A trip down memory lane: Remaking and rereading the red classics

TV Drama in China

Volumn , Issue , 2008, Pages 157-171

  Qian, Gong ^a  

^a CURTIN UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84897296222     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (22)

1. Meng Yue, Bai Mao Nü yanbian de qishi (Inspirations from the evolution of the White-haired Girl), in X. Tang (ed.), Zai jiedu: Dazhong wenyi yu yishi xingtai (Rereading: Popular art and ideology) (Hong Kong: Oxford University Press, 1993), pp. 68-89.
2. Christopher J. Berry and Mary Ann Farquhar, Shadow opera: Toward a new archaeology of the Chinese cinema, in S. H. Lu and E. Y. Yeh (eds.), Chinese-Language Film: Historiography, Poetics, Politics (Honolulu: University of Hawai'i Press, 2005), pp. 27-51.
3. Geremie Barmé, In the Red: On Contemporary Chinese Culture (New York: Columbia University Press, 1999), pp. 316-344.
4. Dai Jinhua, Jiushu yu xiaofei (Redemption and consumption), in Y. Wang (ed.), Meijie Zhexue (Media philosophy) (Kaifeng: Henan University Press, 2004), pp. 68-80.
5. Tao Dongfeng, Hougeming shidai de geming wenhua (Revolutionary culture in a postrevolutionary era), available: http://www.frchina.net/data/personArticle. php?id=3651 [accessed February 8, 2006].
6. http://mt.vanke.com/.
7. Li Yan, Xinban 'Hongse Niangzijun' gen hongse bu tiebian (The new version of The Red Detachment of Women has nothing to do with Red), Beijing Youth Daily, July 3, 2006, p. B6.
8. Cai Nan, Youjian Qionghua: Daiying 'Hongse niangzijun' beihou de gushi (The stories behind The Red Detachment of Women), China Television News, June 12, 2006, p. 42.
9. Dai Jinhua, Scene in the Fog: Chinese Cinema Culture: 1978-1998 (Beijing: Beijing University Press, 2000).
10. Guanyu renzhen duidai hongse jingdian gaibian dianshiju youguan wenti tongzhi (A circular regarding some problems in adapting Red Classics into television drama), May 2004.
11. Qiu Hongjie, Zhongguo wenyi hanwei 'Hongse jingdian' (Chinese art circles defend Red Classics). Available: http://news.xinhuanet.com/newscenter/2004-05/ 23/content-1485678.htm [accessed April 10, 2006];.
12. Li Yan, Xinban 'Hongse Niangzijun' gen hongse bu tiebian (The new version of The Red Detachment of Women has nothing to do with Red), p. B6.
13. Anonymous, Cehua: Dianshiju gaibian, ruhe chengshou 'Hongse jingdian' zhi zhong (The unbearable heaviness of remaking Red Classics). Available: http://www.people.com.cn/GB/yule/1083/2437692.html [accessed April 9, 2004].
14. Ban Wang, The Sublime Figure of History: Aesthetics and Politics in Twentieth Century-China (Stanford: Stanford University Press, 1997).
15. Li Yan, Xinban 'Hongse Niangzijun' gen hongse bu tiebian, p. B6.
16. Andrew Jones, Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music (New York: Cornell University, 1992).
17. Chen Yiming, Cui Yongyuan: Zai 'Hongse jingdian' qian (Cui Yongyuan on Red Classics) Southern Weekend, May 6, 2005, p. C14, 19.
18. Zhao Yong, Shui zai shouhu 'Hongse jingdian': Cong 'Hongse jingdian' ju gaibian kan guanzhongde 'Zhengzhi wuyishi' (Who is guarding the Red Classics: An analysis of the audiences' political unconsciousness through the Red Classics remakes), Southern Cultural Forum (2005) 6: 36-39.
19. Stuart Hall, Encoding and decoding, in Stuart Hall (ed.), Culture, Media, Language: Working Papers in Cultural Studies, 1972-1979 (London: Hutchinson and the Centre for Contemporary Cultural Studies, University of Birmingham, 1980), pp. 128-138.
20. Chantal Mouffe, Hegemony and new political subjects: Toward a new concept of democracy, in Cary Nelson and Larry Grossberg (ed.), Marxism and the Interpretation of Culture (Urbana: University of Illinois Press, 1988), p. 94.
21. Cheng Guangwei, Ershi shiji liushi niandai de dianying yu wenhua shishang (Film and cultural trends in the 1960s), Journal of Xinyang Teachers' College (2002), January: 96-101.
22. Lisa Rofel, Other Modernities: Gendered Yearnings in China After Socialism (Berkeley: University of California Press, 1999), p. 97.