IS THE PLAYER MORE INFLUENCED BY THE AUDITORY THAN THE TACTILE FEEDBACK FROM THE INSTRUMENT?

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2001, Pages

  Dahl, Sofia ^a   Bresin, Roberto ^a  

^a ROYAL INSTITUTE OF TECHNOLOGY   (Sweden)

Author keywords

[No Author keywords available]

Indexed keywords

AUDITORY FEEDBACK; BREAKPOINT; MATCHING SOUND; TACTILE FEEDBACK; TIMING ERRORS;

EID: 84881565012     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (6)

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2. Bresin, R., Friberg, A., and Dahl, S. “Toward a new model for sound control”, In Proceedings of DAFx01, 2001
3. Boulanger, R. and Mathews, M. “The 1997 Mathews radio-baton & improvisation modes”, Proc. of the International Computer Music Conference, pp. 395-398, 1997
4. Puckette, M. “Pure Data”, Proc. International Computer Music Conference, San Francisco: International Computer Music Association, pp. 269 -272, 1996
5. ddrum4, registred trademark of Clavia Digital Musical Instruments AB, http://www.clavia.se/ddrum.htm
6. Madison, G. “Drumming Performance with and without clicktrack - the validity of the internal clock in expert synchroisation”, Proc. Fourth Workshop on Rhythm Perception & Production - Bourges, France, pp. 117-122, 1992