Between transcendence and historicism : The ethical nature of the arts in Hegelian aesthetics

Between Transcendence and Historicism :The Ethical Nature of the Arts in Hegelian Aesthetics

Volumn , Issue , 2006, Pages 1-259

  Etter, Brian K ^a  

^a KETTERING UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84895851300     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (163)

1. Adorno, Theodor W. Aesthetic Theory. Edited by Gretel Adorno and Rolf Tiedemann. Translated by Robert Hullot-Kantor. Minneapolis: University of Minnesota Press, 1997.
2. Adorno, Theodor W. Philosophy of Modern Music. Translated by Anne G. Mitchell and Wesley V. Blomster. New York: Seabury Press, 1973.
3. Adorno, Theodor W. Quasi una Fantasia: Essays on Modern Music. Translated by Rodney Livingstone. London: Verso, 1994.
4. Aeschylus. The Oresteia: Agamemnon, The Libation Bearers, The Eumenides. Translated by Robert Fagles. Edited by R. Fagles and W. B. Stanford. New York and London: Penguin, 1975.
5. Alberti, Leon Battista. On Painting. Translated by Cecil Grayson. Edited by Martin Kemp. London: Penguin, 1991.
6. Alberti, Leon Battista. On the Art of Building in Ten Books [De re aedificatorio]. Translated by Joseph Rykwert, Neil Leach, and Robert Tavernor. Cambridge, MA: MIT Press, 1988.
7. Ambros, Wilhelm August. The Boundaries of Music and Poetry: A Study in Musical Aesthetics. Translated by J. H. Cornell. New York: Schirmer, 1893.
8. Aquinas, Thomas. An Introduction to the Metaphysics of St. Thomas Aquinas. Edited and translated by James F. Anderson. Washington, DC: Regnery Gateway, 1953.
9. Aquinas, Thomas. Selected Philosophical Writings. Translated and edited by Timothy McDermott. Oxford and New York: Oxford University Press, 1993.
10. Aquinas, Thomas. Summa Theologica. 5 vols. Translated by Fathers of the Dominican Province. Rev. ed. 1911. Westminster, MD: Christian Classics, 1981.
11. Aristotle. Eudemian Ethics: Books I, II, and VIII. Translated and edited by Michael Woods. 2nd ed. Oxford: Clarendon Press, 1992.
12. Aristotle. Metaphysics. Translated by Richard Hope. 1952. Ann Arbor: University of Michigan Press, 1960.
13. Aristotle. Nichomachean Ethics. Translated by W. D. Ross. Edited by J. L. Ackrill and J. O. Urmson. 1925. Oxford: Oxford University Press, 1980.
14. Aristotle. Poetics. Translated and edited by G. M. A. Grube. On Poetry and Style 1958. Indianapolis, IN: Hackett, 1989.
15. Aristotle. The Politics. Translated by Benjamin Jowett. Edited by Stephen Everson. Cambridge: Cambridge University Press, 1988.
16. Augustine. The Enchiridion on Faith, Hope and Love. Translated by J. F. Shaw. Edited by Henry Paolucci. Chicago: Regnery Gateway, 1961.
17. Aristotle. On Free Choice of the Will. Translated by Thomas Williams. Indianapolis, IN and Cambridge: Hackett, 1993.
18. Barzun, Jacques. The Use and Abuse of Art. Princeton, NJ and London: Princeton University Press, 1974.
19. Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis, IN and Cambridge: Hackett, 1981.
20. Bernstein, J. M. The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno. University Park: Pennsylvania State University Press, 1992.
21. Blavatsky, Helena Petrovna. The Key to Theosophy: A Simple Exposition Based on the Wisdom-Religion of All Ages 1889. Pasadena, CA: Theosophical University Press, 1995.
22. Budd, Malcolm. Values of Art: Pictures, Poetry and Music. London: Penguin, 1995.
23. Bungay, Stephen. Beauty and Truth: A Study of Hegel's Aesthetics. Oxford: Oxford University Press, 1984.
24. Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press, 1984.
25. Burke, Edmund. Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Edited by Adam Phillips. Oxford and New York: Oxford University Press, 1990.
26. Chipp, Herschel B., ed. Theories of Modern Art: A Source Book by Artists and Critics. Berkeley: University of California Press, 1968.
27. Cicero, Marcus Tullius. On Duties. Translated and edited by M. T. Griffin and E. M. Atkins. Cambridge: Cambridge University Press, 1991.
28. Crane, Susan A., ed. Museums and Memory. Stanford, CA: Stanford University Press, 2000.
29. Dahlhaus, Carl. Esthetics of Music. Translated by William Austin. Cambridge: Cambridge University Press, 1982.
30. Dahlhaus, Carl. Klassicsche und romantische Musikästhetik. Laaber, Germany: Laaber-Verlag, 1988.
31. Danto, Arthur C. After the End of Art: Contemporary Art and the Pale of History. Princeton, NJ and Chichester, UK: Princeton University Press, 1997.
32. Danto, Arthur C. The Philosophical Disenfranchisement of Art. New York: Columbia University Press, 1986.
33. Davies, Stephen. Definitions of Art. Ithaca, NY and London: Cornell University Press, 1991.
34. Desmond, William. Art and the Absolute: A Study of Hegel's Aesthetics. Albany: State University of New York Press, 1986.
35. Desmond, William. Being and the Between. Albany: State University of New York Press, 1995.
36. Desmond, William. Hegel's God: A Counterfeit Double? Aldershot, UK: Ashgate, 2003.
37. Detwiler, Bruce. Nietzsche and the Politics of Aristocratic Radicalism. Chicago: University of Chicago Press, 1990.
38. Dewey, John. Art as Experience 1934. New York: Berkley Publishing Group, 1980.
39. Downing, Andrew Jackson. The Architecture of Country Houses 1850. New York: Dover, 1969.
40. Downing, Andrew Jackson. Victorian Cottage Residences 1842. New York: Dover, 1981.
41. Duby, Georges. The Age of the Cathedrals: Art and Society, 980-1420. Translated by Eleanor Levieux and Barbara Thompson. Chicago: University of Chicago Press, 1981.
42. Eksteins, Modris. Rites of Spring: The Great War and the Birth of the Modern Age. Boston: Houghton Mifflin, 1989.
43. Etter, Brian K. From Classicism to Modernism: Western Musical Culture and the Metaphysics of Order. Aldershot, UK: Ashgate, 2001.
44. Fackenheim, Emil L. The Religious Dimension in Hegel's Thought. Bloomington and London: Indiana University Press, 1967.
45. Fétis, François Joseph. Traité complet de la théorie et de la pratique de l'harmonie. 4th ed. Paris: Brandus, 1849.
46. Ficino, Marsilio. Commentary on Plato's Symposium on Love. Translated and edited by Sears Jayne. Woodstock, CT: Spring Publications, 1985.
47. Fine, Gail. On Ideas: Aristotle's Criticism of Plato's Theory of Forms. Oxford: Clarendon Press, 1993.
48. Gadamer, Hans-Georg. The Relevance of the Beautiful and Other Essays. Translated by Nicholas Walker. Edited by Robert Bernasconi. Cambridge and New York: Cambridge University Press, 1986.
49. Gardner, John. On Moral Fiction. New York: Basic Books, 1978.
50. Gilson, Etienne. The Arts of the Beautiful 1965. Dalkey Archive, 2000.
51. Goehr, Lydia. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press, 1992.
52. Goethe, Johann Wolfgang. Faust, Erster und Zweiter Teil. Edited by Sybille Demmer. Munich: Deutscher Taschenbuch Verlag, 1997.
53. Goldman, Alan. Aesthetic Value. Boulder, CO: Westview Press, 1995.
54. Gordon, Donald E. Expressionism: Art and Idea. New Haven, CT and London: Yale University Press, 1987.
55. Hanslick, Eduard. On the Musically Beautiful. Translated by Geoffrey Payzant. Indianapolis, IN: Hackett, 1986.
56. Harries, Karsten. The Ethical Function of Architecture. Cambridge, MA: MIT Press, 1997.
57. Hegel, Georg Wilhelm Friedrich. Aesthetics: Lectures on the Fine Arts. Translated by T. M. Knox. 2 vols. Oxford: Clarendon Press, 1975.
58. Hegel, Georg Wilhelm Friedrich. The Encyclopaedia Logic. Translated by T. F. Geraets, W. A. Suchting, and H. S. Harris. Indianapolis, IN: Hackett, 1991.
59. Hegel, Georg Wilhelm Friedrich. Enzyklopädie der philosophischen Wissenschaften im Grundrisse (1830). Edited by E. Moldenhauer and K. Michel. Vols 8-10, Sämtliche Werke. Frankfurt am Main: Suhrkamp, 1970.
60. Hegel, Georg Wilhelm Friedrich. Grundlinien der Philosophie des Rechts oder Naturrecht und Staatswissenschaft im Grundrisse. Edited by E. Moldenhauer and K. Michel. Vol. 7, Sämtliche Werke. Frankfurt am Main: Suhrkamp, 1970.
61. Hegel, Georg Wilhelm Friedrich. Introduction to the Lectures on the History of Philosophy. Translated by T. M. Knox and A. V. Miller. Oxford: Clarendon Press, 1985.
62. Hegel, Georg Wilhelm Friedrich. Lectures on the Philosophy of Religion: The Lectures of 1827. Translated by R. F. Brown, P. C. Hodgson, J. M. Stewart, and H. S. Harris. Edited by P. C. Hodgson. Berkeley and London: University of California Press, 1988.
63. Hegel, Georg Wilhelm Friedrich. The Philosophy of History. Translated by J. Sibree. New York: Dover, 1956.
64. Hegel, Georg Wilhelm Friedrich. Philosophy of Mind: Part Three of the Encyclopaedia of the Philosophical Sciences (1830). Translated by William Wallace and A. V. Miller. Oxford: Clarendon Press, 1971.
65. Hegel, Georg Wilhelm Friedrich. Philosophy of Right. Translated by T. M. Knox. Oxford: Oxford University Press, 1952.
66. Hegel, Georg Wilhelm Friedrich. The Science of Logic. Translated by A. V. Miller. Edited by H. D. Lewis. 1969. Atlantic Highlands, NJ: Humanities Press International, 1989.
67. Hegel, Georg Wilhelm Friedrich. Vorlesungen über die Ästhetik. Edited by E. Moldenhauer and K. Michel. Vols. 13-15, Sämtliche Werke. Frankfurt am Main: Suhrkamp Verlag, 1970.
68. Hegel, Georg Wilhelm Friedrich. Vorlesungen über die Geschichte der Philosophie. Edited by E. Moldenhauer and K. Michel. Vols. 18-20, Sämtliche Werke. Frankfurt am Main: Suhrkamp, 1971.
69. Hegel, Georg Wilhelm Friedrich. Vorlesungen über die Philosophie der Geschichte. Edited by E. Moldenhauer and K. Michel. Vol 12, Sämtliche Werke. Frankfurt am Main: Suhrkamp, 1970.
70. Hegel, Georg Wilhelm Friedrich. Vorlesungen über die Philosophie der Religion. Edited by Walter Jaeschke. Vols. 3, Vorlesungen, Ausgewählte Nachschriften und Manuskripte. Hamburg: Felix Meiner Verlag, 1984.
71. Hegel, Georg Wilhelm Friedrich. Wissenschaft der Logik. Edited by E. Moldenhauer and K. Michel. Vols. 5-6, Sämtliche Werke. Frankfurt am Main: Suhrkamp, 1969.
72. Heidegger, Martin. Being and Time: A Translation of 'Sein und Zeit. Translated by Joan Stambaugh. Albany: State University of New York Press, 1996.
73. Heidegger, Martin. Poetry, Language, Thought. Translated by Albert Hofstadter. 1971. New York: HarperCollins, 2001.
74. Holt, Elizabeth G. A Documentary History of Art. 2 vols. Rev. ed. Princeton, NJ: Princeton University Press, 1982.
75. Homer. The Iliad. Translated by Richmond Lattimore. Chicago and London: University of Chicago Press, 1951.
76. Houlgate, Stephen. Freedom, Truth and History: An Introduction to Hegel's Philosophy. London and New York: Routledge, 1991.
77. Janson, H. W., and Anthony F. Janson. History of Art: The Western Tradition. 6th ed. New York: Harry N. Abrams, 2001.
78. Jeanneret-Gris, Charles-Edouard. Towards a New Architecture. Translated by Frederick Etchells 1931. New York: Dover, 1986.
79. Johnson, Julian. "Music in Hegel's Aesthetics: A Re-Evaluation." British Journal of Aesthetics 31 (1991): 152-62.
80. Jonas, Hans. The Gnostic Religion: The Message of an Alien God and the Beginnings of Christianity. 2nd ed. Boston: Beacon Press, 1963.
81. Kaminsky, Jack. Hegel on Art: An Interpretation of Hegel's Aesthetics. Albany: State University of New York Press, 1962.
82. Kant, Immanuel. Critique of Judgement. Translated by J. H. Bernard. New York: MacMillan, 1951.
83. Kant, Immanuel. Kritik der Urteilskraft. Edited by Karl Vorländer. Hamburg: Felix Meiner, 1990.
84. Kaufmann, Walter. Tragedy and Philosophy. Princeton, NJ: Princeton University Press, 1968.
85. Kierkegaard, Søren. Either/Or. Translated and edited by Howard V. Hong and Edna H. Hong. 2 vols. Princeton, NJ and Oxford: Princeton University Press, 1987.
86. Kivy, Peter. Music Alone: Philosophical Reflections on the Purely Musical Experience. Ithaca, NY and London: Cornell University Press, 1990.
87. Koepsel, Von Werner. Die Rezeption der Hegelschen Ästhetik im 20. Jahrhundert. Bonn: Bouvier Verlag, 1975.
88. Kristeller, Paul Oskar. Renaissance Thought and the Arts: Collected Essays. Rev. ed. Princeton, NJ and Chichester, UK: Princeton University Press, 1990.
89. Krook, Dorothea. Elements of Tragedy. New Haven, CT: Yale University Press, 1969.
90. Kunstler, James Howard. Home from Nowhere: Remaking Our Everyday World for the Twenty-First Century. New York: Simon & Schuster, 1996.
91. Lane, John. Timeless Beauty in the Arts and Everyday Life. Dartington Totnes, UK: Green Books, 2003.
92. Lauer, Quentin. Hegel's Concept of God. Albany: State University of New York Press, 1982.
93. Le Huray, Peter, and James Day, eds. Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Cambridge: Cambridge University Press, 1981.
94. Leppert, Richard, and Susan McClary, eds. Music and Society: The Politics of Composition, Performance and Reception. Cambridge: Cambridge University Press, 1987.
95. Lippman, Edward A., ed. Musical Aesthetics: A Historical Reader. 3 vols. Stuyvesant, NY: Pendragon Press, 1990.
96. Löwith, Karl. Martin Heidegger and European Nihilism. Translated by Gary Steiner. Edited by Richard Wolin. New York: Columbia University Press, 1995.
97. MacIntyre, Alasdair. After Virtue: A Study in Moral Theory. 2nd ed. Notre Dame, IN: University of Notre Dame Press, 1984.
98. MacIntyre, Alasdair. Three Rival Versions of Moral Enquiry: Encyclopaedia, Genealogy, and Tradition. Notre Dame, IN: University of Notre Dame Press, 1990.
99. MacIntyre, Alasdair. Whose Justice? Which Rationality? Notre Dame, IN: University of Notre Dame Press, 1988.
100. Menke, Christopher. The Sovereignty of Art: Aesthetic Negativity in Adorno and Derrida. Translated by Neil Solomon. Cambridge, MA and London: MIT Press, 1998.
101. Mortensen, Preben. Art in the Social Order: The Making of the Modern Concept of Art. Albany: State University of New York Press, 1997.
102. Nietzsche, Friedrich. Beyond Good and Evil. Translated by R. J. Hollingdale. Rev. ed. by Michael Tanner. London: Penguin, 1990.
103. Nietzsche, Friedrich. Thus Spoke Zarathustra. Translated and edited by Walter Kaufmann. The Portable Nietzsche. New York: Penguin, 1954.
104. Nietzsche, Friedrich. The Will to Power. Translated by Walter Kaufmann and R. J. Hollingdale. New York: Random House, 1967.
105. Nowak, Adolf. Hegels Musikaesthetik. Regensburg, Germany: Bosse, 1971.
106. Onians, John. Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance. Princeton, NJ: Princeton University Press, 1988.
107. O'Regan, Cyril. Gnostic Return in Modernity. Albany: State University of New York Press, 2001.
108. O'Regan, Cyril. The Heterodox Hegel. Albany: State University of New York Press, 1994.
109. Osborne, Harold. Aesthetics and Art Theory: An Historical Introduction. New York: Dutton, 1970.
110. Palladio, Andrea. The Four Books of Architecture [I Quattro libri dell'architettura]. Translated by Isaac Ware. 1738. New York: Dover, 1965.
111. Passmore, John. Serious Art. La Salle, IL: Open Court, 1991.
112. Pelikan, Jaroslav. The Christian Tradition: A History of the Development of Doctrine. 5 vols. Chicago and London: University of Chicago Press, 1971-1989.
113. Pelikan, Jaroslav. The Vindication of Tradition. New Haven, CT and London: Yale University Press, 1984.
114. Perrault, Claude. Ordonnance for the Five Kinds of Columns after the Method of the Ancients. Translated by Indra K. McEwen. Edited by Alberto Perez-Gomez. Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1993.
115. Plato. The Laws. Translated and edited by Trevor J. Saunders. London and New York: Penguin, 1970.
116. Plato. Lysis, Symposium, Gorgias. Translated by W. R. M. Lamb. Vol. 166, the Loeb Classical Library. Cambridge, MA: Harvard University Press, 1925.
117. Plato. Phaedrus and the Seventh and Eighth Letters. Translated by Walter Hamilton. London: Penguin, 1973.
118. Plato. Statesman, Philebus, Ion. Translated by Harold N. Fowler and W. R. M. Lamb. Vol. 164, the Loeb Classical Library. Cambridge, MA: Harvard University Press, 1925.
119. Plato Timaeus and Critias. Translated by Desmond Lee. Rev. ed. London: Penguin, 1977.
120. Plotinus. Enneads. Translated by A. H. Armstrong. 2nd ed. Vols. 440-446, the Loeb Classical Library. Cambridge, MA: Harvard University Press, 1989.
121. Poggioli, Renato. The Theory of the Avant-Garde. Translated by Gerald Fitzgerald. 1968. Cambridge, MA: Harvard University Press, 1996.
122. Rameau, Jean Philippe. Treatise on Harmony. Translated by Philip Gossett. New York: Dover, 1971.
123. Rapp, Carl. Fleeing the Universal: The Critique of Post-Rational Criticism. Albany: State University of New York Press, 1998.
124. Reardon, Bernard M. G. Hegel's Philosophy of Religion. London: MacMillan, 1977.
125. Reed, Henry Hope. Palladio's Architecture and Its Influence. New York: Dover, 1980.
126. Ringbom, Sixten. The Sounding Cosmos: A Study in the Spiritualism of Kandinsky and the Genesis of Abstract Painting. Åbo: Åbo Akademi, 1970.
127. Risatti, Howard, ed. Postmodern Perspectives: Issues in Contemporary Art. 2nd ed. Upper Saddle River, NJ: Prentice Hall, 1998.
128. Rosen, Stanley. G. W. F. Hegel: An Introduction to the Science of Wisdom. New Haven, CT and London: Yale University Press, 1974.
129. Ross, Stephen David. The Gift of Beauty: The Good as Art. Albany: State University of New York Press, 1996.
130. Rudolph, Kurt. Gnosis: The Nature and History of Gnosticism. Translated by Robert M. Wilson. San Francisco: HarperCollins, 1987.
131. Schiller, Friedrich. Essays. Edited by Walter Hinderer and Daniel O. Dahlstrom. New York: Continuum, 1993.
132. Schiller, Friedrich. The Robbers and Wallenstein. Translated and edited by F. J. Lamport. London and New York: Penguin, 1979.
133. Schoenberg, Arnold. Style and Idea: Selected Writings. Translated by Leo Black. Rev. ed. by Leo Stein. Berkeley: University of California Press, 1984.
134. Schubart, Christian F. D. Ideen zu einer Ästhetik der Tonkunst 1806. Leipzig: Reclam, 1977.
135. Schulte, Michael. Die Tragödie im Sittlichen: Zur Dramentheorie Hegels. Munich: Wilhelm Fink Verlag, 1992.
136. Schüttauf, Konrad. Die Kunst und die bildenden Künste: Eine Auseinandersetzung mit Hegels Ästhetik. Bonn: Bouvier Verlag, 1984.
137. Scruton, Roger. Aesthetics of Architecture. Princeton, NJ: Princeton University Press, 1979.
138. Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark Tragedies. London: J. M. Dent & Sons, 1906.
139. Sherman, Daniel J., and Irit Rogoff. Museum Culture: Histories, Discoveries, Spectacles. Minneapolis: University of Minnesota Press, 1994.
140. Simson, Otto von. The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order. 3rd ed. Princeton, NJ: Princeton University Press, 1988.
141. Sophocles. The Three Theban Plays: Antigone, Oedipus the King, Oedipus at Colonus. Translated by Robert Fagles. Edited by Bernard Knox. New York: Viking Penguin, 1982.
142. Steblin, Rita. A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. Ann Arbor: UMI Research Press, 1983.
143. Steiner, Rudolf. An Outline of Occult Science. Translated by Maud Monges and Henry B. Monges. Rev. ed. by Lisa D. Monges. Spring Valley, NY: Anthroposophic Press, 1972.
144. Steiner, Rudolf. Theosophy: An Introduction to the Supersensible Knowledge of the World and the Destination of Man. Translated by E. D. S. Chicago: Rand McNally, 1910.
145. Tatarkiewicz, Wladyslaw. "The Great Theory of Beauty and Its Decline." Journal of Aesthetics and Art Criticism 31 (1972-1973): 165-80.
146. Taylor, Charles. Hegel and Modern Society. Cambridge and New York: Cambridge University Press, 1979.
147. Thomson, William. Schoenberg's Error. Philadelphia: University of Pennsylvania Press, 1991.
148. Trollope, Anthony. The Eustace Diamonds. 2 vols. Edited by W. J. McCormack. Oxford and New York: Oxford University Press, 1982.
149. Tzonis, Alexander, and Liane Lefaivre. Classical Architecture: The Poetics of Order. Cambridge, MA: MIT Press, 1986.
150. Vattimo, Gianni. The End of Modernity: Nihilism and Hermeneutics in Postmodern Culture. Translated by Jon R. Snyder. Baltimore: Johns Hopkins University Press, 1991.
151. Vitruvius, Pollio. The Ten Books on Architecture [De architectura libri decem]. Translated by Morris H. Morgan. 1914. New York: Dover, 1960.
152. Voegelin, Eric. Science, Politics and Gnosticism. Washington, DC: Regnery Gateway, 1968.
153. Watkin, David. A History of Western Architecture. New York: Thames and Hudson, 1986.
154. Watkin, David, and Tilman Mellinghof. German Architecture and the Classical Ideal. Cambridge, MA: MIT Press, 1987.
155. Webern, Anton. The Path to the New Music. Translated by Leo Black. Edited by Willi Reich. 1963. London: Universal Edition, 1975.
156. Westphal, Maurice. Hegel, Freedom, and Modernity. Albany: State University of New York Press, 1992.
157. White, David A. "Toward a Theory of Profundity in Music." Journal of Aesthetics and Art Criticism 50 (1992): 23-34.
158. Will, Frederick. Intelligible Beauty: Aesthetic Thought from Winckelmann to Victor Cousin. Tübingen: M. Niemeyer, 1958.
159. Winckelmann, Johann Joachim. Reflections on the Imitation of Greek Works in Painting and Sculpture. Translated by Elfriede Heyer and Roger C. Norton. La Salle, IL: Open Court, 1987.
160. Winfield, Richard Dien. Systematic Aesthetics. Gainesville: University Press of Florida, 1995.
161. Wittkower, Rudolf. Architectural Principles in the Age of Humanism. 3rd ed. 1962. New York: Norton, 1971.
162. Wollheim, Richard. Painting as an Art. Princeton, NJ: Princeton University Press, 1987.
163. Wyss, Beat. Hegel's Art History and the Critique of Modernity. Translated by Caroline D. Saltzwedel. Cambridge and New York: Cambridge University Press, 1999.