Pictorial Satire: From Emblem to Expression

A Companion to Satire

Volumn , Issue , 2007, Pages 293-324

  Paulson, Ronald ^a  

^a JOHNS HOPKINS UNIVERSITY   (United States)

Author keywords

Aufgehoben; Political satire; Romantic organicism; Romantic satire; Satirists

Indexed keywords

EID: 84890656834     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470996959.ch17     Document Type: Chapter

References (29)

1. Atherton, Herbert M. (1974). Political Prints in the Age of Hogarth: A Study of the Ideographic Representation of Politics. Oxford: Clarendon Press.
2. Carretta, Vincent (1972). The Snarling Muse: Verbal and Visual Political Satire from Pope to Churchill. Philadelphia: University of Pennsylvania Press.
3. Dickens, Charles (1848) Review of George Cruikshank's ''The Drunkard's Children: A Sequel to the Bottle.'' The Examiner, July 8.
4. Donald, Diane (1996). The Age of Caricature: Satirical Prints in the Reign of George III. New Haven, CT: Yale University Press.
5. Eliot, T. S. (1960). Hamlet and his problems. In The Sacred Wood: Essays on Poetry and Criticism. London: Methuen (originally published 1920).
6. Elliott, Robert C. (1960). The Power of Satire:Magic, Ritual, Art. Princeton, NJ: Princeton University Press.
7. Frye, Northrop (1957) The mythos of winter:irony and satire. In Anatomy of Criticism: Four Essays, pp. 223-39. Princeton, NJ: Princeton University Press.
8. Gaca, Kathy L. (2003). The Making of Fornication:Eros, Ethics, and Political Reform in Greek Philosophy and Early Christianity. Berkeley, CA:University of California Press.
9. George, M. Dorothy (1967). Hogarth to Cruikshank:Social Change in Graphic Satire. New York:Walker and Co.
10. Getlein, Frank (1964). The Bite of the Print: Satire and Irony in Woodcuts, Engravings, Etchings, Lithographs and Seriographs. London: H. Jenkins.
11. Gombrich, E. H. (1963) The cartoonist's armoury. In Meditations on a Hobby Horse and Other Essays on the Theory of Art, pp. 127-42. London:Phaidon.
12. Gombrich, E. H. and Kris, Ernst (1964) The principles of caricature. In Ernst Kris (ed.), Psychoanalytic Explorations in Art, pp. 189-203. New York:Schocken Books.
13. Hallett, Mark (1999). The Spectacle of Difference:Graphic Satire in the Age of Hogarth. New Haven, CT: Yale University Press.
14. Harpham, Geoffrey Galt (1982). On the Grotesque:Strategies of Contradiction in Art and Literature. Princeton, NJ: Princeton University Press.
15. Hayes, John (1972). Rowlandson: Watercolours and Drawings. London: Phaidon.
16. Hill, Draper (1963). Mr Gillray the Caricaturist. London: Phaidon.
17. Hogarth, William (1997). The Analysis of Beauty, ed. Ronald Paulson. New Haven, CT: Yale University Press (originally published 1753).
18. Juvenal (1958). The Satires of Juvenal, trans. Rolfe Humphries. Bloomington, IN: Indiana University Press.
19. Kernan, Alvin (1959). The Cankered Muse: Satire of the English Renaissance. New Haven, CT:Yale University Press.
20. Kunzle, David (1973). The Early Comic Strip: Narrative Strips and Picture Stories in the European Broadsheet from c. 1450 to 1825. Berkeley, CA:University of California Press.
21. Paulson, Ronald (1972). Rowlandson: A New Interpretation. London: Studio Vista.
22. Paulson, Ronald (1975). Emblem and Expression: Meaning in English Art of the Eighteenth Century. Cambridge, MA: Harvard University Press.
23. Paulson, Ronald (1983) Gillray. In Representations of Revolution, 1789-1820, pp. 168-214. New Haven, CT: Yale University Press.
24. Paulson, Ronald (ed.) (1989) Hogarth's Graphic Works, 2 vols, 3rd edn. London: The Print Room.
25. Paulson, Ronald (1991-1993) Hogarth, 3 vols. New Brunswick:Rutgers University Press (originally published as Hogarth: His Life, Art, and Times, 2 vols, New Haven, CT: Yale University Press, 1971).
26. Paulson, Ronald (2003). Hogarth's Harlot: Sacred Parody in Enlightenment England. Baltimore, MD: The Johns Hopkins University Press.
27. Pritchett, V. S. (1967). The Living Novel. London:Chatto and Windus.
28. Rosenheim, Edward W. (1963). Swift and the Satirist's Art. Chicago: University of Chicago Press.
29. Sherry, James (1976) Distance and humor: the art of Thomas Rowlandson. Eighteenth-century Studies 11, 457-72.