The pet shop boys: Musicology, masculinity and banality

Sexing the Groove: Popular Music and Gender

Volumn , Issue , 2013, Pages 118-133

  Hawkins, Stan ^a  

^a UNIVERSITY OF OSLO   (Norway)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84900577624     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203351338-15     Document Type: Chapter

References (18)

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2. Will Straw (1993) ‘Popular Music and Postmodernism in the 1980s’, in S. Frith, A. Goodwin and L. Grossberg (eds) Sound and Vision, London: Routledge, p. 4.
3. Frank Mort (1988) ‘Boys’ Own? Masculinity, Style and Popular Culture’, in R. Chapman and J. Rutherford (eds) Male Order, London: Lawrence & Wishart, p. 202.
4. Frank Mort (1988) ‘Boys’ Own? Masculinity, Style and Popular Culture’, in R. Chapman and J. Rutherford (eds) Male Order, London: Lawrence & Wishart., pp. 199 and 201.
5. Frank Mort (1988) ‘Boys’ Own? Masculinity, Style and Popular Culture’, in R. Chapman and J. Rutherford (eds) Male Order, London: Lawrence & Wishart., p.5.
6. Ian Balfour (1991) ‘Revolutions per Minute or the Pet Shop Boys Forever’, in J.c. Guedon and Bill Readings (eds) Surfaces, Vol. 1.2. Folio I, Montreal.
7. Frank Mort, (1991) ‘Revolutions per Minute or the Pet Shop Boys Forever’, in J.c. Guedon and Bill Readings (eds) Surfaces, Vol. 1.2. Folio I, Montreal., p. 205.
8. Rowena Chapman (1988) ‘The Great Pretender: Variations on the New Man Theme’, in R. Chapman and J. Rutherford (eds) Male Order, London: Lawrence & Wishart, p. 229.
9. Rowena Chapman (1988) ‘The Great Pretender: Variations on the New Man Theme’, in R. Chapman and J. Rutherford (eds) Male Order, London: Lawrence & Wishart., p. 230.
10. Rowena Chapman (1988) ‘The Great Pretender: Variations on the New Man Theme’, in R. Chapman and J. Rutherford (eds) Male Order, London: Lawrence & Wishart., p. 247.
11. John Gill (1995) Queer Noises, London: Cassell, p. 9.
12. Simon Frith (1988) Music for Pleasure: Essays in the Sociology of Pop, Cambridge: Polity, p.146.
13. Robert Walser (1993) Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Hanover, NH: Wesleyan University Press, p. 128.
14. Richard Middleton (1990) “‘It’s All Over Now�?. Popular Music and Mass Culture: Adorno’s Theory’, in Studying Popular Music, Milton Keynes: Open University Press, pp. 34-63.
15. Lawrence Grossberg (1993) ‘The Media Economy of Rock Culture: Cinema, Postmodernity and Authenticity’, in S. Frith, A. Goodwin and 1. Grossberg (eds), Sound and Vision, London: Routledge, pp. 202-3.
16. Lawrence Grossberg (1993) ‘The Media Economy of Rock Culture: Cinema, Postmodernity and Authenticity’, in S. Frith, A. Goodwin and 1. Grossberg (eds), Sound and Vision, London: Routledge., p. 202.
17. Lawrence Grossberg (1993) ‘The Media Economy of Rock Culture: Cinema, Postmodernity and Authenticity’, in S. Frith, A. Goodwin and 1. Grossberg (eds), Sound and Vision, London: Routledge., p. 205.
18. Lawrence Grossberg (1993) ‘The Media Economy of Rock Culture: Cinema, Postmodernity and Authenticity’, in S. Frith, A. Goodwin and 1. Grossberg (eds), Sound and Vision, London: Routledge., p. 206.