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1
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84904519530
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Nature
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in Spiller, R. E. and Ferguson, A. R. (eds), [using text of 1836 edition of Nature, Boston: James Munroe & Co], Cambridge, MA, and London: Belknap Press of Harvard University Press
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Emerson, R. W., "Nature," in Spiller, R. E. and Ferguson, A. R. (eds), Nature, Addresses, and Lectures, [using text of 1836 edition of Nature, Boston: James Munroe & Co], (1979), Cambridge, MA, and London: Belknap Press of Harvard University Press, p. 7.
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(1979)
Nature, Addresses, and Lectures
, pp. 7
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Emerson, R.W.1
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2
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84905612075
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The Meditative Mind: The Varieties of Meditative Experience (Los Angeles, CA: Jeremy P. Tarcher, 1988), or the issue on "Meditation,", April 1977
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On meditation see e.g. Goleman, Daniel, The Meditative Mind: The Varieties of Meditative Experience (Los Angeles, CA: Jeremy P. Tarcher, 1988), or the issue on "Meditation," Journal of Dharma, II, 2, April 1977.
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(1988)
Journal of Dharma
, vol.II
, Issue.2
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Goleman, D.1
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3
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0002230691
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The Physiology of Meditation
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e.g. in, in, February
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e.g. in Wallace, Robert Keith, and Herbert Benson, "The Physiology of Meditation," in Scientific American (February 1972), pp. 84-90.
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(1972)
Scientific American
, pp. 84-90
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Wallace, R.K.1
Herbert, B.2
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5
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84905631887
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Meditation
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See e.g., op. cit., or the issue on, op. cit
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See e.g. Goleman, D. op. cit., or the issue on "Meditation," Journal of Dharma, op. cit.
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Journal of Dharma
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Goleman, D.1
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6
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84905612076
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The work of art is apprehended through the feelings as well as through the senses. Emotional numbness disables here as definitely if not as completely as blindness or deafness"
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This presupposes the ability of entering into a contemplative state (see endnote 3), triggered by aspects of the work. Each individual cannot respond equally or with equal intensity, however, due to, as pointed out by Nelson Goodman with respect to art, [my italics]
-
This presupposes the ability of entering into a contemplative state (see endnote 3), triggered by aspects of the work. Each individual cannot respond equally or with equal intensity, however, due to differing degrees of receptivity-as pointed out by Nelson Goodman with respect to art: "The work of art is apprehended through the feelings as well as through the senses. Emotional numbness disables here as definitely if not as completely as blindness or deafness" [my italics].
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Differing degrees of receptivity
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7
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0004261997
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See, Indianapolis, IN: Hackett
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See Goodman, N., Languages of Art (1976), Indianapolis, IN: Hackett, p. 248.
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(1976)
Languages of Art
, pp. 248
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Goodman, N.1
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8
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84905619194
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Not one leaf, nor plant, nor one flower
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For a short history of the commission's evolution and how the Mexican architect Luis Barragan inspired Kahn to make the courtyard a plaza with, in it, see, Salk Institute for Biological Studies," in Brownlee, D. B. and De Long, D. G., Louis I Kahn, New York: Rizzoli
-
For a short history of the commission's evolution and how the Mexican architect Luis Barragan inspired Kahn to make the courtyard a plaza with "not one leaf, nor plant, nor one flower" in it, see Friedman, D. S., "Salk Institute for Biological Studies," in Brownlee, D. B. and De Long, D. G., Louis I Kahn: In the Realm of Architecture (1991), New York: Rizzoli, pp. 434-9.
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(1991)
In the Realm of Architecture
, pp. 434-439
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Friedman, D.S.1
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9
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0040316199
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Boston MA: Beacon Press
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Bachelard, G., The Poetics of Reverie: Childhood, Language, and the Cosmos (1971), Boston MA: Beacon Press, p. 173.
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(1971)
The Poetics of Reverie: Childhood, Language, and the Cosmos
, pp. 173
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Bachelard, G.1
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10
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84905601980
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ed., New York: Rizzoli International
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Latour, A. (ed.), Louis I. Kahn: Writings, Lectures, Interviews (1991), New York: Rizzoli International, p. 208.
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(1991)
Louis I. Kahn: Writings, Lectures, Interviews
, pp. 208
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Latour, A.1
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11
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84905631882
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I. op. cit.
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Scheffler, I. op. cit., p. 62.
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-
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Scheffler1
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12
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84905612016
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Silence and Light
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From, reprinted in Latour, op. cit.
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From "Silence and Light," reprinted in Latour, op. cit., p. 246.
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-
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13
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84905631883
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In, op. cit.
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In Spiller, and Ferguson, op. cit., p. 10.
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Spiller, F.1
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14
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0010918160
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For the cemetery's history'its design evolution see especially Stockholm: Byggforlaget, and
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For the cemetery's history and its design evolution see especially Constant, C. (1994) The Woodland Cemetery: Toward a Spiritual Landscape, Stockholm: Byggforlaget, and
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(1994)
The Woodland Cemetery: Toward a Spiritual Landscape
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Constant, C.1
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