Music and nationalism: Five historical moments

Nationalism and Ethnosymbolism: History, Culture and Ethnicity in the Formation of Nations

Volumn , Issue , 2006, Pages 55-67

  Samson, Jim ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84882364274     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (22)

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4. Brown, Julie (2000), 'Bartók, the gypsies, and hybridity in music', in Georgina Born and David Hesmondhalgh (eds), Western Music and its Others: Diff erence, Representation, and Appropriation in Music, Berkeley: University of California Press.
5. Collin, Matthew (2001), Th is is Serbia Calling, London: Serpent's Tail.
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11. Johansen, David Monrad (1924), 'Nationale verdier I vor musik', Aft enposten, 5-9 July 1924.
12. Kleiberg, Ståle (2001), 'Following Grieg: David Monrad Johansen's musical style in the early Twenties, and his concept of a national music', in Harry White and Michael Murphy (eds), Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture, 1800-1945, Cork: University of Cork Press.
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22. Winter-Hjelm, Otto (1866),'Om norsk kunst og nogle Komposistioner af Edvard Grieg', Morgenbladet, 14 and 16 September 1866.