LIVE-ELECTRONICS ALGORITHMS IN THE MULTIMEDIA WORK”SWIM SWAN”

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2002, Pages 263-268

  Furukawa, Kiyoshi ^a   Dutilleux, Pierre ^a  

^a NONE   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

SOUND PROCESSING ALGORITHMS; SOUND-SYNTHESIS; SYNTHESIS ALGORITHMS;

COMPUTER GRAPHICS;

EID: 84899370054     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (9)

1. Kiyoshi Furukawa and Pierre Dutilleux, Swim Swan, ZKM, Karlsruhe, 1993, http://salon-digital.zkm.de/~furukawa/.
2. Hans Peter Haller, Die Erforschungder Elektronischen Klangumformung und ihre Geschichte. Das Experimental Studio der Heinrich-Strobel-Stiftung des Südwestfunks Freiburg 1971-1989, Nomos Verlagsgesellschaft, Baden-Baden, 1995, Südwestfunk, Schriftenreihe, Rundfunkgeschichte, Band 6/1.
3. Klaus-Dieter Linsmeier, “Trends in der Musiktechnik II, Elektronenmusik,” Spektrum der Wissenschaft, p. 54, Dezember 1997.
4. Udo Zölzer, Ed., DAFX Digital Audio Effects, John Wiley & Sons, 2002.
5. Miller Puckette, “FTS: A Real-Time Monitor for Multiprocessor Music Synthesis,” Computer Music Journal, vol. 15, no. 3, pp. 41-49, Fall 1991.
6. Eric Lindemann, François Dechelle, Benett Smith, and Michel Starkier, “The Architecture of the IRCAM Musical Workstation,” Computer Music Journal, vol. 15, no. 3, pp. 58-67, Fall 1991.
7. Kiyoshi Furukawa, Die Gabe des Lapislazuli, ZKM, Karlsruhe, 1995.
8. Kiyoshi Furukawa, den ungeborenen Göttern, ZKM, Karlsruhe, 1997.
9. Pierre Dutilleux, “Operas multimedia, el papel de los ordenadores en tres estrenos del ZKM. Opéras multimédias, le rôle des ordinateurs dans trois créations du ZKM,” doce notas, vol. preliminares, no. 5, pp. 82-99, june 2000, Madrid.