The art of fugue: Bach fugues for keyboard, 1715-1750

The Art of Fugue: Bach Fugues for Keyboard, 1715-1750

Volumn , Issue , 2005, Pages

  Kerman, Joseph ^a  

^a NONE

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EID: 84887799418     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (38)

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2. Bullivant, Roger. Fugue. London: Hutchinson, 1971.
3. Busoni, Ferruccio. Zwei Kontrapunct-Studien für Klavier, nach Joh. Seb. Bach. Wiesbaden: Breitkopf & Härtel, 1917.
4. Busoni, Ferruccio, ed. The Well-Tempered Clavichord by Johann Sebastian Bach, Revised, Annotated, and Provided with Parallel Examples and Suggestions for the Study of Modern Pianoforte-Technique. New York: G. Schirmer, 1895.
5. Dickinson, A. E. F. Bach's Fugal Works. London: Pitman, 1956.
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7. Dufourcq, Norbert. Jean-Sébastien Bach, le maître de l'orgue. Paris: Floury, 1948.
8. Forkel, J. N. "On Johann Sebastian Bach's Life, Genius, and Works." In The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents, ed. Hans T. David and Arthur Mendel, rev. Christoph Wolff, pp. 417-82. New York: Norton, 1998.
9. Keller, Hermann. The Well-Tempered Clavier by Johann Sebastian Bach. Tr. Leigh Garden. New York: Norton, 1976.
10. Kerman, Joseph. "A (Bach) Fugue for Andrew." In Words on Music: Essays in Honor of Andrew Porter, ed. Claire Brook and David Rosen, pp. 92-98. New York: Pendragon, 2003.
11. Kerman, Joseph. "Bach's Greatest Hit." Review of Bachanalia, by Eric Lewin Altschuler. New York Review of Books, October 6, 1994, pp. 22-23.
12. Kerman, Joseph. "Fuga Super: Jesus Christus unser Heiland. A 4. Manualiter." In Musical Transformations and Musical Intuition: Eleven Essays in Honor of David Lewin, ed. Raphael Atlas and Michael Chernin, pp. 167-78. Roxbury, Mass.: Overbird Press, 1994.
13. Kerman, Joseph. "Salience and Serendipity" [on BWV 872/2]. In Remembering Oliver Strunk, Teacher and Scholar, ed. Christine Mueler and Pierluigi Petrobelli, pp. 35-43. New York: Pendragon, 2004.
14. Kerman, Joseph. "Tovey's Beethoven." In Write All These Down: Essays on Music, ch. 10. Berkeley: University of California Press, 1994.
15. Kirkpatrick, Ralph. Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse of Method. New Haven: Yale University Press, 1984.
16. Kerman, Joseph. Liner notes to Bach: Das wohltemperierte Clavier. Deutsche Grammophon LPM 18844-5. Rec. 1965.
17. Ledbetter, David. Bach's Well-tempered Clavier: The 48 Preludes and Fugues. New Haven: Yale University Press, 2002.
18. Markham, Michael. "'The Usefulness of Such Artworks': Expression, Analysis, and Nationalism in The Art of Fugue." repercussions 9 (2001): 33-75.
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20. Prout, Ebenezer. Fugue. London: Augener, 1891.
21. Riemann, Hugo. Analysis of J. S. Bach'sWohltemperirte Clavier: 48 Preludes and Fugues. Tr. J. S. Shedlock. 2 vols. London: Augener, 1890.
22. Rivera, Benito V. "Bach's Use of Hitherto Unrecognized Types of Countersubjects in the 'Art of Fugue'." Journal of the American Musicological Society 31 (1978): 344-62.
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24. Rosen, Charles, ed. Bach: The Fugue. Oxford Keyboard Classics, ed. Howard Ferguson. London: Oxford University Press, 1975.
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28. Spitta, Philipp. Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685-1750. Tr. Clara Bell and J. A. Fuller- Maitland. 3 vols. 1884. Reprint (2 vols.), New York: Dover, 1951.
29. Stauffer, George B. "'This Fantasia . . . Never Had its Like': On the Enigma and Chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903." Bach Studies 1 (1989): 160-82.
30. Thorau, Christian. "Richard Wagners Bach." In Bach und die Nachwelt, ed. Michael Heinemann and Hans-Joachim Hinrichsen, vol. 2, pp. 163-200. Laaber: Laaber, 1999.
31. Tomita, Yo. Bach Bibliography for the Global Community of Bach Scholars. www.music.qub.ac.uk/~tomita/bachbib/
32. Tovey, Donald Francis. "Commentary." In J. S. Bach: The Well- Tempered Clavier, ed. Richard Jones. 2 vols. London: Associated Board of the Royal Schools of Music, 1994.
33. Tovey, Donald Francis. A Companion to "The Art of Fugue" (Die Kunst der Fuge) [of] J. S. Bach. London: Associated Board of the Royal Schools of Music, 1931.
34. Tovey, Donald Francis. "A Listener's Guide to Die Kunst der Fuge." In Essays in Musical Analysis: Chamber Music, ed. Hubert Foss, pp. 75-89. London: Oxford University Press, 1944.
35. Tovey, Donald Francis, ed. Forty-Eight Preludes and Fugues by J. S. Bach. London: Associated Board of the Royal Schools of Music, 1924. Tovey's preface is reprinted with some omissions as "Commentary" in Jones, J. S. Bach: The Well-Tempered Clavier.
36. Wagner, Cosima. Cosima Wagner's Diaries 1878-1883. Ed. Martin Gregor-Dellin and Dietrich Mack, tr. Geoffrey Skelton. New York: Harcourt, 1980.
37. Williams, Peter. The Chromatic Fourth During Four Centuries of Music. Oxford: Clarendon Press, 1997.
38. Yearsley, David. Bach and Meanings of Counterpoint. Cambridge: Cambridge University Press, 2002.