Popular culture and the comedy of manners: Cluelessand fashion clues

Jane Austen and Co.: Remaking the Past in Contemporary Culture

Volumn , Issue , 2003, Pages 33-51

  Turim, Maureen ^a  

^a UNIVERSITY OF FLORIDA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84898353848     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (31)

1. Jane Austen, Emma (The Novels of Jane Austen Vol. IV, London: Oxford, 1933).
2. Linda Troost and Sayre N. Greenfield, eds., Jane Austen in Hollywood (Lexington: University of Kentucky Press, 1998), especially the essays by Devoney Looser, "Feminist Implications of the Silver Screen Austen" (159-176);
3. Nora Nachumi, "As If! Translating Austen's Ironic Narrator to Film" (130-139);
4. and Suzanne Ferriss, "Emma Becomes Clueless" (122-129).
5. Pat Gill, Interpreting Ladies: Women, Wit, and Morality in the Restoration Comedy of Manners (Athens: University of Georgia Press, 1994), 21.
6. Margaret Lamb McDonald, The Independent Woman in the Restoration Comedy of Manners (Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg and Young, 1976);
7. Douglas M. Young, The Feminist Voices in Restoration Comedy: The Virtuous Women in the Play-Worlds of Etherege, Wycherley, and Congreve (Lanham, MD: University Press of America, 1997).
8. Gill, Interpreting Ladies, 14.
9. Alistair M. Duckworth, The Improvement of the Estate: a Study of Jane Austen's Novels (Baltimore: Johns Hopkins University Press, 1971);
10. James Thompson, Between Self and World: The Novels of Jane Austen (University Park: Pennsylvania State University Press, 1988);
11. Roger Sales, Jane Austen and Representations of Regency England (London: Routledge, 1994);
12. Margaret Kirkham, Jane Austen: Feminism and Fiction (Atlantic Highlands, NJ: Athlone Press, 1997);
13. Devoney Looser, ed., Jane Austen and Discourses of Feminism (New York: St. Martin's Press, 1995);
14. Richard Handler and Daniel Segal, Jane Austen and the Fiction of Culture (Tucson: University of Arizona Press, 1990);
15. Jocelyn Harris, Jane Austen's Art of Memory (Cambridge: Cambridge University Press, 1989);
16. David Monaghan, ed., Jane Austen in a Social Context (Totowa, NJ: Barnes and Noble Books, 1981).
17. Rachel R. Mather, The Heirs of Jane Austen: Twentieth-Century Writers of the Comedy of Manners. American University Studies. Series IV. English Language and Literature; vol. 180 (New York: P. Lang, 1996).
18. Suzanne Ferriss, "Emma Becomes Clueless" in Jane Austen in Hollywood, ed. Linda Troost and Sayre N. Greenfield (Lexington: University of Kentucky Press, 1998), 122-129.
19. Maureen Turim, "Gentlemen Consume Blondes", in Movies and Methods, ed. Bill Nichols (Berkeley and Los Angeles: University of California Press, 1985), 2:369-378.
20. Karen Hollinger, In the Company of Women: Female Friendship Films (Minneapolis: University of Minnesota Press, 1998).
21. Maureen Turim, "Seduction and Elegance: The New Woman of Fashion in Silent Cinema" in On Fashion, ed. Shari Benstock and Suzanne Ferris (New Brunswick, NJ: Rutgers University Press, 1994), 140-158
22. "High Angles on Shoes: Cinema, Gender, and Footwear", in Footnotes: On Shoes, ed. Shari Benstock and Suzanne Ferris (New Brunswick, NJ: Rutgers University Press, 2001), 59-90
23. Leslie Stern, "Emma in Los Angeles: Remaking the Book and the City", Film Adaption, ed. James Naremore (New Brunswick, NJ: Rutgers University Press, 2000), 232-233.
24. David Desser and Garth S. Jowett, ed., Hollywood Goes Shopping (Minneapolis: University of Minnesota Press, 2000)
25. especially Angela Curan's essay "Consuming Doubts: Gender Class and Consumption in Ruby in Paradise and Clueless" (222-250).
26. Anne Friedberg, Window Shopping: Cinema and the Postmodern (Berkeley and Los Angeles: University of California Press, 1993);
27. Simone Weil Davis, Living Up to the Ads: Gender Fictions of the 1920s (Durham, NC: Duke University Press, 2000);
28. Jennifer Scanlon, Inarticulate Longings
29. The Ladies' Home Journal, Gender, and the Promises of Consumer Culture (New York: Routledge, 1995);
30. Sarah Berry, Screen Style: Fashion and Femininity in 1930s Hollywood (Minneapolis: University of Minnesota Press, 2000).
31. Turim, "High Angles on Shoes", 81.