Precepts for digital artwork

Fluid Screens, Expanded Cinema

Volumn , Issue , 2007, Pages 304-320

  Cubitt, Sean ^a,b  

^a UNIVERSITY OF MELBOURNE   (Australia)

^b UNIVERSITY OF DUNDEE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84881009544     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (22)

1. Walter Benjamin, 'The Task of the Translator,' in Selected Writings, vol. 1, 1913-1926, ed. Marcus Bullock and Michael W. Jennings (Cambridge, MA: Bellknap Press/Harvard University Press, 1996), 253-63.
2. Theodor W. Adorno, Aesthetic Theory, ed. Gretel Adorno and Rolf Tiedemann, trans. Robert Hullot-Kentor (London: Athlone Press, 1997), 56-7.
3. Coco Fusco, The Bodies That Were Not Ours and Other Writings (London: Iniva/Routledge, 2001).
4. Hayden White, 'The Modernist Event,' in The Persistence of Memory: Cinema, Television and the Modern Event, ed. Vivian Sobchack (London: Routledge, 1996).
5. Margaret Morse, Virtualities: Television, Media Art, and Cyberculture (Bloomington: Indiana University Press, 1998).
6. Saskia Sassen, The Global City: New York, London, Tokyo (Princeton, NJ: Princeton University Press, 1991).
7. Manuel Castells, The Information Age: Economy, Society and Culture, vol. 1, The Rise of the Network Society (Oxford: Blackwell, 1996).
8. Gilles Deleuze and Félix Guattari, L'Anti-Oedipe, vol. 1, and Mille Plateaux, vol. 2, Capitalisme et Schizophrénie (Paris: Éditions de Minuit, 1972, 1980).
9. Paul Virilio, Open Sky, trans. Julie Rose (London: Verso, 1997).
10. Benjamin, Walter, 'The Author as Producer,' in Selected Writings, vol. 2, part 2, 1931-1934, ed. Michael W. Jennings, Howard Eiland, and Gary Smith (Cambridge, MA: Bellknap Press/Harvard University Press, 1999), 768-82.
11. Sawad Brooks, http://www.thing.net/~sawad/erase/trait/text.html, 2000.
12. David Gelernter, The Aesthetics of Computing (London: Phoenix, 1998).
13. D.N. Rodowick, Gilles Deleuze's Time Machine (Durham, NC: Duke University Press, 1997), 192.
14. Umberto Eco, Faith in Fakes: Travels in Hyperreality, trans. William Weaver (London: Minerva, 1986), 93.
15. Jay David Bolter and Diane Gromala, Windows and Mirrors: Interaction Design, Digital Art and the Myth of Transparency (Cambridge, MA: MIT Press, 2003).
16. Tim Berners-Lee, with Mark Fischetti, Weaving the Web (London: Orion, 1999).
17. Ken Goldberg, ed., The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet (Cambridge, MA: MIT Press, 2000).
18. Andy Deck, 'Curatorial Algorithms and Malleable Aesthetics,' Millennium Film Journal 34 (1999): 82-91.
19. Timothy Druckrey, 'Netopos. Notopos: The Fate of Reason in the Global Network: Teleology, Telegraphy, Telephony, Television, Telesthetics,' in Ars Electronica: Facing the Future, ed. Timothy Druckrey and Ars Electronica (Cambridge, MA: MIT Press, 1999), 311.
20. Terry Flew, New Media: An Introduction (Oxford: Oxford University Press, 2002), 154-9.
21. Armand Mattelart, The Information Society, trans. Susan G. Taponier and James A. Cohen (London: Sage, 2003), 125-6.
22. Christopher May, The Information Society: A Sceptical View (Cambridge, UK: Polity Press, 2002).