Cognitivism

A Companion to Film Theory

Volumn , Issue , 2007, Pages 105-122

  Currie, Gregory ^a  

^a NONE

Author keywords

Art cinema; Cognitivism; Cricisms; Films; Structuralism

Indexed keywords

EID: 84892039965     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470998410.ch7     Document Type: Chapter

References (59)

1. Allen, Richard, and Murray Smith, eds. 1997. Film Theory and Philosophy. Oxford: Clarendon Press.
2. Anderson, Joseph, and Barbara Anderson. 1996. "The Case for an Ecological Meta-theory." In Bordwell and Carroll 1996.
3. Baron-Cohen, Simon, Helen Tager-Flusberg, and Donald Cohen, eds. 1993. Understanding Other Minds. Oxford: Oxford University Press.
4. Bordwell, David. 1985. Narration in the Fiction Film. Madison: University of Wisconsin Press.
5. Bordwell, David. 1989a. "A Case for Cognitivism." Iris 9: 11-41.
6. Bordwell, David. 1989b. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge: Harvard University Press.
7. Bordwell, David. 1996. "Convention, Construction, and Cinematic Vision." In Bordwell and Carroll 1996.
8. Bordwell, David, and Noel Carroll, eds. 1996. Post-Theory. Madison: University of Wisconsin Press.
9. Brooks, Virginia. 1984. "Film, Perception and Cognitive Psychology." Millennium Film Journal 14: 105-26.
10. Carroll, Noel. 1981/2. "Causation, the Ampliation of Movement and Avant-Garde Film." Millennium Film Journal 10/11: 61-82. eprinted in arroll 1996d.
11. Carroll, Noel. 1985. "The Power of Movies." Daedalus: 79-103.
12. Carroll, Noel. 1988. Mystgying Movies: Fads and Fallacies in Contemporary Film Theory. New York: Columbia University Press.
13. Carroll, Noel. 1990. The Philosophy of Horror: Or Paradoxes of the Heart. New York and London: Routledge.
14. Carroll, Noel. 1996a. "Cracks in the Acoustic Mirror." In Carroll 1996d.
15. Carroll, Noel. 1996b. "Film, Attention, and Communication." In The Great Ideas of Today. Chicago. Encyclopedia Britannica.
16. Carroll, Noel. 1996c. "Nonfiction Film and Postmodern Skepticism." In Bordwell and Carroll 1996.
17. Carroll, Noel. 1996d. Theorizing the Moving Image. Cambridge: Cambridge University Press.
18. Carroll, Noel. 1996e. "The Paradox of Suspense." In Suspense. Ed. P. Vorderer, H. Wuff, and M. Friedrichsen. Mahwah: Lawrence Erlbaum.
19. Carroll, Noel. 1998. A Theory of Mass Art. New York: Oxford University Press.
20. Carroll, Noel. 1999. "Film, Emotion and Genre." In Plantinga and Smith 1999.
21. Currie, Gregory. 1993. "Objectivity and Interpretation." Mind 102: 413-28.
22. Currie, Gregory. 1995a. Image and Mind: Film, Philosophy and Cognitive Science. New York: Cambridge University Press.
23. Currie, Gregory. 1995b. "Imagination and Simulation: Aesthetics Meets Cognitive Science." In Mental Simulation. Ed. Martin Davies and Tony Stone. Oxford: Blackwell.
24. Currie, Gregory. 1996. "Theory-Theory, Simulation Theory and the Evidence from Autism." In Theories of Theories of Mind. Ed. Peter Carruthers and Peter K. Smith. New York: Cambridge University Press.
25. Currie, Gregory. 1998. "Reply to My Critics." Philosophical Studies 89: 355-66.
26. Currie, Gregory. 1999. "Traces of the Real: Documentary and the Content of Photographs." Journal of Aesthetics and Art Criticism 57.
27. Ekman, Paul, ed. 1982. Emotion and the Human Face. Cambridge: Cambridge University Press.
28. Fodor, Jerry. 1983. The Modularity of Mind. Cambridge: MIT Press / Bradford Books.
29. Gardner, Sebastian. 1993. Irrationality and the Philosophy of Psychoanalysis. Cambridge and New York: Cambridge University Press.
30. Gaut, Berys. 1995. "Making Sense of Films: Neoformalism and its Limits." Forum for Modern Language Studies 31,1: 8-23.
31. Goodman, Nelson. 1976. Languages of Arts, 2nd edn. Indianapolis: Hackett.
32. Gopnik, Alison, and Andrew Meltzoff. 1997. Words, Thoughts and Theories. Cambridge: MIT Press / Bradford Books.
33. Gordon, Robert. 1986. "Folk Psychology as Simulation." Mind and Language 1: 158-71.
34. Hatfield, Elaine, John Cacioppo, and Richard Rapson. 1994. Emotional Contagion. Cambridge: Cambridge University Press.
35. Hochberg, Julian, and Virginia Brooks. 1978. "The Perception of Motion Pictures." In Handbook of Perception: Vol. 10, Perceptual Ecology. Ed. Edward C. Carterette and Morton P. Friedman. New York: Academic Press.
36. Hochberg, Julian, and Virginia Brooks. 1996. "Movies in the Mind's Eye." In Bordwell and Carroll 1996.
37. Izard, C. E. 1977. Human Emotions. New York: Plenum Press.
38. Leibowitz, Florence. 1996. "Apt Feelings, or Why 'Women's Films' Aren't Trivial." In Bordwell and Carroll 1996.
39. Lopes, Domenic. 1997. "Imagination, Illusion and Experience in Film." Philosophical Studies 89: 343-53.
40. Marr, David. 1982. Vision. New York: W. H. Freeman.
41. Messaris, P. 1994. Visual Literacy. Boulder: Westview Press.
42. Metz, Christian. 1974. Film and Language. Trans. Michael Taylor. New York: Oxford University Press.
43. Munsterberg, Hugo. 1970 [1916]. The Film: A Psychological Study (an unaltered and unabridged republication of The Photoplay: A Psychological Study). New York: Dover Publications.
44. Neill, Alex. 1996. "Empathy and (Film) Fiction." In Bordwell and Carroll 1996.
45. Peterson, James. 1996. "Is a Cognitive Approach to the Avant-Garde Cinema Perverse?" In Bordwell and Carroll 1996.
46. Plantinga, Carl. 1996. "Motion Pictures and the Rhetoric of Nonfiction Film: Two Approaches." In Bordwell and Carroll 1996.
47. Plantinga, Carl. 1999. "Scene of Empathy and the Human Face on Film." In Plantinga and Smith 1999.
48. Plantinga, Carl, and Greg Smith, eds. 1999. Passionate Views. Baltimore: Johns Hopkins University Press.
49. Prince, Stephen. 1996. "Psychoanalytic Film Theory and the Problem of the Missing Spectator." In Bordwell and Carroll 1996.
50. Pylyshyn, Zenon. 1981. "The Imagery Debate: Analog Media vs Tacit Knowledge." In Imagery. Ed. N. Block. Cambridge: MIT Press.
51. Schacter, S., and J. Singer. 1962. "Cognitive, Social and Psychological Determinants of Emotional State." Psychological Review 69: 379-99.
52. Schier, Flint. 1986. Deeper into Pictures. Cambridge: Cambridge University Press.
53. Sellars, Wilfred. 1956. "Empiricism and the Philosophy of Mind." In Minnesota Studies in the Philosophy of Science, vol. 1. Ed. M. Scriven, P. Feyerabend, and G. Maxwell. Minneapolis: University of Minnesota Press.
54. Smith, Jeff. 1999. "Movie Music as Moving Music: Emotion, Cognition and the Film Score." In Plantinga and Smith 1999.
55. Smith, Murray. 1995. Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press.
56. Tan, Ed S. 1996. Emotion and the Structure of Narrative Film. Trans. Barbara Fasting. Mahwah: Lawrence Erlbaum.
57. Vasey, Ruth. 1997. The World According to Hollywood, 1918-1939. Exeter: University of Exeter Press.
58. Walton, Kendall. 1990. Mimesis as Make Believe. Cambridge: Harvard University Press.
59. Wellman, Henry. 1990. The Child's Theory of Mind. Cambridge: MIT Press.