Gender and History in Narrative Theory: The Problem of Retrospective Distance in David Copperfield and Bleak House

A Companion to Narrative Theory

Volumn , Issue , 2007, Pages 312-321

  Case, Alison ^a  

^a WILLIAMS COLLEGE   (United States)

Author keywords

Bleak house; David copperfield; Distance; Gender; History

Indexed keywords

EID: 84890290514     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470996935.ch21     Document Type: Chapter

References (8)

1. Case, A. (1999). Plotting Women: Gender and Narration in the Eighteenth-and Nineteenth-Century British Novel. Charlottesville: Virginia University Press.
2. Dickens, C. Bleak House. (1987). Oxford: Oxford University Press.
3. Dickens, C. David Copperfield. (1989). Oxford: Oxford University Press.
4. Dyson, A. E. (ed.) (1969). Dickens's Bleak House: A Casebook. London: Macmillan.
5. Foley, B. (1986). Telling the Truth: The Theory and Practice of Documentary Fiction. Ithaca, NY: Cornell University Press.
6. Forster, J. (1907). Life of Charles Dickens. London: Chapman & Hall.
7. Phelan, J. (1996). Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus: Ohio State University Press.
8. Warhol, R. R. (1996). "The Look, the Body, and the Heroine of Persuasion." In K. Mezei (ed.), Ambiguous Discourse: Feminist Narratology and British Women Writers (pp. 21-39). Chapel Hill: University of North Carolina Press.