69.
    • (1993) Perspectives of New Music , vol.31 , Issue.2 , pp. 258-269
    • Marino, G.1    Serra, M.-H.2    Raczinski, J.-M.3
  • 39
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    • Monahan, C.1
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  • 44
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    • for string quartet and tape in three movements
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    • (1988) Different Trains
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  • 49
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    • electroacoustic composition
    • Brigitte Robindoré, O'er The Sea, electroacoustic composition (2001).
    • (2001) O'er the Sea
    • Robindoré, B.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.