The Adagio of the Sixth Symphony and the anticipatory tonic recapitulation in Bruckner, Brahms and Dvořák

Perspectives on Anton Bruckner

Volumn , Issue , 2017, Pages 206-227

  Jackson, Timothy L ^a  

^a UNIVERSITY OF NORTH TEXAS   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84880073910     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (28)

1. Remembered, ed. Stephen Johnson (London: Faber and Faber, 1998), p. 160
2. Timothy L. Jackson, 'Observations on Crystallization and Entropy: Sexuality and Auxiliary Cadences in the Music of Jean Sibelius and Other Composers', in Sibelius Studies, ed. Timothy L. Jackson and Veijo Murtomäki (Cambridge: Cambridge University Press 2000), pp. 175-273
3. Heinrich Schenker, D er freie Satz. N eue m usikalische Theorien und Phantasien (Vienna: Universal Edition, 1935)
4. Ernst Oster, Free C om position (New York: Longman 1979), pp. 133-40
5. David Beach, 'Schubert's Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure', in Music Theory Spectrum, 15 (1993): 1-18
6. Carl Schächter, 'Mozart's Last and Beethoven's First: Echoes of K. 551 in the First Movement of Opus 21', in M ozart Studies, ed. Cliff Eisen (Oxford: Clarendon Press, 1991), pp. 227-51
7. Timothy L. Jackson, 'The Tragic Reversed Recapitulation in the German Classical Tradition', in Jo u rn al of Music Theory, 40 (1996), pp. 23-72
8. 'The Finale of Bruckner's Seventh Symphony and Tragic Reversed Sonata Form', in Bruckner Studies, eds. Timothy L. Jackson and Paul Hawkshaw (Cambridge: Cambridge University Press, 1996), pp. 140-208
9. Tchaikovsky's Sixth Sym phony (Cambridge: Cambridge University Press, 1999)
10. Jack Adrian, 'The Function of the Apparent Tonic at the Beginning of Development Sections', in Intégral, 5 (1990), pp. 1-53
11. 'The Ternary-Sonata Form', in Jo u rn al o f Music Theory ; 34 (1990), pp. 57-80
12. Robert Morgan, 'The Delayed Structural Downbeat and its Effect on the Tonal and Rhythmic Structure of Sonata Form' (Ph.D. diss., Princeton University, 1969)
13. James Flepokoski, Sibelius: Symphony No. 5 (Cambridge: Cambridge University Press, 1993)
14. 'Fiery-Pused Libertine or Domestic Hero? Strauss's Don Juan Revisited', in Richard Strauss. New Perspectives on the Composer and His Work, ed. Bryan Gilliam (Durham: Duke University Press), pp. 135-76
15. Robert Pascali, 'Some Special Uses of Sonata Form by Brahms', in Soundings, 4 (1974), p. 59
16. David B. Nivans, 'Brahms and the Binary Sonata: A Structuralist Interpretation' (Ph. D. diss., University of California, Los Angeles, 1992), p. 89
17. Daniel Gregory Mason, The Chamber Music of Brahms (New York: AMS, 1933, repr. 1970), p. 26
18. Ivor Keys, Brahms Chamber Music (Seattle: University of Washington Press, 1974), p. 14
19. James Webster, 'Schubert's Sonata Form and Brahms's First Maturity', in 19th-Century Music, 2 (1974), pp. 18-35, 19th-Century Music, 3 (1975), pp. 52-71
20. Walter Frisch, Brahms and the Principle of Developing Variation (Berkeley: University of California Press, 1984), p. 71
21. Michael Musgrave, The Music of Brahms (London, Boston and Henley: Routledge and Kegan Paul, 1985), p. 99
22. William Rothstein, Review of Walter Frisch, Brahms and the Principle of Developing Variation, Journal of Music Theory, 30 (1986), p. 287
23. Edwin Evans, Handbook to the Chamber and Orchestral Music of Johannes Brahms. Vols. 2-3 (New York: Burt Franklin (1912-1938) 1970)
24. David Edward Fenske, 'Texture in the Chamber Music of Johannes Brahms' (Ph.D. diss., University of Wisconsin, 1973), p. 266
25. Timothy L. Jackson, 'Diachronic Transformation in a Schenkerian Context. A Study of the Brahms Haydn Variations Op. 56a-b', in Schenker Studies 2, eds. Hedi Siegel and Carl Schächter (Cambridge: Cambridge University Press, 1999), pp. 239-75
26. Jackson, 'Observations on Crystallization and Entropy', in Sibelius Studies, pp. 200-4)
27. Timothy L. Jackson, 'Die Wagner'sche 'Umarmungs'-Metapher bei Bruckner und Wagner', in Bruckner-Problem, Beiheft der Archiv für Musikwissenschaft, ed. Albrecht Riethmüller (Stuttgart: Franz Steiner Verlag, 1999), pp. 134-52
28. R. Larry Todd, 'Strauss before Liszt and Wagner', in New Perspectives on Richard Strauss, ed. by Bryan Gilliam, Duke University Press, 1992, p. 4