'Harmonic daring' and symphonic design in the Sixth Symphony: An essay in historical musical analysis

Perspectives on Anton Bruckner

Volumn , Issue , 2017, Pages 185-205

  Korstvedt, Benjamin M ^a  

^a UNIVERSITY OF ST THOMAS   (United States)

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EID: 84880079404     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (28)

1. Hans-Hubert Schönzeler, Bruckner (New York: Grossman, 1970), p. 67
2. Nico P. H. Steffen, 'Die Bruckner-Tradition des Königlichen Concertgebouw-Orchester, Teil 6', in Studien und Berichte (Newsletter of the International Bruckner Gesellschaft), 45 (December 1995), pp. 5-17
3. Haas wrote, 'In practice, she is a stepchild among her sisters' ('Sie ist in der Praxis das Stiefkind unter ihren Schwestern'), Anton Bruckner (Potsdam: Athenaion, 1934), p. 137
4. Werner Wolff, Anton Bruckner: Rustic Genius (New York: Dutton, 1942), p. 218
5. Hermann Odermatt, Bruckner Symphonien (Zurich: Apollo Verlag, 1949), p. 16
6. Hans Redlich, Symphony a 'problem child', Bruckner and Mahler (London: Dent, 1955), p. 95
7. Leopold Nowak, Anton Bruckner Sämtliche Werke: VL Symphonie A-Dur, Revisionsbericht (Vienna: Musikwissenschaftlicher Verlag, 1986), p. 75
8. Robert Helm, Review of Bruckner's Sixth Symphony, Deutsche Zeitung, 28 February 1899; rpt. in Haas and Nowak, VL Symphonie A-Dur, Revisionsbericht, pp. 74-5
9. Kurth, Bruckner (Berlin: Max Hesses Verlag, 1925), vol. 1, pp. 545-6
10. Edward Cone, Musical Form and Musical Performance (New York: W.W. Norton, 1968), pp. 76-78
11. Charles Rosen, Sonata Forms, rev. edn (New York: W.W. Norton, 1988), p. 229
12. Peter Benary, 'Zu Anton Bruckners Personalstil', in Musiktheorie 8 (1993), p. 128
13. Lee Rothfarb, Ernst Kurth: Selected Writings (Cambridge: Cambridge University Press, 1991), p. 163
14. 'Dissonant Prolongation: Theoretical and Compositional Precedents', in Journal of Music Theory, 20 (1976), p. 57
15. 'The Music' in Lucy Beckett, Richard Wagner: Parsifal (Cambridge: Cambridge University Press, 1981), p. 65
16. Mary Whittall (Berkeley and Los Angeles: University of California Press, 1980), p. 74
17. 'The 'Kecke Beserl' and Bruckner's Symphonic Tradition' in Atti del XIV Congresso della Società Intemazionale di Musicologica Bologna, 1987, ed. Angelo Pomilio, et al. (Turin: Edizioni di Torino, 1990), voi. 3, p. 813
18. 'Wagner, the Overture and the Aesthetics of Musical Form', in Nineteenth Century Music, 12 (1988), p. 11
19. Ernst Kurth, Romantische Harmonie und ihre Krise in Wagners 'Tristan', 3rd. edn (Berlin: Max Hesses Verlag; 1923
20. Carl Dahlhaus, Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley and Los Angeles: University of California Press, 1989), p. 273
21. Carolyn Abbate, 'Wagner, 'On Modulation', and Tristan', in Cambridge Opera Journal, 1 (1989), p. 37
22. 'über die Anwendung der Musik auf das Drama', in Bayreuther Blätter, November 1879
23. Richard Wagners gesammelte Schriften, ed. Julius Kapp (Leipzig: Hesse & Becker Verlag, n.d.), voi. 13, p. 284
24. Klaus Kropfinger, Wagner and Beethoven: Richard Wagner's Reception of Beethoven, trans. Peter Palmer (Cambridge: Cambridge University Press, 1991), p. 253
25. Thomas Grey, Wagner's Musical Prose (Cambridge: Cambridge University Press, 1995), p. 313
26. Studien zur musikalischen Exegetik (Wiesbaden: Breitkopf und Härtel, 1980), pp. 158-60
27. Göllerich and Auer, Anton Bruckner: eine Lebens-und Schaffens-Bild, 4 vols, in 9 parts (Regensburg: Gustav Bosse Verlag, 1922-37), vol. 2, part 1, p. 270
28. Tn und Jenseits der Tradition: zur Sechsten Symphonie Anton Bruckners', in österreichische Musikzeitschrift, 51 (1996), p. 28