Disdained everyday fields: Response to Thomas S. Davis

Modernism and Theory: A Critical Debate

Volumn , Issue , 2008, Pages 80-85

  Highmore, Ben ^a  

^a UNIVERSITY OF SUSSEX   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84876059476     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203870860     Document Type: Chapter

References (11)

1. Barthes, R. (1973) Mythologies, trans. A. Lavers, London: Granada.
2. Clark, T. J. (1985) 'Clement Greenberg's Theory of Art,' in F. Frascina (ed.) Pollock and After: The Critical Debate, London: Harper Row.
3. Freud, S. (1983) 'Three Essays on Sexuality', in On Sexuality Volume 7: Pelican Freud Library, Harmondsworth: Penguin.
4. Giedion, S. (1995) Building in France, Building in Iron, Building in Ferro-concrete, trans. J. D. Berry, Santa Monica: The Getty Centre for the History of Art and the Humanities.
5. Ginzburg, G. (1996) 'Making Things Strange: The Prehistory of a Literary Device', Representations 56: 8-28.
6. Lefebvre, H. (1995) Introduction to Modernity, trans. J. Moore, London: Verso.
7. Kracauer, S. (1995) The Mass Ornament: Weimar Essays, trans. T. Y. Levin, Cambridge, MA: Harvard University Press.
8. Massey, A. (1995) The Independent Group: Modernism and Mass Culture in Britain 1945-59, Manchester: Manchester University Press.
9. Shklovsky, V. (1965 [1917]) 'Art as Technique', in L. T. Lemon and M. J. Reis (trans.) Russian Formalist Criticism: Four Essays, Lincoln and London: University of Nebraska Press.
10. Shklovsky, V. (1965 [1921]) 'Sterne's Tristram Shandy: Stylistic Commentary', in L. T. Lemon and M. J. Reis (trans.) Russian Formalist Criticism: Four Essays, Lincoln and London: University of Nebraska Press.
11. Watney, S. (1982) 'Making Strange: The Shattered Mirror', in V. Burgin (ed.) Thinking Photography, London: Macmillan.