Film as religion: Myths, morals, and rituals

Film as Religion: Myths, Morals, and Rituals

Volumn , Issue , 2003, Pages 1-289

  Lyden, John C ^a  

^a Dana College   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84900265851     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (173)

1. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. New York: Cambridge University Press, 1995.
2. Aristotle. The Basic Works of Aristotle. Ed. Richard McKeon. New York: Random House, 1941.
3. Arvidsson, Stefan. " Aryan Mythology as Science and Ideology." Journal of the American Academy of Religion 67: 2 (June 1999): 327-354.
4. Ashby, Godfrey. Sacrifice: Its Nature and Purpose. London: Macmillan, 1969.
5. Barker, Martin, with Thomas Austin. From Antz to Titanic: Reinventing Film Analysis. London: Pluto Press, 2000.
6. Barker, Martin, and Kate Brooks. " Bleak Futures by Proxy." In Identifying Hollywood's Audiences: Cultural Identity and the Movies, ed. Melvyn Stokes and Richard Maltby, 162-174. London: British Film Institute, 1999.
7. Basinger, Jeanine. A Woman's View: How Hollywood Spoke to Women, 1930-1960. New York: Alfred A. Knopf, 1993.
8. Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994.
9. Baudry, Jean-Louis. " Ideological Effects of the Basic Cinematographic Apparatus." In Film Theory and Criticism, 5th ed., ed. Leo Braudy and Marshall Cohen, 345-355. New York: Oxford University Press, 1999.
10. Beck, Guy L. " Fire in the Atman: Repentance in Hinduism." In Repentance: A Comparative Approach, ed. Amitai Etzioni and David E. Carney, 76-95. Lanham, MD: Rowman and Littlefield, 1997.
11. Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.
12. Bird, Michael. " Film as Hierophany." In Religion in Film, ed. John R. May and Michael Bird, 3-22. Knoxville: University of Tennessee Press, 1982.
13. Black, Gregory D. Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press, 1994.
14. Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism, 5th ed. New York: Oxford University Press, 1999.
15. Bryant, M. Darrol. " Cinema, Religion, and Popular Culture." In Religion in Film, ed. John R.May and Michael Bird, 101-114. Knoxville: University of Tennessee Press, 1982.
16. Bywater, Tim, and Thomas Sobchack. An Introduction to Film Criticism: Major Critical Approaches to Narrative Film. New York: Longman, 1989.
17. Campbell, Joseph. The Hero with a Thousand Faces. Princeton, NJ: Princeton University Press, 1949.
18. Campbell, Joseph. Myths to Live By. New York: Viking, 1972.
19. Campbell, Joseph, with Bill Moyers. The Power of Myth. New York: Doubleday, 1988.
20. Carroll, Noel. " Jean-Louis Baudry and 'The Apparatus,'" In Film Theory and Criticism, 5th ed., ed. Leo Braudy and Marshall Cohen, 778-794. New York: Oxford University Press, 1999.
21. Cherry, Brigid. " Refusing to Refuse to Look." In Identifying Hollywood's Audiences: Cultural Identity and the Movies, ed. Melvyn Stokes and Richard Maltby, 187-203. London: British Film Institute, 1999.
22. Cho Bantly, Francisca. " Archetypes of Selves: A Study of the Chinese Mytho-Historical Consciousness." In Myth and Method, ed. Laurie L. Patton and Wendy Doniger, 177-207. Charlottesville: University Press of Virginia, 1996.
23. Cobb, John B., Jr. Beyond Dialogue: Toward a Mutual Transformation of Christianity and Buddhism. Philadelphia: Fortress Press, 1982.
24. Cobb, John B., Jr. " Beyond 'Pluralism.'" In Christian Uniqueness Reconsidered: The Myth of a Pluralistic Theology of Religions, ed. Gavin D'Costa, 81-95. Maryknoll, NY: Orbis Books, 1990.
25. Cobb, John B., Jr. Christ in a Pluralistic Age. Philadelphia: Westminster, 1975.
26. Cobb, John B., Jr. " Toward a Christocentric Catholic Theology." In Toward a Universal Theology of Religion, ed. Leonard Swidler, 86-100. Maryknoll, NY: Orbis Books, 1987.
27. Cooper, John C., and Carl Skrade, eds. Celluloid and Symbols. Philadelphia: Fortress Press, 1970.
28. Cousineau, Phil. The Hero's Journey: The World of Joseph Campbell. San Francisco: Harper and Row, 1990.
29. Doherty, Thomas. Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press, 1999.
30. Doniger, Wendy. " Minimyths and Maximyths and Political Points of View." In Myth and Method, ed. Laurie L. Patton and Wendy Doniger, 109-127. Charlottesville: University Press of Virginia, 1996.
31. Doniger, Wendy. " Post-modern and-colonial-structural Comparisons." In A Magic Still Dwells: Comparative Religion in the Postmodern Age, ed. Kimberley C. Patton and Benjamin C. Ray, 63-74. Berkeley: University of California Press, 2000.
32. Doniger O'Flaherty, Wendy. Dreams, Illusions, and Other Realities. Chicago: University of Chicago Press, 1984.
33. Doniger O'Flaherty,Wendy. Other People's Myths. New York: Macmillan, 1988.
34. Doty,William G. Mythography: The Study of Myths and Rituals, 2nd ed. Tuscaloosa: University of Alabama Press, 2000.
35. Eliade, Mircea. " Cosmogonic Myth and 'Sacred History.'" In The Quest: History and Meaning in Religion, 72-87. Chicago: University of Chicago Press, 1969.
36. Eliade,Mircea. Cosmos and History: The Myth of the Eternal Return. Trans.Willard R. Trask. New York: Harper and Row, 1959.
37. Eliade, Mircea. Myth and Reality. Trans. Willard R. Trask. New York: Harper and Row, 1963.
38. Eliade, Mircea. Patterns in Comparative Religion. Trans. Rosemary Sheed. New York: World Publishing, 1958.
39. Eliade, Mircea. Rites and Symbols of Initiation: The Mysteries of Birth and Rebirth. Trans.Willard R. Trask. Dallas: Spring Publications, 1958.
40. Eliade, Mircea. The Sacred and the Profane: The Nature of Religion. Trans. Willard R. Trask. New York: Harcourt, Brace, Jovanovich, 1959.
41. Fergusson, Francis. " Oedipus Rex: The Tragic Rhythm of Action." In Theories of Myth, vol. 5, Ritual and Myth, ed. Robert A. Segal, 67-95. New York: Garland Press, 1996.
42. Ferlita, Ernest. " The Analogy of Action in Film." In Religion in Film, ed. John R. May and Michael Bird, 44-57. Knoxville: University of Tennessee Press, 1982.
43. Ferlita, Ernest. " Film and the Quest for Meaning." In Religion in Film, ed. John R. May and Michael Bird, 115-131. Knoxville: University of Tennessee Press, 1982.
44. Ferlita, Ernest, and John R.May. Film Odyssey: The Art of Film as Search for Meaning. New York: Paulist Press, 1976.
45. Frazer, James George. The Golden Bough: A Study in Magic and Religion. 3rd ed. 12 vol. London: Macmillan, 1911-1915.
46. Freud, Sigmund. Totem and Taboo. Trans. A. A. Brill. New York: Vintage Books, 1946.
47. Friday, Nancy. My Secret Garden: Women's Sexual Fantasies. New York: Pocket Books, 1973.
48. Friedman, Maurice. " Psychology, Psychologism, and Myth: A Rejoinder." Journal of the American Academy of Religion 67: 2 (June 1999): 469-471.
49. Friedman, Maurice. " Why Joseph Campbell's Psychologizing of Myth Precludes the Holocaust as Touchstone of Reality." Journal of the American Academy of Religion 66: 2 (June 1998): 385-401.
50. Geertz, Clifford. The Interpretation of Cultures. New York: Basic Books, 1973.
51. Gill, Sam D. Native American Religions: An Introduction. Belmont, CA: Wadsworth, 1982.
52. Gill, Sam D. Native American Traditions: Sources and Interpretations. Belmont, CA: Wadsworth, 1983.
53. Girard, Réne. Deceit, Desire, and the Novel: Self and Other in Literary Studies. Baltimore: Johns Hopkins University Press, 1965.
54. Girard, Réne. A Theater of Envy: William Shakespeare. New York: Oxford University Press, 1991.
55. Girard, Réne. Violence and the Sacred. Trans. Patrick Gregory. Baltimore: Johns Hopkins University Press, 1977.
56. Gire, Ken. Reflections on the Movies: Hearing God in the Unlikeliest of Places. Colorado Springs, CO: Chariot Victor, 2000.
57. Gordon, Andrew. " Star Wars: A Myth for Our Time." In Screening the Sacred: Religion, Myth, and Ideology in Popular American Film, ed. Joel W. Martin and Conrad E. Ostwalt, Jr., 73-82. Boulder, CO: Westview Press, 1995.
58. Griffin, David Ray. " Rejoinder to Preus and Segal." Journal of the American Academy of Religion 68: 1 (March 2000): 143-149.
59. Griffin, David Ray. " Religious Experience, Naturalism, and the Social Scientific Study of Religion." Journal of the American Academy of Religion 68: 1 (March 2000): 99-125.
60. Gunning, Tom. " An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator." In Film Theory and Criticism, 5th ed., ed. Leo Braudy and Marshall Cohen, 818-832. New York: Oxford University Press, 1999.
61. Hardin, Richard F. " 'Ritual' in Recent Criticism: The Elusive Sense of Community." In Theories of Myth, vol. 5, Ritual and Myth, ed. Robert A. Segal, 170-186. New York: Garland Press, 1996.
62. Heim, S. Mark. Salvations: Truth and Difference in Religion. Maryknoll, NY: Orbis Books, 1995.
63. Hengel, Martin. The Atonement: The Origins of the Doctrine in the New Testament. Trans. John Bowden. Philadelphia: Fortress Press, 1981.
64. Hick, John. " The Copernican Revolution in Theology." In God and the Universe of Faiths, 120-147. London: Macmillan, 1973.
65. Hick, John. An Interpretation of Religion. New Haven: Yale University Press, 1989.
66. Hill, John, and Pamela Church Gibson, eds. Film Studies: Critical Approaches. Oxford: Oxford University Press, 2000.
67. Hite, Shere. The Hite Report. New York: Macmillan, 1976.
68. Hollows, Joanne. " Mass Culture Theory and Political Economy." In Approaches to Popular Film, ed. Joanne Hollows and Mark Jancovich, 15-35. Manchester, UK: Manchester University Press, 1995.
69. Hollows, Joanne, and Mark Jancovich, eds. Approaches to Popular Film. Manchester, UK: Manchester University Press, 1995.
70. Hollows, Joanne, and Mark Jancovich. " Introduction: Popular Film and Cultural Distinctions." In Approaches to Popular Film, ed. Joanne Hollows and Mark Jancovich, 1-14. Manchester, UK: Manchester University Press, 1995.
71. Hurley, Neil P. " On the Waterfront: Rebirth of a 'Contenduh.'" In Image and Likeness: Religious Visions in American Film Classics, ed. John R. May, 96-103. New York: Paulist Press, 1992.
72. Hurley, Neil P. The Reel Revolution: A Film Primer on Liberation. Maryknoll, NY: Orbis Books, 1978.
73. Hurley, Neil P. Theology through Film. New York: Harper and Row, 1970. Republished as Toward a Film Humanism. New York: Delta Paperbacks, 1975.
74. Iaccino, James F. Jungian Reflections within the Cinema: A Psychological Analysis of Sci-Fi and Fantasy Archetypes. Westport, CT: Praeger, 1998.
75. Jackson, Kevin, ed. Schrader on Schrader. London: Faber and Faber, 1990.
76. Jancovich, Mark. " Screen Theory." In Approaches to Popular Film, ed. Joanne Hollows and Mark Jancovich, 123-150. Manchester, UK: Manchester University Press, 1995.
77. Jasper, David Jasper. " On Systematizing the Unsystematic: A Response." In Explorations in Theology and Film: Movies and Meaning, ed. Clive Marsh and Gaye Ortiz, 235-244. Oxford: Blackwell, 1997.
78. Jewett, Robert. Saint Paul at the Movies: The Apostle's Dialogue with American Culture. Louisville, KY: Westminster/John Knox Press, 1993.
79. Jewett, Robert. Saint Paul Returns to the Movies: Triumph over Shame. Grand Rapids, MI: Eerdmans, 1999.
80. Johnston, Robert K. Reel Spirituality: Theology and Film in Dialogue. Grand Rapids, MI: Baker, 2000.
81. Jung, C. G. " Archetypes of the Collective Unconscious." In The Collected Works of C. G. Jung, ed. Sir Herbert Read et al., vol. 9, pt. 1, The Archetypes and the Collective Unconscious, 2nd ed., Trans. R. F. C. Hull, 3-41. Princeton, NJ: Princeton University Press, 1968.
82. Jung, C. G. The Gnostic Jung. Ed. Robert A. Segal. Princeton, NJ: Princeton University Press, 1992.
83. Jung, C. G. " Jung and Religious Belief." In Psychology and Western Religion, trans. R. F. C. Hull, 253-297. London: Routledge, 1988.
84. Jung, C. G. Psychology and Western Religion. Trans. R. F. C. Hull. London: Routledge, 1988.
85. Jung, C. G. " A Psychological Approach to the Dogma of the Trinity." In Psychology and Western Religion, trans. R. F. C. Hull, 3-96. London: Routledge, 1988.
86. Jung, C. G. " Religion and Psychology: A Reply to Martin Buber." In The Gnostic Jung, ed. Robert A. Segal, 155-163. Princeton, NJ: Princeton University Press, 1992.
87. Kilpatrick, Jacquelyn. Celluloid Indians: Native Americans and Film. Lincoln: University of Nebraska Press, 1999.
88. Kitses, Jim. " Authorship and Genre: Notes on the Western." In The Western Reader, ed. Jim Kitses and Gregg Rickman, 57-68. New York: Limelight Editions, 1998.
89. Kracauer, Siegfried. " Basic Concepts." In Film Theory and Criticism, 5th ed., ed. Leo Braudy and Marshall Cohen, 171-182. New York: Oxford University Press, 1999.
90. Leitch, Thomas M. Find the Director, and Other Hitchcock Games. Athens: University of Georgia Press, 1991.
91. Lindbeck, George. The Nature of Doctrine: Religion and Theology in a Postliberal Age. Philadelphia: Westminster Press, 1984.
92. Lopez, Donald S., Jr. " Jailbreak: Author's Response." Journal of the American Academy of Religion 69: 1 (March 2001): 203-213.
93. Lopez, Donald S., Jr. Prisoners of Shangri-La: Tibetan Buddhism and the West. Chicago: University of Chicago Press, 1998.
94. Lucas, George (interviewed). " Of Myth and Men." Time, April 26, 1999, 92-94.
95. Lyden, John. " The Apocalyptic Cosmology of Star Wars." Journal of Religion and Film 4: 1 (April 2000): http://www.unomaha.edu/~wwwjrf/LydenSt-Wars.htm.
96. Lyden, John. " Atonement in Judaism and Christianity: Towards a Rapprochement." Journal of Ecumenical Studies 29: 1 (Winter 1992): 47-54.
97. Lyden, John. " Continuing the Conversation: A Response to Clive Marsh." Journal of Religion and Film, Reader Discussion: http://www.unomaha.edu/~wwwjrf/disctopc.htm.
98. Lyden, John. " To Commend or to Critique? The Question of Religion and Film Studies." Journal of Religion and Film 1: 2 (October 1997): http://www.unomaha.edu/~wwwjrf/tocommend.htm.
99. Marsh, Clive. " Film and Theologies of Culture." In Explorations in Theology and Film: Movies and Meaning, ed. Clive Marsh and Gaye Ortiz, 21-34. Oxford: Blackwell, 1997.
100. Marsh, Clive. " Religion, Theology and Film in a Postmodern Age: A Response to John Lyden." Journal of Religion and Film 2: 1 (April 1998): http://www.unomaha.edu/~wwwjrf/marshrel.htm.
101. Marsh, Clive, and Gaye Ortiz, eds. Explorations in Theology and Film: Movies and Meaning. Oxford: Blackwell, 1997.
102. Marsh, Clive, and Gaye Ortiz, " Theology Beyond the Modern and the Postmodern: A Future Agenda for Theology and Film." In Explorations in Theology and Film: Movies and Meaning, ed. Clive Marsh and Gaye Ortiz, 245-255. Oxford: Blackwell, 1997.
103. Martin, Joel W. " Introduction: Seeing the Sacred on the Screen." In Screening the Sacred: Religion, Myth, and Ideology in Popular American Film, ed. Joel W.Martin and Conrad E. Ostwalt, Jr., 1-12. Boulder, CO: Westview Press, 1995.
104. Martin, Joel W., and Conrad E. Ostwalt, Jr., eds. Screening the Sacred: Religion, Myth, and Ideology in Popular American Film. Boulder, CO: Westview Press, 1995.
105. May, John R. " Contemporary Theories Regarding the Interpretation of Religious Film." In New Image of Religious Film, ed. John R. May, 17-37. Kansas City, MO: Sheed and Ward, 1997.
106. May, John R., ed. Image and Likeness: Religious Visions in American Film Classics. New York: Paulist Press, 1982.
107. May, John R., ed. New Image of Religious Film. Kansas City, MO: Sheed and Ward, 1997.
108. May, John R., " Visual Story and the Religious Interpretation of Film." In Religion in Film, ed. John R.May and Michael Bird, 23-43. Knoxville: University of Tennessee Press, 1982.
109. May, John R. and Michael Bird, eds. Religion in Film. Knoxville: University of Tennessee Press, 1982.
110. McCabe, Colin. " Realism and the Cinema: Notes on Some Brechtian Theses." Screen 15: 2 (Summer 1974): 21-27.
111. Miles, Margaret R. Seeing and Believing: Religion and Values in the Movies. Boston: Beacon Press, 1996.
112. Munby, Jonathan. Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil. Chicago: University of Chicago Press, 1999.
113. Mussner, Franz. Tractate on the Jews: The Significance of Judaism for Christian Faith. Trans. Leonard Swidler. Philadelphia: Fortress Press, 1984.
114. Neale, Steve. Genre and Hollywood. New York: Routledge, 2000.
115. Niebuhr, H. Richard. Christ and Culture. New York: Harper and Row, 1951.
116. Ostwalt, Conrad E., Jr. " Conclusion: Religion, Film, and Cultural Analysis." In Screening the Sacred: Religion, Myth, and Ideology in Popular American Film, ed. Joel W. Martin and Conrad E. Ostwalt, Jr., 152-159. Boulder, CO: Westview Press, 1995.
117. Otto, Rudolf. The Idea of the Holy. Trans. John W. Harvey. New York: Oxford University Press, 1958.
118. Palmer,Michael. Freud and Jung on Religion. London: Routledge, 1997.
119. Pals, Daniel L. Seven Theories of Religion. New York: Oxford University Press, 1996.
120. Panikkar, Raimundo. The Intrareligious Dialogue. New York: Paulist Press, 1978.
121. Panikkar, Raimundo. " The Invisible Harmony: A Universal Theory of Religion or a Cosmic Confidence in Reality?" In Toward a Universal Theology of Religion, ed. Leonard Swidler, 118-153. Maryknoll, NY: Orbis Books, 1987.
122. Panikkar, Raimundo. " The Jordan, the Tiber, and the Ganges: Three Kairological Moments of Christic Self-Consciousness." In The Myth of Christian Uniqueness: Toward a Pluralistic Theology of Religions, ed. John Hick and Paul F. Knitter, 89-116. Maryknoll, NY: Orbis Books, 1987.
123. Panikkar, Raimundo. The Unknown Christ of Hinduism. Rev. ed. Maryknoll, NY: Orbis Books, 1981.
124. Pinedo, Isabel Cristina. Recreational Terror: Women and the Pleasures of Horror Film Viewing. New York: SUNY Press, 1997.
125. Pipher, Mary. Reviving Ophelia: Saving the Selves of Adolescent Girls. New York: Ballantine Books, 1995.
126. Plate, S. Brent, and David Jasper, eds. Imag(in)ing Otherness: Filmic Visions of Living Together. Atlanta: Scholars Press, 1999.
127. Porter, Jennifer E., and Darcee L. McLaren, eds. Star Trek and Sacred Ground: Explorations of Star Trek, Religion, and American Culture. Albany: SUNY Press, 1999.
128. Preus, J. Samuel. " Response: Explaining Griffin." Journal of the American Academy of Religion 68: 1 (March 2000): 127-132.
129. Rahner, Karl. " Christianity and the Non-Christian Religions." In Theological Investigations, vol. 5, 115-134. Baltimore: Helicon Press, 1966.
130. Rahner, Karl. " Observations on the Problem of the 'Anonymous Christian.'" In Theological Investigations, vol. 14, 280-294. New York: Seabury Press, 1976.
131. Romanowski, William D. Eyes Wide Open: Looking for God in Popular Culture. Grand Rapids, MI: Brazos Press, 2001.
132. Rushing, Janice Hocker, and Thomas S. Frentz. Projecting the Shadow: The Cyborg Hero in American Film. Chicago: University of Chicago Press, 1995.
133. Ryan, Michael, and Douglas Kellner. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Bloomington: Indiana University Press, 1988.
134. Schleiermacher, Friedrich. The Christian Faith. Ed. H. R. Mackintosh and J. S. Stewart. Philadelphia: Fortress Press, 1976.
135. Schrader, Paul. Transcendental Style in Film. Berkeley: University of California Press, 1972.
136. Scott, Bernard Brandon. Hollywood Dreams and Biblical Stories. Minneapolis: Fortress, 1994. " The Second Coming." Maclean's,May 24, 1999: 14-18.
137. Segal, Robert A. Joseph Campbell: An Introduction. New York: Garland, 1987.
138. Segal, Robert A. " Joseph Campbell as Antisemite and as Theorist of Myth: A Response to Maurice Friedman." Journal of the American Academy of Religion 67: 2 (June 1999): 461-467.
139. Segal, Robert A. " Response: In Defense of Social Scientific Naturalism: A Response to David Ray Griffin." Journal of the American Academy of Religion 68: 1 (March 2000): 133-141.
140. Segal, Robert A. Theorizing about Myth. Amherst: University of Massachusetts Press, 1999.
141. Smith, Jonathan Z. Imagining Religion: From Babylon to Jonestown. Chicago: University of Chicago Press, 1982.
142. Smith, Jonathan Z. Map Is Not Territory: Studies in the History of Religions. Leiden: E. J. Brill, 1978.
143. Sobchack, Vivian. Screening Space: The American Science Fiction Film. New York: Ungar, 1987.
144. Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. 2nd ed. New York: Doubleday, 1992.
145. Spoto, Donald. The Dark Side of Genius: The Life of Alfred Hitchcock. Boston: Little, Brown, 1983.
146. Stark, Rodney, and William Sims Bainbridge. A Theory of Religion. New York: Peter Lang, 1987.
147. Sterritt, David. The Films of Alfred Hitchcock. Cambridge, UK: Cambridge University Press, 1993.
148. Stokes, Melvyn, and Richard Maltby, eds. Identifying Hollywood's Audiences: Cultural Identity and the Movies. London: British Film Institute, 1999.
149. Stone, Bryan. Faith and Film: Theological Themes at the Cinema. St. Louis, MO: Chalice Press, 2000.
150. Strenski, Ivan. Four Theories of Myth in Twentieth-Century History. Iowa City: University of Iowa Press, 1987.
151. Strenski, Ivan. " The Rise of Ritual and the Hegemony of Myth: Sylvain Lévi, the Durkheimians, and Max Müller." In Myth and Method, ed. Laurie L. Patton and Wendy Doniger, 52-81. Charlottesville: University Press of Virginia, 1996.
152. Taylor, Lisa. " From Psychoanalytic Feminism to Popular Feminism." In Approaches to Popular Film, ed. Joanne Hollows and Mark Jancovich, 151-171. Manchester, UK: Manchester University Press, 1995.
153. Taylor, Philip M. Steven Spielberg: The Man, His Movies, and Their Meaning. New York: Continuum, 1992.
154. Taylor, Vincent. The Atonement in New Testament Teaching. London: Epworth Press, 1940.
155. Taylor, Vincent. Forgiveness and Reconciliation. London: Macmillan, 1941.
156. Taylor, Vincent. Jesus and His Sacrifice. London: Macmillan, 1937.
157. Thurman, Robert A. F. " Critical Reflections on Donald S. Lopez Jr.'s Prisoners of Shangri-La: Tibetan Buddhism and the West." Journal of the American Academy of Religion 69: 1 (March 2001): 191-201.
158. Tillich, Paul. Christianity and the Encounter of the World Religions. New York: Columbia University Press, 1963.
159. Tillich, Paul. Dynamics of Faith. New York: Harper and Row, 1957.
160. Tillich, Paul. " On the Idea of a Theology of Culture." In What Is Religion?, ed. James Luther Adams, 155-181. New York: Harper and Row, 1969.
161. Tillich, Paul. " Religion and Secular Culture." In The Protestant Era. Trans. James Luther Adams, 55-65. Chicago: University of Chicago Press, 1948.
162. Tillich, Paul. " The Significance of the History of Religions for the Systematic Theologian." In The Future of Religions, ed. Jerald C. Brauer, 80-94. New York: Harper and Row, 1966.
163. Tillich, Paul. Systematic Theology. Chicago: University of Chicago Press, 1967.
164. Tillich, Paul. Theology of Culture., Ed. Robert C. Kimball. New York: Oxford University Press, 1959.
165. Tillich, Paul. Ultimate Concern: Tillich in Dialogue. Ed. D. Mackenzie Brown. New York: Harper and Row, 1965.
166. Turner, Graeme. " Cultural Studies and Film." In Film Studies: Critical Approaches, ed. John Hill and Pamela Church Gibson, 193-199. Oxford: Oxford University Press, 2000.
167. Turner, Victor. The Ritual Process: Structure and Anti-Structure. Ithaca, NY: Cornell University Press, 1969.
168. Wall, James M. Church and Cinema. Grand Rapids, MI: Eerdmans, 1971.
169. Walsh, Frank. Sin and Censorship: The Catholic Church and the Motion Picture Industry. New Haven: Yale University Press, 1996.
170. Warshow, Robert. " The Gangster as Tragic Hero." In The Immediate Experience: Movies, Comics, Theater, and Other Aspects of Popular Culture, 127-133. New York: Doubleday, 1962.
171. Weisinger, Herbert. " The Myth and Ritual Approach to Shakespearian Tragedy." In Theories of Myth, vol. 5, Ritual and Myth, ed. Robert A. Segal, 384-408. New York: Garland Press, 1996.
172. Wood, Robin. Hitchcock's Films Revisited. New York: Columbia University Press, 1989.
173. Wyschogrod, Michael. " Sin and Atonement in Judaism." In The Human Condition in the Jewish and Christian Traditions, ed. Frederick E. Greenspahn, 120-126. Hoboken, NJ: Ktav, 1986.