Interversions

Perennial Decay: On the Aesthetics and Politics of Decadance

Volumn , Issue , 2015, Pages 35-49

  Spackman, Barbara ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84880888908     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (12)

1. Bernheimer, Charles. “The Decadent Subject.” L’Esprit CréateurZZ: 4 (1992): 53-62.
2. Bernheimer, Charles “Huysmans: Writing Against (Female) Nature.” In The Female Body in Western Culture, ed. Susan Suleiman, 384-85. Cambridge: Harvard University Press, 1985.
3. Craft, Christopher. "‘Kiss Me with Those Red Lips’: Gender and Inversion in Bram Stoker’s Dracula” In Speaking of Gender, ed. Elaine Showalter, 216-42. New York: Routledge, 1989.
4. de Lauretis, Teresa. “Sexual Indifference and Lesbian Representation.” Theatre Journal 40.2 (1988): 155-77.
5. Felski, Rita. The Gender of Modernity. Cambridge: Harvard University Press, 1995.
6. Freud, Sigmund. Standard Edition of the Complete Psychological Works of Sigmund Freud. 24 vols. London: Hogarth Press, 1966-74.
7. Gaillard, Francoise. “A rebours ou 1‘inversion des signes.” In L’esprit de decadence, Colloque de Nantes 1, 129-40 Paris: Librairie Minard, 1980.
8. Huysmans, Joris-Karl. A rebours. Ed. Marc Fumaroli. Paris: Gallimard, 1977.
9. Huysmans, Joris-Karl Against Nature. Trans. Robert Baldick. 1959. New York: Penguin, 1979.
10. Irigaray, Luce. Speculum of the Other Woman. Trans. Gillian C. Gill. Ithaca: Cornell University Press, 1985.
11. Irigaray, Luce This Sex Which Is Not One. Trans. Catherine Porter and Carolyn Burke. Ithaca: Cornell University Press, 1985.
12. Laplanche, Jean. Castrations/Symbolisations. Paris: Presses Universitaires de France, 1980.