An unworthy subject: Slaughter, cannibalism and postcoloniality

Masculinities and Hong Kong Cinema

Volumn , Issue , 2005, Pages 155-174

  Steintrager, James A ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84897180141     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (36)

1. Ackbar Abbas, Hong Kong: Culture and the Politics of Disappearance (Minneapolis: University of Minnesota Press, 1997),.
2. Martin Jay's engaging study Downcast Eyes: The Denigration of Vision in 20th-century French Thought (Berkeley: University of California Press, 1993).
3. Julian Stringer, Your tender smiles give me strength': Paradigms of Masculinity in John Woo's A Better Tomorrow and The Killer, Screen 38.1 (Spring 1997): 25-40;.
4. Anthony Enns, The Spectacle of Disabled Masculinity in John Woo's 'Heroic Bloodshed' Films, Quarterly Review of Film and Video 17.2 (2000): 137-45.
5. Bliss Cua Lim's Spectral Times: The Ghost Film as Historical Allegory, Positions: East Asia Cultures Critique 9-2 (Fall 2001): 287-329.
6. Darrel W. Davis and Yeh Yueh-yu, Warning Category III: The Other Hong Kong Cinema, Film Quarterly 54.4 (Summer 2001): 12-26.
7. Paul Fonoroff, At the Hong Kong Movies: 600 Reviews from 1988 Till the Handover (Hong Kong: Film Biweekly Publishing House, 1998), 299.
8. David Bordwell, Planet Hong Kong: Popular Cinema and the Art of Entertainment (Cambridge, MA: Harvard University Press, 2000), 189- 90.
9. Daniel Dayan, The Tutor-Code of Classical Cinema, Film Quarterly 28.1 (Fall 1974): 22-31.
10. Jean-Pierre Oudart, La Suture, Cahiers du Cinema 211 (April 1969): 36-9;.
11. Jean-Pierce Oudart, La Suture (part two), Cahiers du Cinema 212 (May 1969): 50-5;.
12. Steven Heath, Notes on Suture, Screen 18.2 (1977-78): 48-76.
13. Kaja Silverman, The Subject of Semiotics (Oxford: Oxford University Press, 1983), 194-236.
14. Rey Chow, Film and Cultural Studies, in John Hill and Pamela Church Gibson, eds., The Oxford Guide to Film Studies (Oxford: Oxford University Press, 1998): 169- 75.
15. Julia Kristeva, L'abjet d'amour, Tel Quel 91 (Spring 1982) 17-32.
16. Julia Kristeva, Pouvoirs de Thorreur (Pans Editions du Seuil, 1980), 9-39.
17. Jacques Lacan, le Seminaire VII L'ethique de la psycbanalyse (Paris Seuil, 1986), 55-86,.
18. Slavoj Zizek, For They Know Not What They Do Enjoyment as a Political Factor(London Verso, 1991), 229-77.
19. Similar works from the German Baroque have gained academic recognition thanks to Walter Benjamin's The Origin of German Tragic Drama, trans John Osbourne (London Verso, 1998).
20. Stephen Teo, Hong Kong Cinema The Extra Dimensions (London British Film Institute, 1997), 178-9,.
21. Kenneth E Hall, John Woo The Films (Jefferson, NC McFarland & Company, Inc, 1999), 135-47,.
22. Lisa Odham Stokes and Michael Hoover, City on Fire Hong Kong Cinema (London Verso, 1999), 183-4,.
23. Bullet in the Head Trauma, Identity, and Violent Spectacle, in Chris Berry, ed, Chinese Films in Focus 25 New Takes (London British Film Institute, 2003) 23-30.
24. Laikwan Pang, Death and Hong Kong Cinema, Quarterly Review of Film and Video 18 1 (2001) 15-29.
25. Anthony Giddens, The Consequences of Modernity (Stanford Stanford University Press, 1990), 17-21.
26. Rey Chow, Primitive Passions (New York Columbia University Press, 1995), 176-202.
27. Notes on the Balinese Cockfight, The Interpretation of Cultures: Selected Essays (New York: Basic Books, 1973), 452.
28. Thomas Weisser, Asian Trash Cinema: The Book (Miami: ATC/ETC Publications, 1994), 110.
29. Thomas Weisser, Asian Trash Cinema: The Book (Part 2) (Miami: Vital Sounds Inc. and ATC Publications, 1995), 58.
30. Stefan Hammond and Mike Wilkins, Sex and Zen & A Bullet in the Head (New York: Fireside, 1996), 239.
31. Bordwell, Aesthetics in Action: Kungfu, Gunplay, and Cinematic Expressivity, in Esther C. M. Yau ed. At Full Speed: Hong Kong Cinema in a Borderless World (Minneapolis: University of Minnesota Press, 2001), 73.
32. Michel Serres, Le Parasite [Paris: Editions Grasset et Fasquette, 1980],.
33. J. Hillis Miller, The Critic as Host, in Gregory S. Jay, ed. Modern American Critics Since 1955, Dictionary of Literary Biography, vol. 67 [Detroit: Gale Research Company, 1988]: 327-32.
34. Niklas Luhmann's The Reality of the Mass Media, trans. Kathleen Cross (Stanford: Stanford University Press, 2000), 85-7.
35. Rey Chow's Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies, entitled Where Have All the Natives Gone? (Bloomington: Indiana University Press, 1993), 27-54.
36. Chow's more recent analysis of the topic in her The Protestant Ethnic and the Spirit of Capitalism (New York: Columbia University Press, 2002), 95-127.