Real-time generation of music notation via audience interaction using python and gnu lilypond

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2005, Pages 240-241

  Baird, Kevin C ^a  

^a UNIVERSITY AT BUFFALO   (United States)

Author keywords

Audience; Interactive; Lilypond; Notation; Python; Stochastic

Indexed keywords

HIGH LEVEL LANGUAGES; MUSIC; OPEN SOURCE SOFTWARE; STOCHASTIC SYSTEMS;

AUDIENCE; AUDIENCE INTERACTION; INTERACTIVE; INTERACTIVE MUSIC; LILYPOND; MUSIC NOTATION; MUSIC PERFORMANCE; NOTATION; REAL- TIME; STOCHASTICS;

PYTHON;

EID: 84876652585     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (9)

1. Baird, Kevin C. “No Clergy: Real-Time Generation and Modification of Music Notation.” In Proceedings of the 2005 Spark Festival (University of Minnesota, Minneapolis, Minnesota, Feb 16-20, 2005), 40-41.
2. Baird, Kevin C. “Generating Music Notation in Real Time.” In Linux Journal, 128 (Dec. 2004), 72-76.
3. Baird, Kevin C. “Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System.” In Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03) (McGill University, Montreal, Canada, May 22-24, 2003). McGill University Faculty of Music, Montreal, Canada, 2003, 211-212.
4. Brown, Earle. Available Forms I & II. Associated Music Publishers, Inc., 1962.
5. Dodge, Charles and Thomas A. Jerse. Computer Music. Schirmer Books, 1985.
6. Hiller, Lejaren A., Jr. and Leonard M. Isaacson. ILIAC Suite for String Quartet. New Music Edition, 1957.
7. Nienhuys, Han-Wen and Jan Nieuwenhuizen. GNU Lilypond. http://www.lilypond.org.
8. Recordare, Inc. MusicXML. http://www.recordare.com/xml.html.
9. Stockhausen, Karlheinz. Klavierstücke. Universal Edition, 1954.