Visual Anthropology

A Companion to the Anthropology of American Indians

Volumn , Issue , 2007, Pages 506-525

  Prins, Harald E L ^a,b  

^a KANSAS STATE UNIVERSITY   (United States)

^b SMITHSONIAN INSTITUTION   (United States)

Author keywords

Anthropology; Christian missionary; Ojibwe; Photography; Visual anthropology

Indexed keywords

EID: 84889451656     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470996270.ch27     Document Type: Chapter

References (101)

1. Arthur, T. S. 1849: "American Characteristics." Godey's Lady's Book, vol. 38: 352-355.
2. Asch, Timothy, Joh Marshall, and Peter Spier 1973: "Ethnographic Film: Structure and Function." Annual Review of Anthropology 2: 179-187.
3. Balikci, Asen 1975: "Reconstructing Cultures on Film." In Principles of Visual Anthropology, ed. Paul Hockings, pp. 192-200. The Hague: Mouton.
4. Banks, Marcus 1992: "Which Films Are the Ethnographic Films?" In Film as Ethnography, eds. Peter Ian Crawford and David Turton, pp. 116-130. Manchester: Manchester University Press.
5. Chalfen, Richard 1992: "Picturing Culture through Indigenous Imagery: A Telling Story." In Film as Ethnography, eds. Peter Ian Crawford and David Turton, pp. 222-241. Manchester: Manchester University Press.
6. Churchill, Ward 1998: Fantasies of the Master Race: Literature, Cinema & the Colonization of American Indians. San Francisco: City Lights Books.
7. Cole, Douglas 1983: " 'The Value of a Person Lies in His Herzensbildung': Franz Boas' Baffin Island Letter Diary, 1883-1884." In Observers Observed: Essays on Ethnographic Fieldwork, ed. George Stocking, pp. 13-52. Madison: University of Wisconsin Press.
8. Cole, Simon 2002: Suspect Identities. Cambridge, MA: Harvard University Press.
9. Collier, John 1967: Visual Anthropology: Photography as a Research Method. New York: Holt, Rinehart and Winston.
10. Collier, John 1975 "Photography and Visual Anthropology." In Principles of Visual Anthropology, ed. Paul Hockings, pp. 211-230. The Hague: Mouton.
11. Crawford, Peter Ian 1992: "Film as Discourse: The Invention of Anthropological Realities." In Film as Ethnography, ed. Peter Ian Crawford and David Turton, pp. 66-82. Manchester: Manchester University Press.
12. Crawford, Peter Ian and David Turton, eds. 1992: Film as Ethnography. Manchester: Manchester University Press.
13. Deloria, Philip 1998: Playing Indian. New Haven: Yale University Press.
14. Doty, C. Stewart, Dale Mudge, and Herbert Benally 2002: Photographing Navajos: John Collier, Jr., on the Reservation, 1948-1953. Albuquerque: University of New Mexico Press.
15. Edwards, Elizabeth, ed. 1992: Anthropology and Photography. New Haven: Yale University Press.
16. Heider, Karl G. 1976: Ethnographic Film. Austin: University of Texas Press.
17. Heider, Karl G. 1997: Seeing Anthropology: Cultural Anthropology through Film. Needham Heights, MA: Allyn & Bacon.
18. Hockings, Paul, ed. 1975: Principles of Visual Anthropology. The Hague: Mouton.
19. Hoebel, E. Adamson 1960: The Cheyennes: Indians of the Great Plains. New York: Holt, Rinehart and Winston.
20. Holmes, W. H. 1907: Twenty-fourth Annual Report of the Bureau of American Ethnology, 1902-1903. Washington: Government Printing Office.
21. Horse Capture, George 1993: "Foreword." In Native Nations: First Americans as Seen by Edward S. Curtis, ed. Christopher Cardozo, pp. 12-17. Boston: Little, Brown and Company.
22. Hovens, Pieter, H. F. 1989: Herman F. C. Ten Kate Jr. (1858-1931) en de Antropologie Der Noord-Amerikaanse Indianen. Meppel: Krips.
23. Jacknis, Ira 1996: "Alfred Kroeber and the Photographic Representation of California Indians." American Indian Culture and Research Journal 20(3): 15-32.
24. Johnson, Tim, ed. 1998: Spirit Capture: Photographs from the National Museum of the American Indian. Washington: Smithsonian Institution Press.
25. Josephy, A. M. Jr., J. Nagel, and T. Johnson, eds. 1999 [1971]: Red Power: The American Indian's Fight for Freedom, 2nd edn. Lincoln: University of Nebraska Press.
26. Loizos, Peter 1993: Innovation in Ethnographic Film: From Innocence to Self-Consciousness, 1955-1985. Chicago: University of Chicago Press.
27. Lomax, Alan 1973: "Cinema Science, and Cultural Renewal." Current Anthropology 14: 474-480.
28. Lomax, Alan 1975: "Audiovisual Tools for the Analysis of Culture Style." In Principles of Visual Anthropology, ed. Paul Hockings, pp. 303-322. The Hague: Mouton.
29. McCracken, Harold 1959: George Catlin and the Old Frontier. New York: Bonanza Books.
30. MacGregor, Frances Cooke 1941: Twentieth Century Indians. New York: G. P. Putnam's Sons.
31. Makepeace, Anne 2000: Coming to Light: Edward S. Curtis and the North American Indians (video, 85 mins.). Santa Barbara: Anne Makepeace Productions.
32. Martinez, Natasha B. 1998a: "An Indian Americas." In Spirit Capture: Photographs from the National Museum of the American Indian, ed. Tim Johnson, pp. 29-57. Washington: Smithsonian Institution Press.
33. Martinez, Natasha B. (with Rose Wyaco) 1998b: "Camera Shots: Photographers, Expeditions, and Collections." In Spirit Capture: Photographs from the National Museum of the American Indian, ed. Tim Johnson, pp. 77-106. Washington: Smithsonian Institution Press.
34. Mattison, Ben 1995: The Social Construction of the American Daguerreotype Portrait, 1839-1860. http://www.americandaguerreotypes.com. National Congress of American Indians, http://www.ncai.org.
35. Powell, John W., ed. 1891: Seventh Annual Report of the Bureau of American Ethnology, 1885-1886. Washington: Government Printing Office.
36. Powell, John W., ed. 1894: Eleventh Annual Report of the Bureau of American Ethnology, 1889-1890. Washington: Government Printing Office.
37. Powell, John W., ed. 1903: Twentieth Annual Report of the Bureau of American Ethnology, 1898-1899. Washington: Government Printing Office.
38. Prins, Harald E. L. 2002: "Visual Media and the Primitivist Perplex: Colonial Fantasies and Indigenous Imagination in North America." In Media Worlds: Anthropology on New Terrain, ed. F. Ginsburg, L. Abu-Lughod, and B. Larkin, pp. 58-74. Berkeley: University of California Press.
39. Roberts, John M. 1951: Three Navaho Households: A Comparative Study in Small Group Culture. Papers of the Peabody Museum of American Archaeology and Ethnology, Harvard University, vol. XL, no. 3. Cambridge, MA: Peabody Museum.
40. Rogers, E. S. 1978: "Southeastern Ojibwa." In Handbook of North American Indians, vol. 15 (Northeast), ed. Bruce G. Trigger, pp. 760-771.Washington: Smithsonian Institution Press.
41. Ruby, Jay 2000: Picturing Culture: Explorations of Film and Anthropology. Chicago: University of Chicago Press.
42. Russell, Nigel 1998: "Processes and Pictures: The Beginnings of Photography and of Photographing American Indians." In Spirit Capture: Photographs from the National Museum of the American Indian, ed. Tim Johnson, pp. 113-134. Washington: Smithsonian Institution Press.
43. Singer, Beverly 2001: Wiping the War Paint off the Lens. Minneapolis: University of Minnesota Press.
44. Spencer, Frank 1992: "Some Notes on the Attempt to Apply Photography to Anthropometry During the Second Half of the Nineteenth Century." In Anthropology and Photography, 1860-1920, ed. E. Edwards, pp. 99-107. New Haven: Yale University Press.
45. Sullivan, Gerald 1999: Margaret Mead, Gregory Bateson, and Highland Bali: Fieldwork Photographs of Bayung Gede, 1936-1937. Chicago: University of Chicago Press.
46. Trachtenberg, Alan 1989: Reading American Photographs. New York: Hill and Wang.
47. Vogt, Evon Z. and Clyde Kluckhohn, with Leonard McConde 1951: Navaho Means People. Cambridge, MA: Harvard University Press.
48. Wax, Rosalie and Murray Wax 1965: Film Review: "The Exiles". American Anthropologist 67(4): 1079-1080.
49. Weatherford, Elizabeth 1994: "Film and Video." In Native America in the Twentieth Century: An Encyclopedia, ed. Mary B. Davis, pp. 197-202. New York: Garland Publishing.
50. Wedel, Mildred Mott 2001: "Iowa." In Handbook of North American Indians, vol. 13 (The Plains), ed. Raymond de Mallie, pp. 432-446. Washington: Smithsonian Institution Press.
51. Worth, Sol and John Adair 1972: Through Navajo Eyes: An Exploration in Film Communication and Anthropology. Bloomington: Indiana University Press.
52. Zimmerman, L. J., K. P. Zimmerman, and L. R. Bruguier 2000: "Cyberspace Smoke Signals: New Technologies and Native American Ethnicity." In Indigenous Cultures in an Interconnected World, ed. C. Smith and G. K. Ward, pp. 69-86. St. Leonards, Australia: Allen and Unwin.
53. Bataille, Gretchen M. and Charles L. P. Silet, eds. 1980: The Pretend Indians: Images of Native Americans in the Movies. Ames: Iowa State University Press.
54. Blackman, Margaret 1981: Window on the Past. The Photographic Ethnohistory of the Northern and Kaigani Haida. Ottawa: National Museums of Canada.
55. Brigard, Emily de 1975: "History of Ethnographic Film." In Principles of Visual Anthropology, ed. Paul Hockings, pp. 13-43. The Hague: Mouton.
56. Carpenter, Edmund S. 1972: Oh, What a Blow that Phantom Gave Me! New York: Holt, Rinehart and Winston.
57. Collier, John 1957: "Photography in Anthropology: A Report on Two Experiments." American Anthropologist 59: 843-859.
58. El Guindi, Fadwa 2000: "From Pictorializing to Visual Anthropology." In Handbook of Methods in Cultural Anthropology, ed. Russell H. Bernard, pp. 459-512. Walnut Creek, CA: AltaMira Press.
59. Fleming, Paula R. and Judith Luskey 1988: The North American Indians in Early Photographs. New York: Dorset Press.
60. Friar, Ralph and Natasha Friar 1972: The Only Good Indian: The Hollywood Gospel. New York: Drama Book Specialists.
61. Gidley, Mick 1998: Edward S. Curtis and the North American Indian, Incorporated. Cambridge: Cambridge University Press.
62. Ginsburg, Faye 1995: "Mediating Culture: Indigenous Media, Ethnographic Film, and the Production of Identity." In Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography, ed. Leslie Devereux and Roger Hillman, pp. 256-291. Berkeley: University of California Press.
63. Heizer, Robert F. and Theodora Kroeber, eds. 1979: Ishi, the Last Yahi: A Documentary History. Berkeley: University of California Press.
64. Henley, Paul 2001: "Fewer Words, More Pictures." Times Literary Supplement, February 2, p. 27.
65. Hinsley, Curtis M. 1981: Savages and Scientists: The Smithsonian Institution and the Development of American Anthropology, 1846-1910. Washington: Smithsonian Institution Press.
66. Jacobs, Lewis 1979: The Documentary Tradition: From Nanook to Woodstock. New York: Hopkinson and Blake.
67. Johnson, Robert F. and Robert H. Shimshak 1986: The Power of Light: Daguerreotypes from the Robert Harshorn Shimshak Collection. San Francisco: Achenbach Foundation for Graphic Arts, California Palace of the Legion of Honor, Fine Arts Museums of San Francisco.
68. Kavanagh, Thomas W. 1994: American Indian Portraits: Photographs from the Wanamaker Expeditions. New York: Konecky and Konecky.
69. Kilpatrick, Jacquelyn 1999: Celluloid Indians: Native Americans and Film. Lincoln: University of Nebraska Press.
70. Kroeber, Theodora 1961: Ishi in Two Worlds: A Biography of the Last Wild Indian in North America. Berkeley: University of California Press.
71. Kroeber, Theodora 1964: Ishi, Last of his Tribe. Berkeley: Parnassus Press.
72. McBride, Bunny 1995: Molly Spotted Elk: A Penobscot in Paris. Norman: University of Oklahoma Press.
73. McBride, Bunny 1999: Women of the Dawn. Lincoln: University of Nebraska Press.
74. Macdougall, David 1975: "Beyond Observational Cinema." In Principles of Visual Anthropology, ed. Paul Hockings, pp. 109-124. The Hague: Mouton.
75. MacGregor, Gordon 1948: "Scudder Mekeel, 1902-1947." American Anthropologist 50(2): 95-99.
76. Mead, Margaret 1975: "Visual Anthropology in a Discipline of Words." In Principles of Visual Anthropology, ed. Paul Hockings, pp. 5-9. The Hague: Mouton.
77. Mead, Margaret and Rhoda Metraux, eds. 1953: The Study of Culture at a Distance. Chicago: University of Chicago Press.
78. Musser, Charles 1995: Thomas A. Edison and his Kinetographic Motion Pictures. New Brunswick, NJ: Rutgers University Press.
79. Pinney, Christopher 1992: "The Parallel Histories of Anthropology and Photography." In Anthropology and Photography, ed. Elizabeth Edwards, pp. 74-95. New Haven: Yale University Press.
80. Powdermaker, Hortense 1950: Hollywood the Dream Factory: An Anthropologist Looks at the Movie Makers. Boston: Little, Brown.
81. Prins, Harald E. L. 1989: "American Indians and the Ethnocinematic Complex: From Native Participation to Production Control." In Eyes Across the Water, ed. Robert M. Boonzajer Flaes, pp. 80-90. Amsterdam: Het Spinhuis.
82. Prins, Harald E. L. 1997: "Visual or Virtual Anthropology?" Reviews in Anthropology 26(4): 279-294.
83. Prins, Harald E. L. 1998: "The Paradox of Primitivism: Native Rights and the Problem of Imagery in Cultural Survival Films." Visual Anthropology 11(3): 253-255.
84. Prins, Harald E. L. 2001: "Digital Revolution: Indigenous Peoples in Cyberia." In Cultural Anthropology, ed. William Haviland (10th edn.), pp. 306-308. Fort Worth: Harcourt College Publishers.
85. Prins, Harald E. L. 2002: "Edmund Carpenter: Explorations in Media and Anthropology." Visual Anthropology Review 17(2): 110-140 (with John Bishop).
86. Prins, Harald E. L. 2002: "Historical Background Information: AAA Guidelines for the Professional Evaluation of Ethnographic Visual Media." American Anthropologist 104(1): 303-305.
87. Prins, Harald E. L. 2003: "Visuality in Indian Country: From Salvage Ethnography to Action Anthropology." High Plains Applied Anthropologist 23(1): 42-52.
88. Riffe, Jed and Pamela Roberts, directors 1996: Ishi, the Last Yahi (video). Newton, NJ: Shanachie Entertainment Corp.
89. Rollins, Peter C., ed. 2003: Hollywood's Indian: The Portrayal of the Native American in Film. 2nd edn. Lexington: University Press of Kentucky.
90. Russell, Catherine 2000: Experimental Ethnography: The Work of Film in the Age of Video. Durham, NC: Duke University Press.
91. Ryan, James R. 1998: Picturing Empire: Photography and the Visualization of the British Empire. Chicago: University of Chicago Press.
92. Scherer, Joanna Cohan 1975: "You Can't Believe Your Eyes: Inaccuracies in Photographs of North American Indians." Studies in the Anthropology of Visual Communication 2(2).
93. Scholte, Bob 1972: "Toward a Reflexive and Critical Anthropology." In Reinventing Anthropology, ed. Dell Hymes, pp. 430-457. New York: Random House.
94. Tomkins, Richard (producer) 1967: Ishi in Two Worlds (16 mm. film). New York: Contemporary Films.
95. Underhill, Ruth M. 1979: Papago Woman. New York: Holt, Rinehart and Winston.
96. Vermeulen, Han F. 1995: "Origins and Institutionalization of Ethnography and Ethnology in Europe and the USA, 1771-1845." In Fieldwork and Fieldnotes: Studies in the History of European Anthropology, ed. Han F. Vermeulem and Arturo Alvarez Roldan, pp. 39-59. London: Routledge.
97. Viola, Herman J. 2002: Diplomats in Buckskin. Washington: Smithsonian Institution Press.
98. Watson, Mary Ann 1989: "Adventures in Reporting: John Kennedy and the Cinema Verite Television Documentaries of Drew Associates." Film and History, 19(2): 26-43.
99. Weatherford, Elizabeth 1981: Native Americans of Film and Video. New York: Museum of the American Indian/Heye Foundation.
100. Weatherford, Elizabeth 1997: "Film and Video." In Native America in the Twentieth Century: An Encyclopedia, ed. Mary B. Davis, pp. 197-202. New York: Garland Publishing, Inc.
101. Weatherford, Elizabeth and Emilia Seubert 1988: Native Americans on Film and Video, vol. 2. New York: Museum of the American Indian/Heye Foundation.