A probabilistic framework for audio-based tonal key and chord recognition

Studies in Classification, Data Analysis, and Knowledge Organization

Volumn , Issue , 2007, Pages 637-644

  Catteau, Benoit ^a   Martens, Jean Pierre ^a   Leman, Marc ^a  

^a GHENT UNIVERSITY   (Belgium)

Author keywords

[No Author keywords available]

Indexed keywords

DATA HANDLING; INFORMATION ANALYSIS;

AUDIO-BASED; CHORD RECOGNITION; MUSIC THEORY; PERCEPTUAL SIMILARITY; PROBABILISTIC FRAMEWORK; TRAINING DATA; TRANSITION MODEL; TRANSITION PROBABILITIES;

MOTION COMPENSATION;

EID: 84879557087     PISSN: 14318814     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1007/978-3-540-70981-7_73     Document Type: Conference Paper

References (9)

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2. IZMIRLI, Ö. (2005): Tonal Similarity from Audio Using a Template Based Attractor Model. In: Procs 6th Int. Conference on Music Information Retrieval (ISMIR 2005). London, 540-545.
3. KRUMHANSL, C. and KESSLER, E. (1982): Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys. Psychological Review, 89, 334-368.
4. LEMAN, M. (2000): An Auditory Model of the Role of Short-term Memory in Probe-tone Ratings. Music Perception, 17, 435-464.
5. LERDAHL, F. (2001): Tonal Pitch Space. Oxford University Press, New York.
6. PAUWS, S. (2004): Musical Key Extraction from Audio. In: Proc. of the 5th Int. Conference on Music Information Retrieval (ISMIR 2004). Barcelona, 96-99.
7. SHENOY, A. and WANG, Y. (2005): Key, Chord, and Rhythm Tracking of Popular Music Recordings. Computer Music Journal, 29, 3, 75-86.
8. TEMPERLEY, D. (1999): What's Key for Key? The Krumhansl-Schmuckler Key- Finding Algorithm Reconsidered. Music Perception, 17, 1, 65-100.
9. TERHARDT, E., STOLL, G. and SEEWANN, M. (1982): Algorithm for Extraction of Pitch and Pitch Salience for Complex Tonal Signals. Soc. Am., 71, 679-688.